Difference between revisions of "Critique of "Arab music" history"

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* Touma's reading (projection of contemporary Arab nationalism into the past)
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* Touma's tends to project  contemporary Arab nationalism into the past)
* My reading of "Arab music"
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* My reading of "Arab music":
 +
 
 +
** Arab self-consciousness rises with Islam.
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** So does multiculturalism, esp. Persian influence.
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** Irony: concept of al-ghina' al-`arabi arises with Persian influence
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** True "Arab" music is pre-Islamic (Beduin ethos)
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** Islam tended to reject the non-Arab
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** Abbasid period was less Arab, more Persian
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** Rise of musta`riba (Arabized) class. 
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** Ethnicity is ambiguous.  Islamization, Arabization vs. lineage and region.
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** Is Abbasid culture really Arab? Multiculturalism, on an more equal footing.
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** Ambiguous ethnicity (e.g. al-Farabi himself)
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** Universalism in treatises (e.g. al-Farabi)
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** Andalusia: likewise multicultural.
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** "Arab singing" tends to mean Beduin. 
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** Later Abbasid period:  Persian and Arabic singing share a single musical tonal system.
 +
** Eclipse (1258-1800).  Ibn Khaldun:  "Arab" is pejorative, or primitive culture.

Revision as of 16:33, 15 January 2008

  • Touma's tends to project contemporary Arab nationalism into the past)
  • My reading of "Arab music":
    • Arab self-consciousness rises with Islam.
    • So does multiculturalism, esp. Persian influence.
    • Irony: concept of al-ghina' al-`arabi arises with Persian influence
    • True "Arab" music is pre-Islamic (Beduin ethos)
    • Islam tended to reject the non-Arab
    • Abbasid period was less Arab, more Persian
    • Rise of musta`riba (Arabized) class.
    • Ethnicity is ambiguous. Islamization, Arabization vs. lineage and region.
    • Is Abbasid culture really Arab? Multiculturalism, on an more equal footing.
    • Ambiguous ethnicity (e.g. al-Farabi himself)
    • Universalism in treatises (e.g. al-Farabi)
    • Andalusia: likewise multicultural.
    • "Arab singing" tends to mean Beduin.
    • Later Abbasid period: Persian and Arabic singing share a single musical tonal system.
    • Eclipse (1258-1800). Ibn Khaldun: "Arab" is pejorative, or primitive culture.