Difference between revisions of "Bibliography - Music 666 2011"

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'''Alvarez-Pereyre, F. and Simha Arom'''  
 
'''Alvarez-Pereyre, F. and Simha Arom'''  
  
−
(1993) “Ethnomusicology and the emic/etic issue”. The World of Music, 35/1, 7-33.  
+
(1993) “Ethnomusicology and the emic/etic issue”. ''The World of Music'', 35/1, 7-33.  
  
 
'''Atkinson, Paul'''  
 
'''Atkinson, Paul'''  
  
−
(1990) The Ethnographic Imagination: Textual constructions of reality. New York: Routledge.  
+
(1990) ''The Ethnographic Imagination: Textual constructions of reality''. New York: Routledge.  
  
 
'''Atkinson, Paul, Amanda Coffey, Sara Delamont, John Lofland and Lyn Lofland''' (eds.)  
 
'''Atkinson, Paul, Amanda Coffey, Sara Delamont, John Lofland and Lyn Lofland''' (eds.)  
  
−
(2001) Handbook of Ethnography. London: Sage.  
+
(2001) ''Handbook of Ethnography''. London: Sage.  
  
 
'''Baily, John'''
 
'''Baily, John'''
Line 15: Line 15:
 
(1989) “Film making as musical ethnography”, ''The World of Music'', 31/1, 1989, pp. 3-20.
 
(1989) “Film making as musical ethnography”, ''The World of Music'', 31/1, 1989, pp. 3-20.
  
−
(1990) The making of Amir: An Afghan Refugee Musician's Life in Peshawar, Pakistan. The Study Guide. Boston: Documentary Educational Resources.   
+
(1990) ''The making of Amir: An Afghan Refugee Musician's Life in Peshawar, Pakistan''. The Study Guide. Boston: Documentary Educational Resources.   
  
−
Barbash, Ilisa and Lucien Taylor  
+
'''Barbash, Ilisa and Lucien Taylor'''
−
(1997) Cross-Cultural Filmmaking. A Handbook for Making Documentary and Ethnographic Films and Videos. Berkeley / Los Angeles / London: University of California Press.  
+
 
−
Barley, Nigel  
+
(1997) ''Cross-Cultural Filmmaking. A Handbook for Making Documentary and Ethnographic Films and Videos''. Berkeley / Los Angeles / London: University of California Press.  
−
(1983) The innocent anthropologist. London: Penguin.  
+
 
−
Barthes, Roland
+
'''Barley, Nigel'''
−
(1981) Camera Lucida: reflections on photography. New York: Hill and Wang.
+
 
−
Bartlett, Bruce and Jenny Bartlett  
+
(1983) ''The innocent anthropologist''. London: Penguin.  
−
(1998) Practical recording technique. Focal Press.  
+
 
−
Barz, Gregory and Timothy Cooley (eds.)  
+
'''Barthes, Roland'''
−
(1997) Shadows in the field: new perspectives for fieldwork in ethnomusicology. New York: Oxford University Press.  
+
 
−
Baumann, Max Peter  
+
(1981) ''Camera Lucida: reflections on photography''. New York: Hill and Wang.
−
(1993) “Listening as an emic/etic process in the context of observation and inquiry”. The World of Music, 35/1, 34-62.  
+
 
−
Bohlman, Philip V.  
+
'''Bartlett, Bruce and Jenny Bartlett'''
−
(1991) “Representation and Cultural Critique in the History of Ethnomusicology”, in Nettl, Bruno and Philip Bohlman (eds.) Comparative Musicology and Anthropology of Music. Chicago: Chicago University Press, 131-151.  
+
 
−
Bolante, Antony  
+
(1998) ''Practical recording technique''. Focal Press.  
−
(2004) Premiere Pro for Windows. Berkeley, CA: Peachpit Press.  
+
 
