Bibliography - Music 665 2013

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Agawu, Kofi (2003) Representing African Music: postcolonial notes, queries, positions. New York and London: Routledge.

Attali, Jacques (1985) Noise: the Political Economy of Music. Minneapolis: University of Minnesota Press.

Averill, Gage (2006) [1994] “'Mezanmi, Kouman Nou Ye? My Friends How are You?' Musical Constructions of the Haitian Transnation.” In Post, Jennifer (ed) Ethnomusicology: A Contemporary Reader. New York and London: Routledge, 261-273.

Azenha, Gustavo (2006) “The internet and the decentralization of the popular music industry: critical reflections on technology, concentration and diversification.” Radical Musicology, 1. www.radical-musicology.org.uk

Baily, John (1988) “Anthropological and psychological approaches to the study of music theory and musical cognition.” Yearbook for Traditional Music, 20, 114-123.

Baker, Geoffrey (2005) “Hip Hop Revolucion! Nationalizing Rap in Cuba.” Ethnomusicology, 49/3, 368-402.

Bartók, Béla

(1931) Hungarian Folk Music. Translated by M.D. Calvocoressi. London: Oxford University Press. [reprinted in 1981 as The Hungarian Folk Song]

(1976) Turkish Folk Music from Asia Minor. Edited by Benjamin Suchoff. Princeton: Princeton University Press.

Bartók, B., & Suchoff, B. (1997). Bela Bartók studies in ethnomusicology. Lincoln: University of Nebraska Press.

Barz, Gregory F. and Timothy J. Cooley (eds) (1997) Shadows in the Field: new perspectives for fieldwork in ethnomusicology. Oxford and New York: Oxford University Press.

Béhague, Gerard (ed) (1984) Performance Practice: Ethnomusicological Perspectives. Westport, Conn.: Greenwood Press.

Bergeron, K. and Bohlman, P. (eds.) (1992) Disciplining Music: musicology and its canons. Chicago University Press.

Berry, Jason (1988) “African Cultural Memory in New Orleans Music.” Black Music Research Journal, 8/1, 3-12.

Blacking, John

(1969) “The value of music in human experience.” Yearbook of the International Folk Music Council, 1, 33-71.

(1973) How Musical is Man? University of Washington Press.

(1977) “Some problems of theory and method in the study of musical change.” Yearbook of the International Folk Music Council, 9, 1-26.

(1987) A commonsense view of all music. Cambridge University Press.

Blum, Stephen (1992) “Analysis of musical style.” In Myers, Helen (ed) Ethnomusicology: An Introduction. New York & Londond: W.W. Norton & Co., 165-218.

Boas, Franz

(1877) The Central Eskimo. [Internet access]

(1895) The Social Organization and the Secret Societies of the Kwakiutl Indians. Washington: G.P.O.. [Internet access]

Bohlman, Philip V. (1991) “Representation and Cultural Critique in the History of Ethnomusicology.” In Nettl, Bruno & Philip V. Bohlman (eds.) Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology. Chicago & London: University of Chicago Press, 131-151.

Brailoiu, Constantin (1984) Problems of Ethnomusicology. Edited by A.L. Lloyd. Cambridge: Cambridge University Press.

Buchanan, Donna A. (1995) “Metaphors of power, metaphors of truth: the politics of music professionalism in Bulgarian folk orchestras.” Ethnomusicology, 39/3, 381-416.

Buckland, Theresa Jill (2001) “Dance, Authenticity and Cultural Memory: The Politics of Embodiment.” Yearbook for Traditional Music, 33, 1-16.

Castelo-Branco, Salwa El-Shawan and John M. O’Connell (2010) Music and Conflict. Urbana: University of Illinois Press.

Chanan, Michael (1995) Repeated Takes: a short history of recording and its effects on music. London/New York: Verso.

Chen, Pi-yen (2005) “Buddhist chant, devotional song, and commercial popular music: from ritual to rock mantra.” Ethnomusicology, 49/2, 266-286.

