Difference between revisions of "Bibliography - Music 466/566"
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| − | * Aufderheide, Patricia. Documentary film: a very short introduction. Oxford/New | + | * Aufderheide, Patricia. Documentary film: a very short introduction. Oxford/New York: Oxford University Press, 2007. |
| − | York: Oxford University Press, 2007. | ||
| − | * Bachmann, Gideon. “The Man on the Volcano: A Portrait of Werner Herzog.” Film | + | * Bachmann, Gideon. “The Man on the Volcano: A Portrait of Werner Herzog.” Film Quarterly, 31/1, 1977, pp. 2-10. |
| − | Quarterly, 31/1, 1977, pp. 2-10. | ||
| − | * + Baily, John. “Filmmaking as Musical Ethnography.” The World of Music, 31/1, 1989, | + | * + Baily, John. “Filmmaking as Musical Ethnography.” The World of Music, 31/1, 1989, pp. 3-20. |
| − | pp. 3-20. | ||
| − | * Baily, John. The making of Amir: An Afghan Refugee Musician's Life in Peshawar, Pakistan. The Study Guide. Boston: Documentary Educational Resources, 1990. | + | * Baily, John. The making of Amir: An Afghan Refugee Musician's Life in Peshawar, Pakistan. The Study Guide. Boston:Documentary Educational Resources, 1990. |
* + Baily, John. “The Art of the ‘Fieldwork Movie’: 35 Years of Making Ethnomusicological Films.” Ethnomusicology Forum, Volume 18/1, 2009, pp. 55-64. | * + Baily, John. “The Art of the ‘Fieldwork Movie’: 35 Years of Making Ethnomusicological Films.” Ethnomusicology Forum, Volume 18/1, 2009, pp. 55-64. | ||
| Line 28: | Line 25: | ||
* Chion, Michel. Film, a sound art. New York: Columbia University Press, 2009. | * Chion, Michel. Film, a sound art. New York: Columbia University Press, 2009. | ||
| − | * Crawford, P. and D. Turton (eds.). Film as Ethnography. Manchester: Manchester | + | * Crawford, P. and D. Turton (eds.). Film as Ethnography. Manchester: Manchester University Press, 1992. |
| − | University Press, 1992. | ||
* + De Brigard, Emilie. “The History of Ethnographic Film.” In Paul Hockings (ed.) Principles of Visual Anthropology. 2nd edition. Berlin: Mouton de Gruyter, 1995 [1975], pp. 13-43. | * + De Brigard, Emilie. “The History of Ethnographic Film.” In Paul Hockings (ed.) Principles of Visual Anthropology. 2nd edition. Berlin: Mouton de Gruyter, 1995 [1975], pp. 13-43. | ||
| − | * Devereaux, Leslie and Roger Hillman. Fields of vision: essays in film studies, visual | + | * Devereaux, Leslie and Roger Hillman. Fields of vision: essays in film studies, visual anthropology, and photography. Berkeley: University of California Press, 1995. |
| − | anthropology, and photography. Berkeley: University of California Press, 1995. | ||
* Fabian, Joannes. Time and the Other: How Anthropology makes its Other. New York: Columbia University Press, 1983. | * Fabian, Joannes. Time and the Other: How Anthropology makes its Other. New York: Columbia University Press, 1983. | ||
| − | * + Feld, Steven. “Ethnomusicology and Visual Communication.” Ethnomusicology, | + | * + Feld, Steven. “Ethnomusicology and Visual Communication.” Ethnomusicology, 20/2, 1976, pp. 293-325. |
| − | 20/2, 1976, pp. 293-325. | ||
* Grimshaw, Anna and Amanda Ravetz. Observational cinema: anthropology, film, and the exploration of social life. Bloomington: Indiana University Press, 2009. | * Grimshaw, Anna and Amanda Ravetz. Observational cinema: anthropology, film, and the exploration of social life. Bloomington: Indiana University Press, 2009. | ||
| Line 53: | Line 47: | ||
* Nichols, Bill. Representing Reality: Issues and Concepts in Documentary. Bloomington: Indiana University Press, 1991. | * Nichols, Bill. Representing Reality: Issues and Concepts in Documentary. Bloomington: Indiana University Press, 1991. | ||
| − | * Pink, Sarah, László Kürti and Ana Isabel Afonso (eds.). Working images: visual | + | * Pink, Sarah, László Kürti and Ana Isabel Afonso (eds.). Working images: visual research and representation in ethnography. London / New York: Routledge, 2004. |
| − | research and representation in ethnography. London / New York: Routledge, 2004. | ||
| − | * Prager, Brad. The cinema of Werner Herzog: Aesthetic Ecstasy and Truth. London: | + | * Prager, Brad. The cinema of Werner Herzog: Aesthetic Ecstasy and Truth. London: Wallflower Press, 2007. |
