https://www.artsrn.ualberta.ca/fwa_mediawiki/index.php?title=Bibliography_-_Music_466/566_2013&feed=atom&action=historyBibliography - Music 466/566 2013 - Revision history2024-03-29T10:08:17ZRevision history for this page on the wikiMediaWiki 1.30.0https://www.artsrn.ualberta.ca/fwa_mediawiki/index.php?title=Bibliography_-_Music_466/566_2013&diff=3445201&oldid=prevSpinetti: Protected "Bibliography - Music 466/566 2013" ([Edit=Allow only administrators] (indefinite) [Move=Allow only administrators] (indefinite))2013-09-04T00:29:18Z<p>Protected "<a href="/fwa_mediawiki/index.php/Bibliography_-_Music_466/566_2013" title="Bibliography - Music 466/566 2013">Bibliography - Music 466/566 2013</a>" ([Edit=Allow only administrators] (indefinite) [Move=Allow only administrators] (indefinite))</p>
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</td></tr></table>Spinettihttps://www.artsrn.ualberta.ca/fwa_mediawiki/index.php?title=Bibliography_-_Music_466/566_2013&diff=3445159&oldid=prevSpinetti: Created page with "* Aufderheide, Patricia. ''Documentary film: a very short introduction''. Oxford/New York: Oxford University Press, 2007. * Bachmann, Gideon. “The Man on the Volcano: A Por..."2013-09-03T23:58:31Z<p>Created page with "* Aufderheide, Patricia. ''Documentary film: a very short introduction''. Oxford/New York: Oxford University Press, 2007. * Bachmann, Gideon. “The Man on the Volcano: A Por..."</p>
<p><b>New page</b></p><div>* Aufderheide, Patricia. ''Documentary film: a very short introduction''. Oxford/New York: Oxford University Press, 2007.<br />
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* Bachmann, Gideon. “The Man on the Volcano: A Portrait of Werner Herzog.” ''Film Quarterly'', 31/1, 1977, pp. 2-10.<br />
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* Baily, John. “Filmmaking as Musical Ethnography.” ''The World of Music'', 31/1, 1989, pp. 3-20.<br />
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* Baily, John. ''The making of Amir: An Afghan Refugee Musician's Life in Peshawar'', Pakistan. The Study Guide. Boston: Documentary Educational Resources, 1990. <br />
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* Baily, John. “The Art of the ‘Fieldwork Movie’: 35 Years of Making Ethnomusicological Films.” ''Ethnomusicology Forum'', Volume 18/1, 2009, pp. 55-64.<br />
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* Banks, M. and H. Morphy (eds.). ''Rethinking Visual Anthropology''. New Haven, CT:Yale University Press, 1997.<br />
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* Barbash, Ilisa. ''Cross-cultural filmmaking: a handbook for making documentary and ethnographic films and videos''. Berkeley: University of California Press, 1997. <br />
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* Barnouw, Erik. ''Documentary: a history of the non-fiction film''. New York: Oxford Unviersity Press, 1993. <br />
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* Barsam, Richard. ''Nonfiction film: a critical history''. Bloomington: Indiana University Press, 1992.<br />
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* Beattie, Keith. ''Documentary display: re-viewing nonfiction film and video''. London: Wallflower, 2008.<br />
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* Bruzzi, Stella. ''New Documentary: A Critical Introduction''. London and New York: Routledge, 2000.<br />
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* Chion, Michel. ''Audio-vision: sound on screen''. New York: Columbia University Press, 1994.<br />
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* Chion, Michel. ''Film, a sound art''. New York: Columbia University Press, 2009.<br />
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* Crawford, P. and D. Turton (eds.). ''Film as Ethnography''. Manchester: Manchester University Press, 1992.<br />
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* De Brigard, Emilie. “The History of Ethnographic Film.” In Paul Hockings (ed.) ''Principles of Visual Anthropology''. 2nd edition. Berlin: Mouton de Gruyter, 1995 [1975], pp. 13-43.<br />
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* Devereaux, Leslie and Roger Hillman. ''Fields of vision: essays in film studies, visual anthropology, and photography''. Berkeley: University of California Press, 1995.<br />