Chernoff, J. M.

(1979) African rhythm and African sensibility : aesthetics and social action in African musical idioms. Chicago: University of Chicago Press.

(1989) “The relevance of ethnomusicology to anthropology: strategies of inquiry and interpretation.” In J. H. K. Nketia, J. C. DjeDje & W. G. Carter (Eds.), African musicology: current trends. A festschrift presented to J.H. Kwabena Nketia. Atlanta, GA :: Crossroads Press.

Christensen, D. (1991) “Erich M. von Hornbostel, Carl Stumpf, and the institutionalization of comparative musicology.” In B. Nettl & P. V. Bohlman (Eds.), Comparative musicology and anthropology of music: essays on the history of ethnomusicology. Chicago: University of Chicago Press.

Clayton, Martin (2001) “Introduction: Towards a Theory of Musical Meaning (in India and Elsewhere).” British Journal of Ethnomusicology, 10/1, 1-17.

Clayton, Martin, Trevor Herbert and Richard Middleton (eds) (2003) The cultural study of music: a critical introduction. New York: Routledge.

Clifford, James and George E. Marcus (eds) (1986) Writing Culture: the poetics and politics of ethnography. Berkeley and Los Angeles: University of California Press.

Cohen, Sara (1994) “Identity, Place and the 'Liverpool Sound.” In Stokes, M. (ed.) Ethnicity, Identity and Music: The Musical Construction of Place. Oxford/New York: Berg, 117-134.

Cook, Nicholas

(1987) A Guide to Musical Analysis. London: J.M Dent.

(2003) “Music as Performance.” In Clayton, Martin et al. (eds) The cultural study of music: a critical introduction. New York: Routledge, 204-214.

Cook, Nicholas and Mark Everist (eds.) (1999) Rethinking Music. Oxford / New York: Oxford University Press.

Ellis, Alexander J. (1885) “On the Musical Scales of Various Nations.” Journal of the Royal Society of Arts, 33, 485-527. [in Shelemay, Kay Kaufman (ed) The Garland Library of Readings in Ethnomusicology, 1990, vol. 7 ]

Erlmann, Veit

(1996) “The aesthetics of the global imagination; reflections on world music in the 1990s.” Public Culture, 8, 467-487.

(1998) “How beautiful is small? Music, globalization and the aesthetics of the local.” Yearbook for Traditional Music, 30, 12-21.

Feld, Steven

(1974) “Linguistic Models in Ethnomusicology.” Ethnomusicology, 18/2, 197-217.

(1981) “'Flow like a waterfall': the metaphors of Kaluli musical theory.” Yearbook for Traditional Music, 13, 22-47.

(1984a) “Communication, Music, and Speech about Music.” Yearbook for Traditional Music, 16, 1-18.

(1984b) “Sound structure as social structure.” Ethnomusicology.

(1988) “Aesthetics as iconicity of style, or 'lift-up-over sounding': getting into the Kaluli groove.” Yearbook for Traditional Music, 20, 74-113.

(1990) Sound and sentiment: birds, weeping, poetics, and song in Kaluli expression. Philadelphia: University of Pensylvania Press.

(1994a) 'From Schizophonia to Schismogenesis: on the discourses and commodification practices of "World Music" and "World Beat." In Keil, Charles & Feld, Steven (eds) Music Grooves: essays and dialogues. Chicago: University of Chicago Press.

(1994b) “Music and Language.” Annual Review of Anthropology, 23, 25-53.

(1996) “Pygmy POP. A genealogy of schizophonic mimesis.” Yearbook for Traditional Music, 28, 1-35.

Finnegan, Ruth (2003) “Music, Experience, and the Anthropology of Emotion.” In Clayton, Martin et al. (eds) The cultural study of music: a critical introduction. New York: Routledge, 181-192.

Foucault, Michel (2006) "Method." In Storey, John (ed) Cultural Theory and Popular Culture: a reader. 4th Edition. Harlow, England / New York: Pearson/Prentice Hall.

