Difference between revisions of "Call to prayer (adhan)"

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The Shiites add three additional lines:
 
The Shiites add three additional lines:
* after "Ashhadu anna Muhammad rasul Allah": Ashhadu an `Ali wali Allahu (I testify that Ali is close to God),
+
* after "Ashhadu anna Muhammad rasul Allah": Ashhadu an `Ali wali Allahu (I testify that Ali is close to God), Ashhadu an `Ali hujjat Allah (I testify that Ali is proof of God)
Ashhadu an `Ali hujjat Allah (I testify that Ali is proof of God)
 
 
* after  "Hayya ‘ala al-falah": Hayy `ala khayr al-`amal (2x) (come to the best of works)
 
* after  "Hayya ‘ala al-falah": Hayy `ala khayr al-`amal (2x) (come to the best of works)
 +
 +
'''More Adhan recordings'''
  
 
[http://www.youtube.com/watch?v=N0toOHfKFaE a very beautiful Iranian Adhan performed by Moazenzadeh Ardebili who was from Azarbayejan (a Turkish-speaking province in northwest of Iran]  
 
[http://www.youtube.com/watch?v=N0toOHfKFaE a very beautiful Iranian Adhan performed by Moazenzadeh Ardebili who was from Azarbayejan (a Turkish-speaking province in northwest of Iran]  

Revision as of 10:17, 13 March 2018

The adhan is the call to prayer, established in the early Medinan community, and performed prior to each prayer - live (acoustic, or amplified), and mediated (radio, TV). The first performer was the Prophet’s Ethiopian muezzin Bilal ibn Rabah, spiritual ascendent of certain Muslim orders (e.g. Gnawa) and dynasties (the Keita, rulers of Mali). Maqamat are used effectively here - the call can be performed in nearly any maqam.


  • Islam's link to Aksumite kingdom in Ethiopia (Habasha) - site of the first hijra; and birthplace of the freed slave Bilal ibn Rabah al-Habashi, Islam's first mu'adhdhin - as well as spiritual progenitor of Keita dynasty (rulers of Mali 12th - 17th centuries) and various sub-saharan subcultures of North Africa (e.g. Gnawa, Stambeli)
  • Origin of adhan (see 1:20:00; from Moustapha Akkad's film, al-Risala, a biopic about the Prophet Muhammad)
  • Map of adhan and geocultural performance styles
    • Melody
    • Group
    • Local musical sound


The musical style of the adhan may index musical ability, geo-cultural region, and theological doctrine.

Compare Adhans around the World on this google map. Click on the balloons to hear each call.

The text varies between communities of Sunna and Shi`a Muslims.

Sunna

The Sunni call

The text:

Allahu akbar Allahu akbar (2x)
Ashhadu an la ilaha illa Allah (2x)
Ashhadu anna Muhammad rasul Allah (2x)
Hayya ‘ala al-salah (2x)
Hayya ‘ala al-falah (2x)
al-salatu khayrun min al-nawm+ (2x)
Allahu akbar Allahu akbar
la ilaha illa Allah

The meaning:

God is greater (4x)
I testify that there is no deity but God (2x)
I testify that Muhammad is the messenger of God (2x)
Come to prayer! (2x)
Come to salvation! (2x)
Prayer is better than sleep. (2x) +
God is greater (2x)
There is no deity but God.


+performed at dawn prayer only

Shi`a

The Shiite call

The Shiites add three additional lines:

  • after "Ashhadu anna Muhammad rasul Allah": Ashhadu an `Ali wali Allahu (I testify that Ali is close to God), Ashhadu an `Ali hujjat Allah (I testify that Ali is proof of God)
  • after "Hayya ‘ala al-falah": Hayy `ala khayr al-`amal (2x) (come to the best of works)

More Adhan recordings

a very beautiful Iranian Adhan performed by Moazenzadeh Ardebili who was from Azarbayejan (a Turkish-speaking province in northwest of Iran

The call to prayer in Mecca

The call to prayer in Medina, performed by Muhammad Hakiim

Turkish call

The call to prayer, with Islamic images, performed by Kuwaiti Shaykh Mashari Rashid

Examples in various maqamat