Difference between revisions of "Diversity in Arab music - examples"
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Preeminent living tarab master | Preeminent living tarab master | ||
| − | * [http://www.youtube.com/watch?v=jOj_pIhsqkw Qul lil-maliha] | + | * [http://www.youtube.com/watch?v=jOj_pIhsqkw Qul lil-maliha]. A traditional ''mawwal''. Observe: musical-poetic control, singer-instrumentalist interaction, singer-audience interaction, ambiguously evocative text, repetition, improvisation, spontaneous instrumental fills. ''Qul lil-maliha fil-khammar al-aswadi<br> |
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Madha fa`alti bi nasikin muta`abbidi?''<br> | Madha fa`alti bi nasikin muta`abbidi?''<br> | ||
Tell the beautiful girl in the black veil<br> | Tell the beautiful girl in the black veil<br> | ||
Revision as of 17:15, 2 September 2014
Contents
Sabah Fakhri
(b. 1933, Aleppo, Syria)
Preeminent living tarab master
- Qul lil-maliha. A traditional mawwal. Observe: musical-poetic control, singer-instrumentalist interaction, singer-audience interaction, ambiguously evocative text, repetition, improvisation, spontaneous instrumental fills. Qul lil-maliha fil-khammar al-aswadi
Madha fa`alti bi nasikin muta`abbidi?
Tell the beautiful girl in the black veil
What did you do with a pious ascetic?
Miami Band
From Kuwait.
- Habaanko. Habaanko (audio), Habbanko (video). (The habban is a traditional Kuwaiti bagpipe.)
Marcel Khalife
- I pass by your name (audio)(video)
- Passport
- al-Zaghareed (from Al Andalus suite)