Friedson, Steven M. (1996) Dancing Prophets: Musical experience in Tumbuka healing. Chicago: University of Chicago Press.

Frith, Simon (1996) “Music and Identity.” In Hall, Stuart and Paul Du Gay (eds) Questions of cultural identity. London: Sage, 108-127.

Gilroy, Paul (1991) “Sounds authentic: black music, ethnicity, and the challenge of a 'changing same'.” Black Music Research Journal, 11/2, 111-36.

Gramsci, Antonio (2006) “Hegemony, Intellectuals and the State.” In Storey, John (ed) Cultural Theory and Popular Culture: a reader. 4th Edition. Harlow, England / New York: Pearson/Prentice Hall.

Gross, Joan, David McMurray and Ted Swedenburg (1994) “Arab Noise and Ramadan Nights: Rai, Rap and Franco-Maghrebi Identities.” Diaspora, 3/1, 3-39.

Hall, Stuart and Paul Du Gay (eds) (1996) Questions of cultural identity. London: Sage.

Harnish, David (2005) “New Lines, Shifting Identities: Interpreting Change at the Lingsar Festival in Lombok, Indonesia.” Ethnomusicology, 49/1, 1-24.

Harris, Rachel (2004) Singing the Village: Music, Memory, and Ritual among the Sibe of Xinjiang. Oxford: Oxford University Press.

Headland, Thomas, Kenneth Pike and Marvin Harris (eds.) (1990) Emics and Etics: the insider/outsider debate. Newbury Park, CA / London: Sage.

Henry, Edward (1989) “Institutions for the promotion of indigenous music: the case for Ireland's Comhaltas Ceoltoiri.” Ethnomusicology, 33/1, 67-95.

Herndon, Marcia

(1993) “Insiders, outsiders: knowing our limits, limiting our knowing.” The World of Music, 35/1, 63-80.

Herndon, M. and McLeod, N. (eds.) (1982) Music as culture (2nd ed.). Norwood, Pa.: Norwood Editions.

Herzog, George

(1928) “The Yuman Musical Style.” Journal of American Folklore, 41/160, 183-231.

(1934) “Speech-Melody and Primitive Music.” Musical Quarterly, 20/4, 452-466.

(1935) “Plains Ghost Dance and Great Basin Music.” American Anthropologist, 37/3, 403-419.

(1936) “A Comparison of Pueblo and Pima Musical Styles.” Journal of American Folklore, 49/194, 283-417.

(1946) “Comparative musicology.” The Music Journal, 4(11), 42-44.

Hood, Mantle

(1957) “Training and research methods in ethnomusicology.” Ethnomusicology Newsletter, 1(11), 2-8. ( 1971) The Ethnomusicologist. New York: McGraw-Hill.

Hornbostel, Erich Moritz von (1975) Opera Omnia. The Hague: Nijhoff.

Hornbostel, E., M. von & Curt Sachs (1961) “Classification of Musical Instruments: Translated from the Original German by Anthony Baines and Klaus P. Wachsmann.” The Galpin Society Journal, 14, 3-29.

Impey, Angela (2002) “Culture, Conservation and Community Reconstruction: Explorations in Advocacy Ethnomusicology and Action Research in Northern KwaZulu.” Yearbook for Traditional Music, 34, 9-24.

Keyes, Cheryl (2000) “Empowering self, making choices, creating spaces: Black female identity via Rap music performance.” Journal of American Folklore, 113/449, 255-269. Also in Post, Jennifer (ed) Ethnomusicology: A Contemporary Reader. New York and London: Routledge.

Kimberlin, Cynthia Tse (1991) “What am I to be? Female, male, neuter, invisible... Gender roles and ethnomusicological fieldwork in Africa.” The World of Music, 33/2, 14-34.

Kolinski, M.

(1957) “Ethnomusicology, its problems and methods.” Ethnomusicology, 1(10), 1-7.

