Difference between revisions of "Bibliography (Music 102 2010)"
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| − | Adamu, Abdalla Uba. “The influence of Hindi film music on Hausa videofilm soundtrack music.” In Mark Slobin (ed.) Global soundtracks: worlds of film music. Middletown, Conn.: Wesleyan University Press, 2008 | + | '''Adamu, Abdalla Uba'''. “The influence of Hindi film music on Hausa videofilm soundtrack music.” In Mark Slobin (ed.) Global soundtracks: worlds of film music. Middletown, Conn.: Wesleyan University Press, 2008. |
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| − | + | '''Baker, Geoffrey'''. “Hip Hop Revolucion! Nationalizing Rap in Cuba.” Ethnomusicology, 49/3, 2005, pp. 368-402. | |
| − | + | '''Booth, Greg'''. “That Bollywood sound.” In Mark Slobin (ed.) Global soundtracks: worlds of film music. Middletown, Conn.: Wesleyan University Press, 2008. | |
| − | + | '''Burkhalter, Thomas'''. “Thanks for letting me hear the war again.” Norient, July 31, 2006. Online at http://www.norient.com/html/show_article.php?ID=90 | |
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| − | + | '''Cusick, Suzanne G.''' “Music as Torture / Music as Weapon.” Transcultural Music Review, 10, 2006. Online at http://www.sibetrans.com/trans/trans10/cusick_eng.htm | |
| − | + | '''During, Jean'''. “Power, authority and music in the cultures of Inner Asia.” Ethnomusicology Forum, 14/2, 2005, pp. 143-164. | |
| − | + | '''Feld, Steven'''. “Pygmy POP: A genealogy of schizophonic mimesis.” Yearbook for Traditional Music, 28, 1996, pp. 1-35. | |
| − | + | '''Getter, Joseph & B. Balasubrahmaniyan'''. “Tamil film music: sound and significance.” In Mark Slobin (ed.) Global soundtracks: worlds of film music. Middletown, Conn.: Wesleyan University Press, 2008. | |
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| − | + | '''Greene, Paul D.''' “Sound Engineering in a Tamil Village: Playing audio cassettes as devotional performance”, Ethnomusicology, 43/3, 1999, pp. 459-489. | |
| − | + | '''Gross, Joan, David McMurray and Ted Swedenburg'''. “Arab Noise and Ramadan Nights: Rai, Rap and Franco-Maghrebi Identities.” Diaspora, 3/1, 1994, pp. 3-39. | |
| − | + | '''Hamm, Mark S.''' “Hammer of the Gods Revisited: Neo-Nazi Skinheads, Domestic Terrorism, and the Rise of the New Protest Music,” in Jeff Ferrell and Clinton R. Sanders (eds.) Cultural Criminology. Boston: Northeastern University Press, 1995, pp. 190-212. | |
| − | + | '''Harris, Rachel'''. “Reggae on the Silk Road: the Globalization of Uygur Pop.” The China Quarterly, 183, 2005, pp. 627-643. | |
| − | + | '''Langlois, Tony'''. “Local and Global in North African Popular Music.” Popular Music, 15/3, 1996, pp. 259-273. | |
| − | + | '''Lausevic, Mirjana'''. “The ilahiya as a symbol of Bosnian Muslim national identity.” In Mark Slobin (ed.) Retuning Culture: Musical Changes in Central and Eastern Europe. Durham: Duke University Press, 1996. | |
| − | + | '''Levin, Theodore'''. “Central Asia; Overview.” In Virginia Danielson (ed.), Garland Encyclopedia of World Music Volume 6: The Middle East. London/New York: Routledge, pp. 895-906. | |
| − | + | '''Lysloff, René and Leslie C. Gay Jr.''' “Introduction: Ethnomusicology in the Twenty-first Century.” In René Lysloff and Lesile C. Gay Jr. (eds.) Music and Technoculture. Middletown, Conn.: Wesleyan University Press, 2003, pp. 1-22. | |
| − | + | '''Merriam, Alan P.''' The Anthropology of Music. Evanston, Illinois: Northwestern University Press. | |
| − | + | '''Naficy, Hamid'''. “Identity Politics and Iranian Exile Music Videos.” In Richard Young (ed.) Music, Popular Culture, Identities. Amsterdam / New York: Rodopi, 2002, pp. 249-267. | |
| − | + | '''Nooshin, Laudan'''. “Subversion and Countersubversion: Power, Control, and Meaning in the New Iranian Pop Music.” In Randall, A.J. (ed.) Music, Power, and Politics. NY/London: Routledge, 2005, pp. 231-272. | |
| − | Waterman, Christopher. “‘Our tradition is a very modern tradition’: popular music and the construction of pan-Yoruba identity.” Ethnomusicology, 34/3, 1990, pp. 367-379. | + | '''Pease, Rowan'''. “Internet, fandom, and K-Wave in China.” In Howard, Keith (ed.). Korean Pop Music: Riding the Wave. Folkstone: Global Oriental, 2006, pp. 176-189. |