−
Brandes, Edda  
+
'''Barz, Gregory and Timothy Cooley''' (eds.)  
−
(1991) “The Role of the Female Ethnomusicologist in the Field: Experiences in Traditional Algerian Communities”, The World of Music, 33/2, 35-49.   
+
 
−
Clifford, James and George Marcus  
+
(1997) ''Shadows in the field: new perspectives for fieldwork in ethnomusicology''. New York: Oxford University Press.  
−
(1986) Writing Culture: the Poetics and Politics of Ethnography.  
+
 
−
Dewalt, Kathleen and Billie R. Dewalt  
+
'''Baumann, Max Peter'''
−
(2002) Participant Observation: a Guide for Fieldworkers. Walnut Creek, CA: Altamira Press.  
+
 
−
Emerson, Robert M., Rachel I. Fretz and Linda L. Shaw  
+
(1993) “Listening as an emic/etic process in the context of observation and inquiry”. ''The World of Music'', 35/1, 34-62.  
−
(1995) Writing Ethnographic Fieldnotes. Chicago: Chicago University Press.  
+
 
−
Feld, Steven  
+
'''Bohlman, Philip V.'''
−
(1976) “Ethnomusicology and Visual Communication.” Ethnomusicology, 20/2, pp. 293-325.  
+
 
−
Fetterman, David M.  
+
(1991) “Representation and Cultural Critique in the History of Ethnomusicology”, in Nettl, Bruno and Philip Bohlman (eds.) ''Comparative Musicology and Anthropology of Music''. Chicago: Chicago University Press, 131-151.  
−
(1998) Ethnography: Step by Step (second edition). London: Sage.  
+
 
−
Grimm, Tom  
+
'''Bolante, Antony'''
−
(1997) The Basic Book of Photography (4th edition). Plume Press.  
+
 
−
Hammersley, Martin and Paul Atkinson  
+
(2004) ''Premiere Pro for Windows''. Berkeley, CA: Peachpit Press.  
−
(1995) Ethnography: Principles in practice. London / New York: Routledge (2nd edition) GN 345 H35 1995  
+
 
−
Hampe, Barry  
+
'''Brandes, Edda'''
−
(1997) Making Documentary Films and reality Videos: A Practical Guide to Planning, Filming, and Editing Documentaries of Real Events. New York: Henry Holt & Co.  
+
 
−
Headland, Thomas, Kenneth Pike and Marvin Harris (eds.)  
+
(1991) “The Role of the Female Ethnomusicologist in the Field: Experiences in Traditional Algerian Communities”, ''The World of Music'', 33/2, 35-49.   
−
(1990) Emics and Etics: the insider/outsider debate. Newbury Park, CA / London: Sage.  
+
 
−
Hemetek, Ursula  
+
'''Clifford, James and George Marcus'''
−
(2006) “Applied Ethnomusicology in the Process of the Political Recognition of a Minority: A Case Study of the Austrian Roma.” Yearbook for Traditional Music, 38, 35-57.  
+
 
−
Herndon, Marcia  
+
(1986) ''Writing Culture: the Poetics and Politics of Ethnography.''
−
(1993) “Insiders, outsiders: knowing our limits, limiting our knowing.” The World of Music, 35/1, 63-80.  
+
 
−
Herndon, Marcia and Norma McLeod  
+
'''Dewalt, Kathleen and Billie R. Dewalt'''
−
(1983) Field manual for ethnomusicology. Darby, PA: Norwood.  
+
 
−
Impey, Angela  
+
(2002) ''Participant Observation: a Guide for Fieldworkers.'' Walnut Creek, CA: Altamira Press.  
−
(2002) “Culture, Conservation and Community Reconstruction: Explorations in Advocacy Ethnomusicology and Action Research in Northern KwaZulu.” Yearbook for Traditional Music, 34, 9-24.  
+
 