(1967) “Recent trends in ethnomusicology.” Ethnomusicology, 11, 1-24.

Koskoff, Ellen (ed) (1987) Women and Music in Cross-cultural Perspective. New York: Greenwood.

Kramer, Lawrence (2003) “Subjectivity Rampant! Music, Hermeneutics, and History.” In Clayton, Martin et al. (eds) The cultural study of music: a critical introduction. New York: Routledge, 124-135.

Kunst, Jaap (1959) Ethnomusicology: a study of its nature, its problems, methods and representative personalities to which is added a bibliography. The Hague: Nijhoff.

Langlois, Tony (1996) “Music and contending identities in the Maghreb.” In Schultze K.E., Stokes M.H. & Campbell C. (eds), Nationalism, Minorities and Diasporas: Identities and Rights in the Middle East. London: Tauris, 203-216.

Lee, Tong Soon (1999) “Technology and the Production of Islamic Space: the Call to Prayer in Singapore.” Ethnomusicology, 43/1, 1999, 86-100.

Lomax, Alan

(1959) “Folksong style.” American Anthropologist, 61/6, 927-954.

(1962) “Song Structure and Social Structure.” Ethnology, 1(4).

(1976) Cantometrics: an approach to the anthropology of music. Berkeley: University of California Extension Media Center.

Lortat-Jacob, Bernard (1995) Sardinian chronicles. Chicago: University of Chicago Press.

Lysloff, René and Leslie C. Gay Jr. (eds) (2003) Music and Technoculture. Middletown, Conn.: Wesleyan University Press.

Magrini, Tullia (ed) (2003) Music and Gender: Perspectives from the Mediterranean. Chicago/London: University of Chicago Press.

Manuel, Peter (1993) Cassette culture: popular music and technology in north India. Chicago: University of Chicago Press.

Marcus, George E. (ed.) (1999) Critical Anthropology Now: unexpected contexts, shifting constituencies, changing agendas. Santa Fe, NM: School of American Research Press.

Marett, A.J. (1985) “Togaku: where have the Tang melodies gone and where have the new melodies come from?” Ethnomusicology, 29/3, 409-431.

McAllester, D. P. (1963) “Ethnomusicology, the Field and the Society.” Ethnomusicology, 7(3), 182-186.

Meintjes, Louise (1990) “Paul Simon's Graceland, South Africa, and the mediation of musical meaning.” Ethnomusicology, 34/1, 37-74.

Merriam, Alan

(1960) “Ethnomusicology Discussion and Definition of the Field.” Ethnomusicology, 4(3), 107-114.

(1964) The Anthropology of Music. Northwestern University Press.

(1977) “Definitions of ‘Comparative Musicology’ and ‘Ethnomusicology’: An Historical-Theoretical Perspective.” Ethnomusicology, 21(2), 189-204.

Middleton, Richard (2003) “Introduction: Music Studies and the Idea of Culture.” In Clayton, Martin et al. (eds) The cultural study of music: a critical introduction. New York: Routledge, 1-15.

Mitchell, Tony (ed.) (2002) Global Noise: rap and Hip-Hop outside the USA. Middletown: Wesleyan University Press.

Meyer, L. B. (1960) “Universalism and relativism in the study of ethnic music.” Ethnomusicology 4(2).

Myers, Helen

(ed) (1992) Ethnomusicology: An Introduction. New York & London: W.W. Norton & Co.

(ed) (1993) Ethnomusicology: Historical and Regional Studies. New York & London: W.W. Norton & Co.

Nattiez, Jean-Jacques (1990) Music and discourse: towards a semiology of music. Princeton, New Jersey: Princeton University Press.

Nettl, Bruno

(1964) Theory and method in ethnomusicology. New York: Free Press of Glencoe.

(1974) “Thoughts on improvisation: a comparative approach.” Musical Quarterly, 60/1, 1-19.