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| + | '''Perna, Vincenzo'''. “Marketing nostalgia: the rise of Buena Vista Social Club” in Vincenzo Perna, Timba: the sound of the Cuban crisis, Aldershot & Burlington, VT: Ashgate, 2005. | ||
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| + | '''Pieslak, Jonathan R.''' “Sound Targets: Music and the War in Iraq.” Journal of Musicological Research 26, 2007, pp. 123-49. | ||
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| + | '''Rice, Timothy'''. 1996. “The dialectic of economics and aesthetics in Bulgarian music.” In Slobin, Mark (ed). Retuning Culture: musical changes in Central and Eastern Europe. Durham/London: Duke University Press, 1996. | ||
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| + | '''Seeger, Anthony'''. Why Suyá Sing: a musical anthropology of an Amazonian People. Cambridge/New York: Cambridge University Press. | ||
| + | |||
| + | '''Shannon, Jonathan H.''' “Sultans of Spin. Syrian Sacred Music on the World Stage.” In Post, Jennifer C. (ed.) Ethnomusicology. A Contemporary Reader. New York: Routledge, 2006, pp. 17-32. | ||
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| + | '''Simonett, Helena'''. “Los gallos valientes: Examining Violence in Mexican Popular Music.” Transcultural Music Review, no. 10, 2006. Online at http://www.sibetrans.com/trans/trans10/simonett.htm | ||
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| + | '''Solomon, Thomas'''. “‘Living underground is tough’: authenticity and locality in the hip-hop community in Istanbul, Turkey.” Popular Music, 24/1, 2005, pp. 1-20. | ||
| + | |||
| + | '''Spinetti, Federico'''. “Open Borders: Tradition and Tajik Popular Music: Questions of Aesthetics, Identity and Political Economy.” Ethnomusicology Forum, 14/2, 2005, pp. 185-211. | ||
| + | |||
| + | '''Swedenburg, Ted'''. “Islamic hip-hop vs. Islamophobia: Aki Nawaz, Natacha Atlas, Akhenaton,” in Mitchell, Tony (ed.) Global Noise: rap and Hip-Hop outside the USA. Middletown: Wesleyan University Press, 2002. | ||
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| + | '''Turino, Thomas'''. “Are we global yet? Globalist discourse, cultural formations and the study of Zimbabwean popular music.” British Journal of Ethnomusicology, 12/2, 2003, pp. 51-79. | ||
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| + | '''Viljoen, Stella'''. “En Route to the Rainbow Nation: South African Voices of Resistance.” In Richard Young (ed.) Music, Popular Culture, Identities. Amsterdam / New York: Rodopi, 2002, pp. 319-337. | ||
| + | |||
| + | '''Waterman, Christopher'''. “‘Our tradition is a very modern tradition’: popular music and the construction of pan-Yoruba identity.” Ethnomusicology, 34/3, 1990, pp. 367-379. | ||
Latest revision as of 10:54, 17 September 2010
Adamu, Abdalla Uba. “The influence of Hindi film music on Hausa videofilm soundtrack music.” In Mark Slobin (ed.) Global soundtracks: worlds of film music. Middletown, Conn.: Wesleyan University Press, 2008.
Baker, Geoffrey. “Hip Hop Revolucion! Nationalizing Rap in Cuba.” Ethnomusicology, 49/3, 2005, pp. 368-402.
Booth, Greg. “That Bollywood sound.” In Mark Slobin (ed.) Global soundtracks: worlds of film music. Middletown, Conn.: Wesleyan University Press, 2008.
Burkhalter, Thomas. “Thanks for letting me hear the war again.” Norient, July 31, 2006. Online at http://www.norient.com/html/show_article.php?ID=90
Cusick, Suzanne G. “Music as Torture / Music as Weapon.” Transcultural Music Review, 10, 2006. Online at http://www.sibetrans.com/trans/trans10/cusick_eng.htm
During, Jean. “Power, authority and music in the cultures of Inner Asia.” Ethnomusicology Forum, 14/2, 2005, pp. 143-164.
Feld, Steven. “Pygmy POP: A genealogy of schizophonic mimesis.” Yearbook for Traditional Music, 28, 1996, pp. 1-35.
Getter, Joseph & B. Balasubrahmaniyan. “Tamil film music: sound and significance.” In Mark Slobin (ed.) Global soundtracks: worlds of film music. Middletown, Conn.: Wesleyan University Press, 2008.
Greene, Paul D. “Sound Engineering in a Tamil Village: Playing audio cassettes as devotional performance”, Ethnomusicology, 43/3, 1999, pp. 459-489.