| − | Wallflower Press, 2007. | ||
| − | * Rabiger, Michael. Directing the documentary. 5th edition. Amsterdam/Boston: Focal | + | * Rabiger, Michael. Directing the documentary. 5th edition. Amsterdam/Boston: Focal Press/Elsevier, 2009. |
| − | Press/Elsevier, 2009. | ||
* + Rouch, Jean. “The Camera and Man.” Studies in the Anthropology of Visual Communication, 1/1, 1974, pp. 37-44. Also in Paul Hockings (ed.) Principles of Visual Anthropology. 2nd edition. Berlin: Mouton de Gruyter, 1995 [1975], pp. 79-98. | * + Rouch, Jean. “The Camera and Man.” Studies in the Anthropology of Visual Communication, 1/1, 1974, pp. 37-44. Also in Paul Hockings (ed.) Principles of Visual Anthropology. 2nd edition. Berlin: Mouton de Gruyter, 1995 [1975], pp. 79-98. | ||
| − | * Rouch, Jean. Ciné-ethnography. Edited and translated by Steven Feld. Minneapolis: | + | * Rouch, Jean. Ciné-ethnography. Edited and translated by Steven Feld. Minneapolis: University of Minnesota Press, 2003. |
| − | University of Minnesota Press, 2003. | ||
| − | * Ruby, Jay. Picturing culture: explorations of film and anthropology. Chicago: Chicago | + | * Ruby, Jay. Picturing culture: explorations of film and anthropology. Chicago: Chicago University Press, 2000. |
| − | University Press, 2000. | ||
* + Ruby, Jay. “The moral burden of authorship in ethnographic film.” Visual Anthropology Review, 11/2, 1995, pp. 77-82. | * + Ruby, Jay. “The moral burden of authorship in ethnographic film.” Visual Anthropology Review, 11/2, 1995, pp. 77-82. | ||
| − | * Said, Edward. “The quest for Gillo Pontecorvo.” In Edward Said, Reflections on Exile | + | * Said, Edward. “The quest for Gillo Pontecorvo.” In Edward Said, Reflections on Exile and Other Essays. Cmabridge, MA: Harvard University Press, 2000, pp. 282-292. |
| − | and Other Essays. Cmabridge, MA: Harvard University Press, 2000, pp. 282-292. | ||
| − | * Slobin, Mark (ed). Global Soundtracks: worlds of film music. Middletown, Conn.: Wesleyan | + | * Slobin, Mark (ed). Global Soundtracks: worlds of film music. Middletown, Conn.: Wesleyan University Press, 2008. |
| − | University Press, 2008. | ||
* Solinas, Franco. Gillo Pontecorvo’s The Battle of Algiers. New York: Scribner, 1973. | * Solinas, Franco. Gillo Pontecorvo’s The Battle of Algiers. New York: Scribner, 1973. | ||
| − | * Titon, Jeff Todd. “Style and Meaning in Contemporary Documentary Film.” | + | * Titon, Jeff Todd. “Style and Meaning in Contemporary Documentary Film.” Appalachian Journal, 20, 1992, pp. 44-55. |
| − | Appalachian Journal, 20, 1992, pp. 44-55. | ||
* + Wissler, Holly. “Grief-Singing and the Camera: The Challenges and Ethics of Documentary Production in an Indigenous Andean Community.” Ethnomusicology Forum, Volume 18/1, 2009, pp. 37-53. | * + Wissler, Holly. “Grief-Singing and the Camera: The Challenges and Ethics of Documentary Production in an Indigenous Andean Community.” Ethnomusicology Forum, Volume 18/1, 2009, pp. 37-53. | ||
| Line 87: | Line 73: | ||
* + Young, Colin. “Observational Cinema.” In Paul Hockings (ed.) Principles of Visual Anthropology. 2nd edition. Berlin: Mouton de Gruyter, 1995 [1975], pp. 99-113. | * + Young, Colin. “Observational Cinema.” In Paul Hockings (ed.) Principles of Visual Anthropology. 2nd edition. Berlin: Mouton de Gruyter, 1995 [1975], pp. 99-113. | ||
| − | * + Zemp, Hugo. “Filming Music and Looking at Music Films.” Ethnomusicology, 32/3, | + | * + Zemp, Hugo. “Filming Music and Looking at Music Films.” Ethnomusicology, 32/3, 1988, pp. 393-427. |
| − | 1988, pp. 393-427. | ||
Revision as of 16:48, 11 January 2011
- Aufderheide, Patricia. Documentary film: a very short introduction. Oxford/New York: Oxford University Press, 2007.
- Bachmann, Gideon. “The Man on the Volcano: A Portrait of Werner Herzog.” Film Quarterly, 31/1, 1977, pp. 2-10.
- + Baily, John. “Filmmaking as Musical Ethnography.” The World of Music, 31/1, 1989, pp. 3-20.
- Baily, John. The making of Amir: An Afghan Refugee Musician's Life in Peshawar, Pakistan. The Study Guide. Boston:Documentary Educational Resources, 1990.