(1985) The Western Impact of World Music: Change, Adaptation and Survival. New York: Schirmer.

(1991) “The Dual Nature of Ethnomusicology in North America: The Contributions of Charles Seeger and George Herzog.” In Nettl, Bruno & Philip V. Bohlman (eds.) Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology. Chicago & London: University of Chicago Press, 266-274.

(2005) The study of ethnomusicology: thirty-one issues and concepts (New ed.). Urbana: University of Illinois Press.

Nettl, Bruno and Melinda Russell (eds) (1998) In the course of performance: studies in the world of musical improvisation. Chicago: University of Chicago Press.

Neuenfeldt, Karl (1998) “Good vibrations? The 'curious' cases of the Didjeridu in spectacle and therapy in Australia.” The World of Music, 40/2, 29-51.

Nooshin, Laudan (1998) “The Song of the Nightingale: Processes of Improvisation in dastgah Segah (Iranian Classical Music)." British Journal of Ethnomusicology, 7, 69-116.

Olsen, Dale (2004) The chrysanthemum and the song: music, memory and identity in the South American Japanese diaspora. Gainesville: University Press of Florida.

Porcello, Thomas (1998) “'Tails out': social phenomenology and the ethnographic representation of technology in music-making.” Ethnomusicology, 42/3, 485-510.

Post, Jennifer (ed) (2006) Ethnomusicology: A Contemporary Reader. New York and London: Routledge.

Powers, Harold (1980) “Language models and musical analysis.” Ethnomusicology, 24/1, 1-60.

Qureshi, Regula Burckhardt

(1987) “Musical sound and Contextual Input: A Performance Model for Musical Analysis.” Ethnomusicology, 31/1, 56-86.

(1994) “Exploring Time Cross-Culturally: Ideology and Performance of Time in the Sufi Qawwali.” The Journal of Musicology, 12/4, 491-528.

(ed) (2002) Music and Marx: ideas, practice, politics. New York: Routledge.

Radano, Ronald & Philip Bohlman (eds) (2000) Music and the Racial Imagination. Chicago: University of Chicago Press.

Ramnarine, Tina (1996) “'Indian' Music in the Diaspora: Case Studies of 'Chutney' in Trinidad and in London.” British Journal of Ethnomusicology, 5, 133-153. Also, in Jennifer Post 2006.

Randall, Annie Janeiro (ed) (2005) Music, Power and Politics. New York: Routledge.

Rasmussen, Anne

(1992) “'An Evening in the Orient': The Middle Eastern Nightclub in America.” Asian Music, 23/2, 63-88.

(1996) “Theory and practice at the "Arabic org": Digital Technology in Contemporary Arab Music Performance.” Popular Music, 15/3, 345-365.

Reed, Daniel B. (2005) “'The Ge is in the Church' and 'Our Parents Play Muslim': Performance, Identity and Resistance in Postcolonial Cote d'Ivoire.” Ethnomusicology, 49/3, 347-367.

Rice, Timothy

(1987) “Toward the Remodeling of Ethnomusicology.” Ethnomusicology, 31/3: 469-488.

(1994) May It Fill Your Soul. Experiencing Bulgarian Music. Chicago: University of Chicago Press.

(1996) “The dialectic of economics and aesthetics in Bulgarian music.” In Slobin, M. (ed.) Retuning Culture: musical changes in Central and Eastern Europe. Durham/London: Duke University Press, 176-199.

(2001) “Reflections on Musical Meaning: Metaphor, Signification and Control in the Bulgarian Case.” British Journal of Ethnomusicology, 10/1, 19-38.

Roman-Velazquez, Patria (1999) “The Embodiment of Salsa: Musicians, Instruments and the Performance of a Latin Style and Identity.” Popular Music, 18/1, 115-131. Also in Post, Jennifer 2006.

Romero, Raul R. (2001) Debating the past: music, memory, and identity in the Andes. New York: Oxford University Press.