−
Ives, Edward D.  
+
'''Emerson, Robert M., Rachel I. Fretz and Linda L. Shaw'''
−
(1995) The Tape-Recorded Interview: A Manual for Field Workers in Folklore and Oral History (2nd edition). Knoxville: University of Tennessee Press.  
+
 
−
Jaarsma, S.R.  
+
(1995) ''Writing Ethnographic Fieldnotes''. Chicago: Chicago University Press.  
−
(2002) Handle with care: ownership and control of ethnographic materials. Pittsburgh: University of Pittsburgh Press.  
+
 
−
Jackson, Bruce  
+
'''Feld, Steven'''
−
(1987) Fieldwork. Urbana: University of Illinois Press.  
+
 
−
Jackson, Bruce and Edward Ives (eds.)  
+
(1976) “Ethnomusicology and Visual Communication.” ''Ethnomusicology'', 20/2, pp. 293-325.  
−
(1996) The world observed: reflections on the fieldwork process. Urbana: University of Illinois Press.  
+
 
−
Kimberlin, Cynthia Tse  
+
'''Fetterman, David M.'''
−
(1991) “What am I to be? Female, male, neuter, invisible... Gender roles and ethnomusicological fieldwork in Africa.” The World of Music, 33/2, 14-34.  
+
 
−
Kvale, Steinar  
+
(1998) ''Ethnography: Step by Step'' (second edition). London: Sage.  
−
(1996) InterViews: An Introduction to Qualitative Research Interviewing. London: Sage.  
+
 
−
Lortat-Jacob, Bernard  
+
'''Grimm, Tom'''
−
(1995) Sardinian Chronicles. Chicago: Chicago University Press.  
+
 
−
Marcus, George E.  
+
(1997) ''The Basic Book of Photography'' (4th edition). Plume Press.  
−
(1995) “The Modernist Sensibility in Recent Ethnographic Writing and the Cinematic Metaphor of Montage.” In L. a. R. H. Devereaux (ed.) Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography. Berkeley: University of California Press.
+
 
−
(1998) Ethnography Through Thick and Thin. Princeton: Princeton University Press.  
+
'''Hammersley, Martin and Paul Atkinson'''
−
(1999) (ed.) Critical Anthropology Now: Unexpected Contexts. Shifting Constituencies, Changing Agendas. School of American Research Advanced Seminar Series.  
+
 
−
Mills, Sherylle  
+
(1995) ''Ethnography: Principles in practice''. London / New York: Routledge (2nd edition) GN 345 H35 1995  
−
(1996) “Indigenous Music and the Law: An analysis of National and International Legislation'.” Yearbook for Traditional Music, 28, 57-86.  
+
 
−
Myers, Helen  
+
'''Hampe, Barry'''
−
(1992a) “Fieldwork.” In Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 21-49.  
+
 
−
(1992b) “Field technology.” In Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 50-87.  
+
(1997) ''Making Documentary Films and reality Videos: A Practical Guide to Planning, Filming, and Editing Documentaries of Real Events''. New York: Henry Holt & Co.  
−
Rice, Timothy  
+
 
−
(1994) May It Fill Your Soul. Experiencing Bulgarian Music. Chicago: University of Chicago Press.  
+
'''Headland, Thomas, Kenneth Pike and Marvin Harris''' (eds.)  
−
Sanjek, Roger (ed.)  
+
 
−
(1990) Fieldnotes: the makings of anthropology. Ithaca: Cornell University Press.  
+
(1990) ''Emics and Etics: the insider/outsider debate''. Newbury Park, CA / London: Sage.  
−
Scherzinger, Martin Rudoy  
+
 
−
(1999) “Music, Spirit Possession and the Copyright Law: Cross-Cultural Comparisons and Strategic Speculations.” Yearbook for Traditional Music, 31, 102-125.
+
'''Hemetek, Ursula'''
−
Seeger, Anthony  
+
 
