Bibliography - Music 666 2011

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Alvarez-Pereyre, F. and Simha Arom

(1993) “Ethnomusicology and the emic/etic issue”. The World of Music, 35/1, 7-33.

Atkinson, Paul

(1990) The Ethnographic Imagination: Textual constructions of reality. New York: Routledge.

Atkinson, Paul, Amanda Coffey, Sara Delamont, John Lofland and Lyn Lofland (eds.)

(2001) Handbook of Ethnography. London: Sage.

Baily, John

(1989) “Film making as musical ethnography”, The World of Music, 31/1, 1989, pp. 3-20.

(1990) The making of Amir: An Afghan Refugee Musician's Life in Peshawar, Pakistan. The Study Guide. Boston: Documentary Educational Resources.

Barbash, Ilisa and Lucien Taylor

(1997) Cross-Cultural Filmmaking. A Handbook for Making Documentary and Ethnographic Films and Videos. Berkeley / Los Angeles / London: University of California Press.

Barley, Nigel

(1983) The innocent anthropologist. London: Penguin.

Barthes, Roland

(1981) Camera Lucida: reflections on photography. New York: Hill and Wang.

Bartlett, Bruce and Jenny Bartlett

(1998) Practical recording technique. Focal Press.

Barz, Gregory and Timothy Cooley (eds.)

(1997) Shadows in the field: new perspectives for fieldwork in ethnomusicology. New York: Oxford University Press.

Baumann, Max Peter

(1993) “Listening as an emic/etic process in the context of observation and inquiry”. The World of Music, 35/1, 34-62.

Bohlman, Philip V.

(1991) “Representation and Cultural Critique in the History of Ethnomusicology”, in Nettl, Bruno and Philip Bohlman (eds.) Comparative Musicology and Anthropology of Music. Chicago: Chicago University Press, 131-151.

Bolante, Antony

(2004) Premiere Pro for Windows. Berkeley, CA: Peachpit Press.

Brandes, Edda

(1991) “The Role of the Female Ethnomusicologist in the Field: Experiences in Traditional Algerian Communities”, The World of Music, 33/2, 35-49.

Clifford, James and George Marcus

(1986) Writing Culture: the Poetics and Politics of Ethnography.

Dewalt, Kathleen and Billie R. Dewalt

(2002) Participant Observation: a Guide for Fieldworkers. Walnut Creek, CA: Altamira Press.

Emerson, Robert M., Rachel I. Fretz and Linda L. Shaw

(1995) Writing Ethnographic Fieldnotes. Chicago: Chicago University Press.

Feld, Steven

(1976) “Ethnomusicology and Visual Communication.” Ethnomusicology, 20/2, pp. 293-325.

Fetterman, David M.

(1998) Ethnography: Step by Step (second edition). London: Sage.

Grimm, Tom

(1997) The Basic Book of Photography (4th edition). Plume Press.

Hammersley, Martin and Paul Atkinson

(1995) Ethnography: Principles in practice. London / New York: Routledge (2nd edition) GN 345 H35 1995

Hampe, Barry

(1997) Making Documentary Films and reality Videos: A Practical Guide to Planning, Filming, and Editing Documentaries of Real Events. New York: Henry Holt & Co.

Headland, Thomas, Kenneth Pike and Marvin Harris (eds.)

(1990) Emics and Etics: the insider/outsider debate. Newbury Park, CA / London: Sage.

Hemetek, Ursula

(2006) “Applied Ethnomusicology in the Process of the Political Recognition of a Minority: A Case Study of the Austrian Roma.” Yearbook for Traditional Music, 38, 35-57.

Herndon, Marcia

(1993) “Insiders, outsiders: knowing our limits, limiting our knowing.” The World of Music, 35/1, 63-80.

Herndon, Marcia and Norma McLeod

(1983) Field manual for ethnomusicology. Darby, PA: Norwood.

