Difference between revisions of "Bibliography - Music 466/566 2013"

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Latest revision as of 17:29, 3 September 2013

  • Aufderheide, Patricia. Documentary film: a very short introduction. Oxford/New York: Oxford University Press, 2007.
  • Bachmann, Gideon. “The Man on the Volcano: A Portrait of Werner Herzog.” Film Quarterly, 31/1, 1977, pp. 2-10.
  • Baily, John. “Filmmaking as Musical Ethnography.” The World of Music, 31/1, 1989, pp. 3-20.
  • Baily, John. The making of Amir: An Afghan Refugee Musician's Life in Peshawar, Pakistan. The Study Guide. Boston: Documentary Educational Resources, 1990.
  • Baily, John. “The Art of the ‘Fieldwork Movie’: 35 Years of Making Ethnomusicological Films.” Ethnomusicology Forum, Volume 18/1, 2009, pp. 55-64.
  • Banks, M. and H. Morphy (eds.). Rethinking Visual Anthropology. New Haven, CT:Yale University Press, 1997.
  • Barbash, Ilisa. Cross-cultural filmmaking: a handbook for making documentary and ethnographic films and videos. Berkeley: University of California Press, 1997.
  • Barnouw, Erik. Documentary: a history of the non-fiction film. New York: Oxford Unviersity Press, 1993.
  • Barsam, Richard. Nonfiction film: a critical history. Bloomington: Indiana University Press, 1992.
  • Beattie, Keith. Documentary display: re-viewing nonfiction film and video. London: Wallflower, 2008.
  • Bruzzi, Stella. New Documentary: A Critical Introduction. London and New York: Routledge, 2000.
  • Chion, Michel. Audio-vision: sound on screen. New York: Columbia University Press, 1994.
  • Chion, Michel. Film, a sound art. New York: Columbia University Press, 2009.
  • Crawford, P. and D. Turton (eds.). Film as Ethnography. Manchester: Manchester University Press, 1992.
  • De Brigard, Emilie. “The History of Ethnographic Film.” In Paul Hockings (ed.) Principles of Visual Anthropology. 2nd edition. Berlin: Mouton de Gruyter, 1995 [1975], pp. 13-43.
  • Devereaux, Leslie and Roger Hillman. Fields of vision: essays in film studies, visual anthropology, and photography. Berkeley: University of California Press, 1995.
  • Fabian, Joannes. Time and the Other: How Anthropology makes its Other. New York: Columbia University Press, 1983.
  • Feld, Steven. “Ethnomusicology and Visual Communication.” Ethnomusicology, 20/2, 1976, pp. 293-325.
  • Grimshaw, Anna and Amanda Ravetz. Observational cinema: anthropology, film, and the exploration of social life. Bloomington: Indiana University Press, 2009.
  • Heider, Karl G. Ethnographic Film. Austin and London: University of Texas Press, 1976.
  • Hewitt, John. Documentary Filmmaking: a contemporary film guide. New York: Oxford University Press, 2010.
  • MacDougall, David. “The visual in anthropology.” In M. Banks and H. Morphy (eds.). Rethinking Visual Anthropology. New Haven, CT: Yale University Press, 1997, pp. 276-295.
  • MacDougall, David. The corporeal image: film, ethnography, and the senses. Princeton, NJ: Princeton University Press, 2006.
  • Nichols, Bill. Representing Reality: Issues and Concepts in Documentary. Bloomington: Indiana University Press, 1991.
  • Pink, Sarah, László Kürti and Ana Isabel Afonso (eds.). Working images: visual research and representation in ethnography. London / New York: Routledge, 2004.
  • Prager, Brad. The cinema of Werner Herzog: Aesthetic Ecstasy and Truth. London: Wallflower Press, 2007.
  • Rabiger, Michael. Directing the documentary. 5th edition. Amsterdam/Boston: Focal Press/Elsevier, 2009.
  • Rouch, Jean. “The Camera and Man.” Studies in the Anthropology of Visual Communication, 1/1, 1974, pp. 37-44. Also in Paul Hockings (ed.) Principles of Visual Anthropology. 2nd edition. Berlin: Mouton de Gruyter, 1995 [1975], pp. 79-98.
  • Rouch, Jean. Ciné-ethnography. Edited and translated by Steven Feld. Minneapolis: University of Minnesota Press, 2003.
  • Ruby, Jay. Picturing culture: explorations of film and anthropology. Chicago: Chicago University Press, 2000.
  • Ruby, Jay. “The moral burden of authorship in ethnographic film.” Visual Anthropology Review, 11/2, 1995, pp. 77-82.
  • Said, Edward. “The quest for Gillo Pontecorvo.” In Edward Said, Reflections on Exile and Other Essays. Cambridge, MA: Harvard University Press, 2000, pp. 282-292.
  • Slobin, Mark (ed). Global Soundtracks: worlds of film music. Middletown, Conn.: Wesleyan University Press, 2008.
  • Solinas, Franco. Gillo Pontecorvo’s The Battle of Algiers. New York: Scribner, 1973.
  • Titon, Jeff Todd. “Style and Meaning in Contemporary Documentary Film.” Appalachian Journal, 20, 1992, pp. 44-55.
  • Wissler, Holly. “Grief-Singing and the Camera: The Challenges and Ethics of Documentary Production in an Indigenous Andean Community.” Ethnomusicology Forum, Volume 18/1, 2009, pp. 37-53.
  • Young, Colin. “Observational Cinema.” In Paul Hockings (ed.) Principles of Visual Anthropology. 2nd edition. Berlin: Mouton de Gruyter, 1995 [1975], pp. 99-113.
  • Zemp, Hugo. “Filming Music and Looking at Music Films.” Ethnomusicology, 32/3, 1988, pp. 393-427.