−
(1987) Why Suya Sing: a musical anthropology of an Amazonian people. Cambridge: Cambridge University Press. (reprinted 2004, Urbana, Ill.: Illinois University Press).  
+
(2006) “Applied Ethnomusicology in the Process of the Political Recognition of a Minority: A Case Study of the Austrian Roma.” ''Yearbook for Traditional Music'', 38, 35-57.  
−
(1991) “Styles of Musical Ethnography.” In Nettl, Bruno and Philip Bohlman (eds.) Comparative Musicology and Anthropology of Music. Chicago: Chicago University Press, 342-355.  
+
 
−
(1992) “Ethnography of music.” In Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 88-109.  
+
'''Herndon, Marcia'''
−
(1996) “Ethnomusicologists, Archives, Professional Organizations, and the Shifting Ethics of Intellectual Property.” Yearbook for Traditional Music, 28, 87-105.  
+
 
−
Shelemay, Kay Kaufman (1991) “Recording technology, the record industry, and ethnomusicological scholarship.” In Nettl, Bruno and Philip Bohlman (eds.) Comparative Musicology and Anthropology of Music. Chicago: Chicago University Press, 277-292.  
+
(1993) “Insiders, outsiders: knowing our limits, limiting our knowing.” ''The World of Music'', 35/1, 63-80.  
−
Slobin, Mark  
+
 
−
(1992) “Ethical issues.” In Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 329-336.  
+
'''Herndon, Marcia and Norma McLeod'''
−
Society for Ethnomusicology  
+
 
−
(2001) A Manual for Documentation, Fieldwork and Preservation for Ethnomusicologists (2nd edition). Bloomington: The Society for Ethnomusicology.  
+
(1983) ''Field manual for ethnomusicology''. Darby, PA: Norwood.  
−
Turino, Thomas  
+
 
−
(1990) “Structure, Context, and Strategy in Musical Ethnography.” Ethnomusicology, 34/3, 399-412.  
+
'''Impey, Angela'''
−
Zemp, Hugo  
+
 
−
(1996) “The/an ethnomusicologist and the record business.” Yearbook for Traditional Music, 28, 36-56.
+
(2002) “Culture, Conservation and Community Reconstruction: Explorations in Advocacy Ethnomusicology and Action Research in Northern  
 +
KwaZulu.” ''Yearbook for Traditional Music'', 34, 9-24.  
 +
 
 +
'''Ives, Edward D'''.  
 +
 
 +
(1995) ''The Tape-Recorded Interview: A Manual for Field Workers in Folklore and Oral History'' (2nd edition). Knoxville: University of  
 +
Tennessee Press.  
 +
 
 +
'''Jaarsma, S.R.'''
 +
 
 +
(2002) ''Handle with care: ownership and control of ethnographic materials''. Pittsburgh: University of Pittsburgh Press.  
 +
 
 +
'''Jackson, Bruce'''
 +
 
 +
(1987) ''Fieldwork''. Urbana: University of Illinois Press.  
 +
 
 +
'''Jackson, Bruce and Edward Ives''' (eds.)  
 +
 
 +
(1996) ''The world observed: reflections on the fieldwork process.'' Urbana: University of Illinois Press.  
 +
 
 +
'''Kimberlin, Cynthia Tse'''
 +
 
 +
(1991) “What am I to be? Female, male, neuter, invisible... Gender roles and ethnomusicological fieldwork in Africa.” ''The World of Music'', 33/2, 14-34.  
 +
 
 +
'''Kvale, Steinar'''
 +
 
 +
(1996) ''InterViews: An Introduction to Qualitative Research Interviewing''. London: Sage.  
 +
 
 +
'''Lortat-Jacob, Bernard'''
 +
 
 +
(1995) ''Sardinian Chronicles''. Chicago: Chicago University Press.  
 +
 
 +
'''Marcus, George E.'''
 +
 
 +
(1995) “The Modernist Sensibility in Recent Ethnographic Writing and the Cinematic Metaphor of Montage.” In L. a. R. H. Devereaux (ed.)  
 +
''Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography''. Berkeley: University of California Press.
 +
 