Roseman, Marina (1984) “The social structuring of sound: the Temiar of peninsular Malaysia.” Ethnomusicology, 28/3, 411-445.

Sachs, Curt (1962) The Wellsprings of All Music. The Hague: M. Nijhoff.

Sadie, S. (1979) “Ethnomusicology and the New Grove.” Ethnomusicology, 23(1), 95-102.

Said, Edward W. (1978) Orientalism. Western conceptions of the Orient. Routledge & Kegan.

Schechner, Richard (1988) Performance Theory. New York: Routledge. On-line access

Schneider, M. (1957) Primitive Music (in The New Oxford history of music) (Vol. 1). Oxford: Oxford University Press.

Seeger, Anthony

(1986) “The role of sound archives in ethnomusicology today.” Ethnomusicology, 30/2, 261-276.

(1987) “Do We Need to Remodel Ethnomusicology?” Ethnomusicology, 31/3: 491-495.

(1992) “Ethnography of Music.” In Myers, Helen (ed.) Ethnomusicology: An Introduction. New York & Londond: W.W. Norton & Co., 88-109.

(1996) “Ethnomusicologists, archives, professional organizations and the shifting ethics of intellectual property.” Yearbook for Traditional Music, 28, 87-105.

(2004) [1987] Why Suyá sing: a musical anthropology of an Amazonian people. Urbana, Ill.: University of Illinois Press.

Seeger, Charles

(1957a) “Music and Class Structure in the United States.” American Quarterly, 9/3, 281-294.

(1957b) “Toward a Universal Music Sound-Writing for Musicology.” Journal of the International Folk Music Council, 9, 63-66.

(1958) “Prescriptive and descriptive music-writing.” The Musical Quarterly, 44/2, 184-195.

(1961) “Semantic, logical and political considerations bearing upon research in ethnomusicology.” Ethnomusicology, 5, 77-80.

(1977a) Studies in Musicology 1935-1975. Berkeley & Los Angeles: University of California Press, 16-30.

(1977b) “The Musicological Juncture: 1976.” Ethnomusicology, 21, 179-188.

Shannon, Jonathan H., (2006) “Sultans of Spin. Syrian Sacred Music on the World Stage.” In Post, Jennifer C. (ed.) Ethnomusicology. A Contemporary Reader. New York: Routledge, 17-32.

Shelemay , Kay Kaufman

(1980) “Historical Ethnomusicology: Reconstructing Falasha Liturgical History.” Ethnomusicology, 24/2, 1980, 233-258.

(1998) Let Jasmine Rain Down: song and remembrance among Syrian Jews. Chicago / London: University of Chicago Press.

(2001) Soundscapes: Exploring Music in a Changing World. WW. New York and London: W.W. Norton & co..

Slobin, Mark

(1993) Subcultural Sounds: Micromusics of the West. Wesleyan University Press.

(ed) (1996) Retuning Culture: musical changes in Central and Eastern Europe. Durham/London: Duke University Press.

(2003) “The Destiny of “Diaspora” in Ethnomusicology.” In Clayton, Martin et al. (eds) The cultural study of music: a critical introduction. New York: Routledge, 284-296.

(ed) (2008) Global soundtracks: worlds of film music. Middletown, Conn.: Wesleyan University Press.

Small, Christopher (1998) Musicking: the meanings of performing and listening. Hanover: University Press of New England.

Solie, Ruth (1993) Musicology and Difference: Gender and Sexuality in Music Scholarship. Berkeley: University of California Press.

Solomon, Thomas (2000) “Dueling Landscapes: Singing Places and Identities in Highland Bolivia.” Ethnomusicology, 44/2, 256-280. Also in Post, Jennifer 2006.

Stokes, Martin

(ed) (1994) Ethnicity, Identity and Music: the Musical Construction of Place. Oxford: Berg.

(2003) “Globalization and the Politics of World Music.” In Clayton, Martin et al. (eds) The cultural study of music: a critical introduction. New York: Routledge, 297-308.