Gross, Joan, David McMurray and Ted Swedenburg. “Arab Noise and Ramadan Nights: Rai, Rap and Franco-Maghrebi Identities.” Diaspora, 3/1, 1994, pp. 3-39.
Hamm, Mark S. “Hammer of the Gods Revisited: Neo-Nazi Skinheads, Domestic Terrorism, and the Rise of the New Protest Music,” in Jeff Ferrell and Clinton R. Sanders (eds.) Cultural Criminology. Boston: Northeastern University Press, 1995, pp. 190-212.
Harris, Rachel. “Reggae on the Silk Road: the Globalization of Uygur Pop.” The China Quarterly, 183, 2005, pp. 627-643.
Langlois, Tony. “Local and Global in North African Popular Music.” Popular Music, 15/3, 1996, pp. 259-273.
Lausevic, Mirjana. “The ilahiya as a symbol of Bosnian Muslim national identity.” In Mark Slobin (ed.) Retuning Culture: Musical Changes in Central and Eastern Europe. Durham: Duke University Press, 1996.
Levin, Theodore. “Central Asia; Overview.” In Virginia Danielson (ed.), Garland Encyclopedia of World Music Volume 6: The Middle East. London/New York: Routledge, pp. 895-906.
Lysloff, René and Leslie C. Gay Jr. “Introduction: Ethnomusicology in the Twenty-first Century.” In René Lysloff and Lesile C. Gay Jr. (eds.) Music and Technoculture. Middletown, Conn.: Wesleyan University Press, 2003, pp. 1-22.
Merriam, Alan P. The Anthropology of Music. Evanston, Illinois: Northwestern University Press.
Naficy, Hamid. “Identity Politics and Iranian Exile Music Videos.” In Richard Young (ed.) Music, Popular Culture, Identities. Amsterdam / New York: Rodopi, 2002, pp. 249-267.
Nooshin, Laudan. “Subversion and Countersubversion: Power, Control, and Meaning in the New Iranian Pop Music.” In Randall, A.J. (ed.) Music, Power, and Politics. NY/London: Routledge, 2005, pp. 231-272.
Pease, Rowan. “Internet, fandom, and K-Wave in China.” In Howard, Keith (ed.). Korean Pop Music: Riding the Wave. Folkstone: Global Oriental, 2006, pp. 176-189.
Perna, Vincenzo. “Marketing nostalgia: the rise of Buena Vista Social Club” in Vincenzo Perna, Timba: the sound of the Cuban crisis, Aldershot & Burlington, VT: Ashgate, 2005.
Pieslak, Jonathan R. “Sound Targets: Music and the War in Iraq.” Journal of Musicological Research 26, 2007, pp. 123-49.
Rice, Timothy. 1996. “The dialectic of economics and aesthetics in Bulgarian music.” In Slobin, Mark (ed). Retuning Culture: musical changes in Central and Eastern Europe. Durham/London: Duke University Press, 1996.
Seeger, Anthony. Why Suyá Sing: a musical anthropology of an Amazonian People. Cambridge/New York: Cambridge University Press.
Shannon, Jonathan H. “Sultans of Spin. Syrian Sacred Music on the World Stage.” In Post, Jennifer C. (ed.) Ethnomusicology. A Contemporary Reader. New York: Routledge, 2006, pp. 17-32.
Simonett, Helena. “Los gallos valientes: Examining Violence in Mexican Popular Music.” Transcultural Music Review, no. 10, 2006. Online at http://www.sibetrans.com/trans/trans10/simonett.htm
Solomon, Thomas. “‘Living underground is tough’: authenticity and locality in the hip-hop community in Istanbul, Turkey.” Popular Music, 24/1, 2005, pp. 1-20.
Spinetti, Federico. “Open Borders: Tradition and Tajik Popular Music: Questions of Aesthetics, Identity and Political Economy.” Ethnomusicology Forum, 14/2, 2005, pp. 185-211.
Swedenburg, Ted. “Islamic hip-hop vs. Islamophobia: Aki Nawaz, Natacha Atlas, Akhenaton,” in Mitchell, Tony (ed.) Global Noise: rap and Hip-Hop outside the USA. Middletown: Wesleyan University Press, 2002.
Turino, Thomas. “Are we global yet? Globalist discourse, cultural formations and the study of Zimbabwean popular music.” British Journal of Ethnomusicology, 12/2, 2003, pp. 51-79.
Viljoen, Stella. “En Route to the Rainbow Nation: South African Voices of Resistance.” In Richard Young (ed.) Music, Popular Culture, Identities. Amsterdam / New York: Rodopi, 2002, pp. 319-337.
Waterman, Christopher. “‘Our tradition is a very modern tradition’: popular music and the construction of pan-Yoruba identity.” Ethnomusicology, 34/3, 1990, pp. 367-379.