 +
(1998) ''Ethnography Through Thick and Thin''. Princeton: Princeton University Press.  
 +
 
 +
(1999) (ed.) ''Critical Anthropology Now: Unexpected Contexts. Shifting Constituencies, Changing Agendas''. School of American Research Advanced Seminar Series.  
 +
 
 +
'''Mills, Sherylle'''
 +
 
 +
(1996) “Indigenous Music and the Law: An analysis of National and International Legislation'.” ''Yearbook for Traditional Music'', 28, 57-86.  
 +
 
 +
'''Myers, Helen'''
 +
 
 +
(1992a) “Fieldwork.” In Myers, Helen (ed.) ''Ethnomusicology: an introduction''. New York: W.W. Norton, 21-49.  
 +
 
 +
(1992b) “Field technology.” In Myers, Helen (ed.) ''Ethnomusicology: an introduction''. New York: W.W. Norton, 50-87.  
 +
 
 +
'''Rice, Timothy'''
 +
 
 +
(1994) ''May It Fill Your Soul. Experiencing Bulgarian Music''. Chicago: University of Chicago Press.  
 +
 
 +
'''Sanjek, Roger''' (ed.)  
 +
 
 +
(1990) ''Fieldnotes: the makings of anthropology.'' Ithaca: Cornell University Press.  
 +
 
 +
'''Scherzinger, Martin Rudoy'''
 +
 
 +
(1999) “Music, Spirit Possession and the Copyright Law: Cross-Cultural Comparisons and Strategic Speculations.” ''Yearbook for Traditional Music'', 31, 102-125.
 +
 
 +
'''Seeger, Anthony'''
 +
 
 +
(1987) ''Why Suya Sing: a musical anthropology of an Amazonian people''. Cambridge: Cambridge University Press. (reprinted 2004, Urbana, Ill.: Illinois University Press).  
 +
 
 +
(1991) “Styles of Musical Ethnography.” In Nettl, Bruno and Philip Bohlman (eds.) ''Comparative Musicology and Anthropology of Music''. Chicago: Chicago University Press, 342-355.  
 +
 
 +
(1992) “Ethnography of music.” In Myers, Helen (ed.) ''Ethnomusicology: an introduction''. New York: W.W. Norton, 88-109.  
 +
 
 +
(1996) “Ethnomusicologists, Archives, Professional Organizations, and the Shifting Ethics of Intellectual Property.” ''Yearbook for Traditional Music'', 28, 87-105.  
 +
 
 +
'''Shelemay, Kay Kaufman''' (1991)  
 +
 
 +
“Recording technology, the record industry, and ethnomusicological scholarship.” In Nettl, Bruno and Philip Bohlman (eds.) ''Comparative Musicology and Anthropology of Music''. Chicago: Chicago University Press, 277-292.  
 +
 
 +
'''Slobin, Mark'''
 +
 
 +
(1992) “Ethical issues.” In Myers, Helen (ed.) ''Ethnomusicology: an introduction''. New York: W.W. Norton, 329-336.  
 +
 
 +
'''Society for Ethnomusicology'''
 +
 
 +
(2001) ''A Manual for Documentation, Fieldwork and Preservation for Ethnomusicologists'' (2nd edition). Bloomington: The Society for Ethnomusicology.  
 +
 
 +
'''Turino, Thomas'''
 +
 
 +
(1990) “Structure, Context, and Strategy in Musical Ethnography.” ''Ethnomusicology'', 34/3, 399-412.  
 +
 
 +
'''Zemp, Hugo'''
 +
 
 +
(1996) “The/an ethnomusicologist and the record business.” ''Yearbook for Traditional Music'', 28, 36-56.