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* Fabian, Joannes. ''Time and the Other: How Anthropology makes its Other''. New York: Columbia University Press, 1983.<br />
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* Feld, Steven. “Ethnomusicology and Visual Communication.” ''Ethnomusicology'', 20/2, 1976, pp. 293-325. <br />
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* Grimshaw, Anna and Amanda Ravetz. ''Observational cinema: anthropology, film, and the exploration of social life''. Bloomington: Indiana University Press, 2009.<br />
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* Heider, Karl G. ''Ethnographic Film.'' Austin and London: University of Texas Press, 1976.<br />
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* Hewitt, John. ''Documentary Filmmaking: a contemporary film guide''. New York: Oxford University Press, 2010.<br />
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* MacDougall, David. “The visual in anthropology.” In M. Banks and H. Morphy (eds.). ''Rethinking Visual Anthropology''. New Haven, CT: Yale University Press, 1997, pp. 276-295.<br />
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* MacDougall, David. ''The corporeal image: film, ethnography, and the senses''. Princeton, NJ: Princeton University Press, 2006.<br />
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* Nichols, Bill. ''Representing Reality: Issues and Concepts in Documentary.'' Bloomington: Indiana University Press, 1991. <br />
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* Pink, Sarah, László Kürti and Ana Isabel Afonso (eds.). ''Working images: visual research and representation in ethnography''. London / New York: Routledge, 2004.<br />
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* Prager, Brad. ''The cinema of Werner Herzog: Aesthetic Ecstasy and Truth''. London: Wallflower Press, 2007.<br />
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* Rabiger, Michael. ''Directing the documentary''. 5th edition. Amsterdam/Boston: Focal Press/Elsevier, 2009.<br />
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* Rouch, Jean. “The Camera and Man.” ''Studies in the Anthropology of Visual Communication'', 1/1, 1974, pp. 37-44. Also in Paul Hockings (ed.) ''Principles of Visual Anthropology''. 2nd edition. Berlin: Mouton de Gruyter, 1995 [1975], pp. 79-98.<br />
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* Rouch, Jean. ''Ciné-ethnography''. Edited and translated by Steven Feld. Minneapolis: University of Minnesota Press, 2003.<br />
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* Ruby, Jay. ''Picturing culture: explorations of film and anthropology''. Chicago: Chicago University Press, 2000.<br />
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* Ruby, Jay. “The moral burden of authorship in ethnographic film.” ''Visual Anthropology Review'', 11/2, 1995, pp. 77-82.<br />
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* Said, Edward. “The quest for Gillo Pontecorvo.” In Edward Said, ''Reflections on Exile and Other Essays''. Cambridge, MA: Harvard University Press, 2000, pp. 282-292.<br />
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* Slobin, Mark (ed). ''Global Soundtracks: worlds of film music''. Middletown, Conn.: Wesleyan University Press, 2008.<br />
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* Solinas, Franco. ''Gillo Pontecorvo’s The Battle of Algiers''. New York: Scribner, 1973.<br />
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* Titon, Jeff Todd. “Style and Meaning in Contemporary Documentary Film.” ''Appalachian Journal'', 20, 1992, pp. 44-55. <br />
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* Wissler, Holly. “Grief-Singing and the Camera: The Challenges and Ethics of Documentary Production in an Indigenous Andean Community.” ''Ethnomusicology Forum'', Volume 18/1, 2009, pp. 37-53.<br />
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* Young, Colin. “Observational Cinema.” In Paul Hockings (ed.) ''Principles of Visual Anthropology''. 2nd edition. Berlin: Mouton de Gruyter, 1995 [1975], pp. 99-113. <br />
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* Zemp, Hugo. “Filming Music and Looking at Music Films.” ''Ethnomusicology'', 32/3, 1988, pp. 393-427.</div>Spinetti