Stone, R. M. (2008). Theory for ethnomusicology. Upper Saddle River, N.J.: Pearson Prentice Hall.

Storey, John (ed) (2006) Cultural Theory and Popular Culture: A Reader. Harlow, England /New York: Pearson/Prentice Hall.

Sugarman, Jane (1997) Engendering Song: Singing and Subjectivity at Prespa Albanian Weddings. Chicago: University of Chicago Press.

Swedenburg, Ted (1997) “Saida Sultan/Danna International: Transgender Pop and the Polysemiotics of Sex, Nation and Ethnicity on the Israeli-Egyptian Border.” Music Quarterly, 58, 81-108.

Taylor, Timothy D. (2007) Beyond Exoticism: Western Music and the World. Durham and London: Duke University Press.

Théberge, Paul (1997) Any sound you can imagine: making music/consuming technology. Hanover, NH: Wesleyan University Press.

Turino, Thomas

(1984) “The urban-Mestizo charango tradition in Southern Peru: a statement of shifting identity.” Ethnomusicology, 28/2, 253-270.

(1990) “Structure, Context, and Strategy in Musical Ethnography.” Ethnomusicology, 34/3, 399-412.

(1993) Moving away from silence: music of the Peruvian Altiplano and the experience of urban migration. Chicago: Chicago University Press.

(1998) “The Mbira, Worldbeat, and the International Imagination.” The World of Music, 40/2, 85-106.

(1999) “Signs of imagination, identity, and experience: a Peircian semiotic theory for music.” Ethnomusicology, 43/2, 221-55.

(2000) Nationalists, Cosmopolitans, and Popular Music in Zimbabwe. Chicago / London: The University of Chicago Press.

(2003) “Are we global yet? Globalist discourse, cultural formations and the study of Zimbabwean popular music.” British Journal of Ethnomusicology, 12/2, 51-79.

(2008) Music as Social Life: the Politics of Participation. Chicago: University of Chicago Press.

Turino, Thomas and James Lea (eds) (2004) Identity and the arts in diaspora communities. Warren, Mich.: Harmonie Park Press.

Ullestad, Neal (1999) “American Indian Rap and Reggae: Dancing to the Beat of a Different Drummer.” Popular Music and Society, 23/2, 63-90. Also, in Post 2006, chapter 20.

Upton, Janet (2002) “The politics and poetics of Sister Drum: 'Tibetan' music in the global marketplace.” In T. Craig and R. King (eds) Global goes Local: Popular Culture in Asia. Vancouver: University of British Columbia Press, 99-119.

Waterman, Christopher (1990) “'Our tradition is a very modern tradition": popular music and the construction of pan-Yoruba identity.” Ethnomusicology, 34/3, 367-379.

Waugh, Earl (2005) Memory, Music, and Religion. Morocco's Mystical Chanters. Columbia, SC: University of South Carolina Press.

Widdess, Richard

(1992) “Historical ethnomusicology.” In Myers, Helen (ed) Ethnomusicology: an introduction. London: Macmillan.

(2006) “Musical structure, performance and meaning: the case of a stick-dance from Nepal.” Ethnomusicology Forum, 15/2, 179-213.

Wong, Deborah

(2000) “Taiko and the Asian/American Body: Drums, Rising Sun, and the Question of Gender.” The World of Music, 42/2, 67-78. Also in Post, Jennifer 2006.

(2001) Sounding the Center: history and Aesthetics in Thai Buddhist Performance. Chicago: University of Chicago Press.

Wrazen, Louise (2007) “Relocating the Tatras: Place and Music in Gorale Identity and Imagination.” Ethnomusicology, 51/2, 185-204.

Zemp, Hugo (1979) “Aspects of 'Are'Are Musical Theory.” Ethnomusicology, 23/1, 5-48.

Zheng, Su De San (1990) “Music and Migration: Chinese American Traditional Music in New York City.” The World of Music, 32/3, 48-67.