Latest revision as of 19:01, 8 January 2011

Alvarez-Pereyre, F. and Simha Arom

(1993) “Ethnomusicology and the emic/etic issue”. The World of Music, 35/1, 7-33.

Atkinson, Paul

(1990) The Ethnographic Imagination: Textual constructions of reality. New York: Routledge.

Atkinson, Paul, Amanda Coffey, Sara Delamont, John Lofland and Lyn Lofland (eds.)

(2001) Handbook of Ethnography. London: Sage.

Baily, John

(1989) “Film making as musical ethnography”, The World of Music, 31/1, 1989, pp. 3-20.

(1990) The making of Amir: An Afghan Refugee Musician's Life in Peshawar, Pakistan. The Study Guide. Boston: Documentary Educational Resources.

Barbash, Ilisa and Lucien Taylor

(1997) Cross-Cultural Filmmaking. A Handbook for Making Documentary and Ethnographic Films and Videos. Berkeley / Los Angeles / London: University of California Press.

Barley, Nigel

(1983) The innocent anthropologist. London: Penguin.

Barthes, Roland

(1981) Camera Lucida: reflections on photography. New York: Hill and Wang.

Bartlett, Bruce and Jenny Bartlett

(1998) Practical recording technique. Focal Press.

Barz, Gregory and Timothy Cooley (eds.)

(1997) Shadows in the field: new perspectives for fieldwork in ethnomusicology. New York: Oxford University Press.

Baumann, Max Peter

(1993) “Listening as an emic/etic process in the context of observation and inquiry”. The World of Music, 35/1, 34-62.

Bohlman, Philip V.

(1991) “Representation and Cultural Critique in the History of Ethnomusicology”, in Nettl, Bruno and Philip Bohlman (eds.) Comparative Musicology and Anthropology of Music. Chicago: Chicago University Press, 131-151.

Bolante, Antony

(2004) Premiere Pro for Windows. Berkeley, CA: Peachpit Press.

Brandes, Edda

(1991) “The Role of the Female Ethnomusicologist in the Field: Experiences in Traditional Algerian Communities”, The World of Music, 33/2, 35-49.

Clifford, James and George Marcus

(1986) Writing Culture: the Poetics and Politics of Ethnography.

Dewalt, Kathleen and Billie R. Dewalt

(2002) Participant Observation: a Guide for Fieldworkers. Walnut Creek, CA: Altamira Press.

Emerson, Robert M., Rachel I. Fretz and Linda L. Shaw

(1995) Writing Ethnographic Fieldnotes. Chicago: Chicago University Press.

Feld, Steven

(1976) “Ethnomusicology and Visual Communication.” Ethnomusicology, 20/2, pp. 293-325.

Fetterman, David M.

(1998) Ethnography: Step by Step (second edition). London: Sage.

Grimm, Tom

(1997) The Basic Book of Photography (4th edition). Plume Press.

Hammersley, Martin and Paul Atkinson

(1995) Ethnography: Principles in practice. London / New York: Routledge (2nd edition) GN 345 H35 1995

Hampe, Barry

(1997) Making Documentary Films and reality Videos: A Practical Guide to Planning, Filming, and Editing Documentaries of Real Events. New York: Henry Holt & Co.

Headland, Thomas, Kenneth Pike and Marvin Harris (eds.)

(1990) Emics and Etics: the insider/outsider debate. Newbury Park, CA / London: Sage.

Hemetek, Ursula

(2006) “Applied Ethnomusicology in the Process of the Political Recognition of a Minority: A Case Study of the Austrian Roma.” Yearbook for Traditional Music, 38, 35-57.

Herndon, Marcia

(1993) “Insiders, outsiders: knowing our limits, limiting our knowing.” The World of Music, 35/1, 63-80.

Herndon, Marcia and Norma McLeod

(1983) Field manual for ethnomusicology. Darby, PA: Norwood.