- + Baily, John. “The Art of the ‘Fieldwork Movie’: 35 Years of Making Ethnomusicological Films.” Ethnomusicology Forum, Volume 18/1, 2009, pp. 55-64.
- Banks, M. and H. Morphy (eds.). Rethinking Visual Anthropology. New Haven, CT:Yale University Press, 1997.
- Barbash, Ilisa. Cross-cultural filmmaking: a handbook for making documentary and ethnographic films and videos. Berkeley: University of California Press, 1997.
- Barnouw, Erik. Documentary: a history of the non-fiction film. New York: Oxford Unviersity Press, 1993.
- Barsam, Richard. Nonfiction film: a critical history. Bloomington: Indiana University Press, 1992.
- Beattie, Keith. Documentary display: re-viewing nonfiction film and video. London: Wallflower, 2008.
- Bruzzi, Stella. New Documentary: A Critical Introduction. London and New York: Routledge, 2000.
- Chion, Michel. Audio-vision: sound on screen. New York: Columbia University Press, 1994.
- Chion, Michel. Film, a sound art. New York: Columbia University Press, 2009.
- Crawford, P. and D. Turton (eds.). Film as Ethnography. Manchester: Manchester University Press, 1992.
- + De Brigard, Emilie. “The History of Ethnographic Film.” In Paul Hockings (ed.) Principles of Visual Anthropology. 2nd edition. Berlin: Mouton de Gruyter, 1995 [1975], pp. 13-43.
- Devereaux, Leslie and Roger Hillman. Fields of vision: essays in film studies, visual anthropology, and photography. Berkeley: University of California Press, 1995.
- Fabian, Joannes. Time and the Other: How Anthropology makes its Other. New York: Columbia University Press, 1983.
- + Feld, Steven. “Ethnomusicology and Visual Communication.” Ethnomusicology, 20/2, 1976, pp. 293-325.
- Grimshaw, Anna and Amanda Ravetz. Observational cinema: anthropology, film, and the exploration of social life. Bloomington: Indiana University Press, 2009.
- Heider, Karl G. Ethnographic Film. Austin and London: University of Texas Press, 1976.
- Hewitt, John. Documentary Filmmaking: a contemporary film guide. New York: Oxford University Press, 2010.
- + MacDougall, David. “The visual in anthropology.” In M. Banks and H. Morphy (eds.). Rethinking Visual Anthropology. New Haven, CT: Yale University Press, 1997, pp. 276-295.
- MacDougall, David. The corporeal image: film, ethnography, and the senses. Princeton, NJ: Princeton University Press, 2006.
- Nichols, Bill. Representing Reality: Issues and Concepts in Documentary. Bloomington: Indiana University Press, 1991.
- Pink, Sarah, László Kürti and Ana Isabel Afonso (eds.). Working images: visual research and representation in ethnography. London / New York: Routledge, 2004.
- Prager, Brad. The cinema of Werner Herzog: Aesthetic Ecstasy and Truth. London: Wallflower Press, 2007.
- Rabiger, Michael. Directing the documentary. 5th edition. Amsterdam/Boston: Focal Press/Elsevier, 2009.
- + Rouch, Jean. “The Camera and Man.” Studies in the Anthropology of Visual Communication, 1/1, 1974, pp. 37-44. Also in Paul Hockings (ed.) Principles of Visual Anthropology. 2nd edition. Berlin: Mouton de Gruyter, 1995 [1975], pp. 79-98.
- Rouch, Jean. Ciné-ethnography. Edited and translated by Steven Feld. Minneapolis: University of Minnesota Press, 2003.
- Ruby, Jay. Picturing culture: explorations of film and anthropology. Chicago: Chicago University Press, 2000.
- + Ruby, Jay. “The moral burden of authorship in ethnographic film.” Visual Anthropology Review, 11/2, 1995, pp. 77-82.
- Said, Edward. “The quest for Gillo Pontecorvo.” In Edward Said, Reflections on Exile and Other Essays. Cmabridge, MA: Harvard University Press, 2000, pp. 282-292.
- Slobin, Mark (ed). Global Soundtracks: worlds of film music. Middletown, Conn.: Wesleyan University Press, 2008.
- Solinas, Franco. Gillo Pontecorvo’s The Battle of Algiers. New York: Scribner, 1973.
- Titon, Jeff Todd. “Style and Meaning in Contemporary Documentary Film.” Appalachian Journal, 20, 1992, pp. 44-55.
- + Wissler, Holly. “Grief-Singing and the Camera: The Challenges and Ethics of Documentary Production in an Indigenous Andean Community.” Ethnomusicology Forum, Volume 18/1, 2009, pp. 37-53.
- + Young, Colin. “Observational Cinema.” In Paul Hockings (ed.) Principles of Visual Anthropology. 2nd edition. Berlin: Mouton de Gruyter, 1995 [1975], pp. 99-113.
- + Zemp, Hugo. “Filming Music and Looking at Music Films.” Ethnomusicology, 32/3, 1988, pp. 393-427.