Impey, Angela

(2002) “Culture, Conservation and Community Reconstruction: Explorations in Advocacy Ethnomusicology and Action Research in Northern KwaZulu.” Yearbook for Traditional Music, 34, 9-24.

Ives, Edward D.

(1995) The Tape-Recorded Interview: A Manual for Field Workers in Folklore and Oral History (2nd edition). Knoxville: University of Tennessee Press.

Jaarsma, S.R.

(2002) Handle with care: ownership and control of ethnographic materials. Pittsburgh: University of Pittsburgh Press.

Jackson, Bruce

(1987) Fieldwork. Urbana: University of Illinois Press.

Jackson, Bruce and Edward Ives (eds.)

(1996) The world observed: reflections on the fieldwork process. Urbana: University of Illinois Press.

Kimberlin, Cynthia Tse

(1991) “What am I to be? Female, male, neuter, invisible... Gender roles and ethnomusicological fieldwork in Africa.” The World of Music, 33/2, 14-34.

Kvale, Steinar

(1996) InterViews: An Introduction to Qualitative Research Interviewing. London: Sage.

Lortat-Jacob, Bernard

(1995) Sardinian Chronicles. Chicago: Chicago University Press.

Marcus, George E.

(1995) “The Modernist Sensibility in Recent Ethnographic Writing and the Cinematic Metaphor of Montage.” In L. a. R. H. Devereaux (ed.) Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography. Berkeley: University of California Press.

(1998) Ethnography Through Thick and Thin. Princeton: Princeton University Press.

(1999) (ed.) Critical Anthropology Now: Unexpected Contexts. Shifting Constituencies, Changing Agendas. School of American Research Advanced Seminar Series.

Mills, Sherylle

(1996) “Indigenous Music and the Law: An analysis of National and International Legislation'.” Yearbook for Traditional Music, 28, 57-86.

Myers, Helen

(1992a) “Fieldwork.” In Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 21-49.

(1992b) “Field technology.” In Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 50-87.

Rice, Timothy

(1994) May It Fill Your Soul. Experiencing Bulgarian Music. Chicago: University of Chicago Press.

Sanjek, Roger (ed.)

(1990) Fieldnotes: the makings of anthropology. Ithaca: Cornell University Press.

Scherzinger, Martin Rudoy

(1999) “Music, Spirit Possession and the Copyright Law: Cross-Cultural Comparisons and Strategic Speculations.” Yearbook for Traditional Music, 31, 102-125.

Seeger, Anthony

(1987) Why Suya Sing: a musical anthropology of an Amazonian people. Cambridge: Cambridge University Press. (reprinted 2004, Urbana, Ill.: Illinois University Press).

(1991) “Styles of Musical Ethnography.” In Nettl, Bruno and Philip Bohlman (eds.) Comparative Musicology and Anthropology of Music. Chicago: Chicago University Press, 342-355.

(1992) “Ethnography of music.” In Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 88-109.

(1996) “Ethnomusicologists, Archives, Professional Organizations, and the Shifting Ethics of Intellectual Property.” Yearbook for Traditional Music, 28, 87-105.

Shelemay, Kay Kaufman (1991)

“Recording technology, the record industry, and ethnomusicological scholarship.” In Nettl, Bruno and Philip Bohlman (eds.) Comparative Musicology and Anthropology of Music. Chicago: Chicago University Press, 277-292.

Slobin, Mark

(1992) “Ethical issues.” In Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 329-336.

Society for Ethnomusicology

(2001) A Manual for Documentation, Fieldwork and Preservation for Ethnomusicologists (2nd edition). Bloomington: The Society for Ethnomusicology.

Turino, Thomas

(1990) “Structure, Context, and Strategy in Musical Ethnography.” Ethnomusicology, 34/3, 399-412.

Zemp, Hugo

(1996) “The/an ethnomusicologist and the record business.” Yearbook for Traditional Music, 28, 36-56.