Impey, Angela

(2002) “Culture, Conservation and Community Reconstruction: Explorations in Advocacy Ethnomusicology and Action Research in Northern KwaZulu.” Yearbook for Traditional Music, 34, 9-24.

Ives, Edward D.

(1995) The Tape-Recorded Interview: A Manual for Field Workers in Folklore and Oral History (2nd edition). Knoxville: University of Tennessee Press.

Jaarsma, S.R.

(2002) Handle with care: ownership and control of ethnographic materials. Pittsburgh: University of Pittsburgh Press.

Jackson, Bruce

(1987) Fieldwork. Urbana: University of Illinois Press.

Jackson, Bruce and Edward Ives (eds.)

(1996) The world observed: reflections on the fieldwork process. Urbana: University of Illinois Press.

Kimberlin, Cynthia Tse

(1991) “What am I to be? Female, male, neuter, invisible... Gender roles and ethnomusicological fieldwork in Africa.” The World of Music, 33/2, 14-34.

Kvale, Steinar

(1996) InterViews: An Introduction to Qualitative Research Interviewing. London: Sage.

Lortat-Jacob, Bernard

(1995) Sardinian Chronicles. Chicago: Chicago University Press.

Marcus, George E.

(1995) “The Modernist Sensibility in Recent Ethnographic Writing and the Cinematic Metaphor of Montage.” In L. a. R. H. Devereaux (ed.) Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography. Berkeley: University of California Press.

(1998) Ethnography Through Thick and Thin. Princeton: Princeton University Press.

(1999) (ed.) Critical Anthropology Now: Unexpected Contexts. Shifting Constituencies, Changing Agendas. School of American Research Advanced Seminar Series.

Mills, Sherylle

(1996) “Indigenous Music and the Law: An analysis of National and International Legislation'.” Yearbook for Traditional Music, 28, 57-86.

Myers, Helen

(1992a) “Fieldwork.” In Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 21-49.

(1992b) “Field technology.” In Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 50-87.

Rice, Timothy

(1994) May It Fill Your Soul. Experiencing Bulgarian Music. Chicago: University of Chicago Press.

Sanjek, Roger (ed.)

(1990) Fieldnotes: the makings of anthropology. Ithaca: Cornell University Press.

Scherzinger, Martin Rudoy

(1999) “Music, Spirit Possession and the Copyright Law: Cross-Cultural Comparisons and Strategic Speculations.” Yearbook for Traditional Music, 31, 102-125.

Seeger, Anthony

(1987) Why Suya Sing: a musical anthropology of an Amazonian people. Cambridge: Cambridge University Press. (reprinted 2004, Urbana, Ill.: Illinois University Press).

(1991) “Styles of Musical Ethnography.” In Nettl, Bruno and Philip Bohlman (eds.) Comparative Musicology and Anthropology of Music. Chicago: Chicago University Press, 342-355.

(1992) “Ethnography of music.” In Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 88-109.

(1996) “Ethnomusicologists, Archives, Professional Organizations, and the Shifting Ethics of Intellectual Property.” Yearbook for Traditional Music, 28, 87-105.

Shelemay, Kay Kaufman (1991)

“Recording technology, the record industry, and ethnomusicological scholarship.” In Nettl, Bruno and Philip Bohlman (eds.) Comparative Musicology and Anthropology of Music. Chicago: Chicago University Press, 277-292.

Slobin, Mark

(1992) “Ethical issues.” In Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 329-336.

Society for Ethnomusicology

(2001) A Manual for Documentation, Fieldwork and Preservation for Ethnomusicologists (2nd edition). Bloomington: The Society for Ethnomusicology.

Turino, Thomas

(1990) “Structure, Context, and Strategy in Musical Ethnography.” Ethnomusicology, 34/3, 399-412.

Zemp, Hugo

(1996) “The/an ethnomusicologist and the record business.” Yearbook for Traditional Music, 28, 36-56.

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