Difference between revisions of "Bibliography & sources"
Line 203: | Line 203: | ||
'''Powers, Harold''' (1980) “Language models and musical analysis”, Ethnomusicology, 24/1, 1-60. | '''Powers, Harold''' (1980) “Language models and musical analysis”, Ethnomusicology, 24/1, 1-60. | ||
+ | |||
+ | '''Qureshi, Regula Burckhardt''' (1987) "Musical sound and Contextual Input: A Performance Model for Musical Analysis", Ethnomusicology, 31/1, 56-86. | ||
'''Qureshi, Regula Burckhardt''' (ed) (2002) Music and Marx: ideas, practice, politics. New York: Routledge. | '''Qureshi, Regula Burckhardt''' (ed) (2002) Music and Marx: ideas, practice, politics. New York: Routledge. |
Revision as of 21:28, 14 October 2007
Agawu, Kofi (2003) Representing African Music: postcolonial notes, queries, positions. New York and London: Routledge.
Attali, Jacques (1985) Noise: the Political Economy of Music. Minneapolis: University of Minnesota Press.
Averill, Gage (2006) [1994] “'Mezanmi, Kouman Nou Ye? My Friends How are You?' Musical Constructions of the Haitian Transnation”, in Post, Jennifer (ed) Ethnomusicology: A Contemporary Reader. New York and London: Routledge, 261-273.
Azenha, Gustavo (2006) “The internet and the decentralization of the popular music industry: critical reflections on technology, concentration and diversification”, Radical Musicology, 1. www.radical-musicology.org.uk
Baily, John (1988) “Anthropological and psychological approaches to the study of music theory and musical cognition”, Yearbook for Traditional Music, 20, 114-123.
Baker, Geoffrey (2005) “Hip Hop Revolucion! Nationalizing Rap in Cuba”, Ethnomusicology, 49/3, 368-402.
Bartók, Béla
(1931) Hungarian Folk Music. Translated by M.D. Calvocoressi. London: Oxford University Press. [reprinted in 1981 as The Hungarian Folk Song]
(1976) Turkish Folk Music from Asia Minor. Edited by Benjamin Suchoff. Princeton: Princeton University Press.
Barz, Gregory F. and Timothy J. Cooley (1997) Shadows in the Field: new perspectives for fieldwork in ethnomusicology. Oxford and New York: Oxford University Press.
Béhague, Gerard (ed) (1984) Performance Practice: Ethnomusicological Perspectives. Westport, Conn.: Greenwood Press.
Berry, Jason (1988) “African Cultural Memory in New Orleans Music”, Black Music Research Journal, 8/1, 3-12.
Blacking, John
(1969) “The value of music in human experience”, Yearbook of the International Folk Music Council, 1, 33-71.
(1973) How Musical is Man? University of Washington Press.
(1977) “Some problems of theory and method in the study of musical change”, Yearbook of the International Folk Music Council, 9, 1-26.
(1987) A commonsense view of all music. Cambridge University Press.
Blum, Stephen (1992) “Analysis of musical style”, in Myers, Helen (ed) Ethnomusicology: An Introduction. New York & Londond: W.W. Norton & Co., 165-218.
Boas, Franz
(1877) The Central Eskimo. [Internet access]
(1895) The Social Organization and the Secret Societies of the Kwakiutl Indians. Washington: G.P.O.. [Internet access]
Bohlman, Philip V. (1991) “Representation and Cultural Critique in the History of Ethnomusicology”, in Nettl, Bruno & Philip V. Bohlman (eds.) Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology. Chicago & London: University of Chicago Press, 131-151.
Brailoiu, Constantin (1984) Problems of Ethnomusicology. Edited by A.L. Lloyd. Cambridge: Cambridge University Press.
Buchanan, Donna A. (1995) “Metaphors of power, metaphors of truth: the politics of music professionalism in Bulgarian folk orchestras”, Ethnomusicology, 39/3, 381-416.
Buckland, Theresa Jill (2001) “Dance, Authenticity and Cultural Memory: The Politics of Embodiment”, Yearbook for Traditional Music, 33, 1-16.
Chanan, Michael (1995) Repeated Takes: a short history of recording and its effects on music. London/New York: Verso.
Chen, Pi-yen (2005) “Buddhist chant, devotional song, and commercial popular music: from ritual to rock mantra”, Ethnomusicology, 49/2, 266-286.
Clayton, Martin (2001) “Introduction: Towards a Theory of Musical Meaning (in India and Elsewhere)”, British Journal of Ethnomusicology, 10/1, 1-17.
Clayton, Martin, Trevor Herbert and Richard Middleton (eds) (2003) The cultural study of music: a critical introduction. New York: Routledge.
Clifford, James and George E. Marcus (eds) (1986) Writing Culture: the poetics and politics of ethnography. Berkeley and Los Angeles: University of California Press.
Cohen, Sara (1994) 'Identity, Place and the 'Liverpool Sound', in Stokes, M. (ed.) Ethnicity, Identity and Music. The Musical Construction of Place. Oxford/New York: Berg, 117-134.
Cook, Nicholas
(1987) A Guide to Musical Analysis. London: J.M Dent.
(2003) “Music as Performance”, in Clayton, Martin et al. (eds) he cultural study of music: a critical introduction. New York: Routledge, 204-214.
Ellis, Alexander J. (1885) “On the Musical Scales of Various Nations”, Journal of the Royal Society of Arts, 33, 485-527. [in Shelemay, Kay Kaufman (ed) The Garland Library of Readings in Ethnomusicology, 1990, vol. 7 ]
Erlmann, Veit (1996) “The aesthetics of the global imagination; reflections on world music in the 1990s”, Public Culture, 8, 467-487.
Feld, Steven
(1974) “Linguistic Models in Ethnomusicology”, Ethnomusicology, 18/2, 197-217.
(1981) “'Flow like a waterfall': the metaphors of Kaluli musical theory', Yearbook for Traditional Music, 13, 22-47.
(1984) “Communication, Music, and Speech about Music”, Yearbook for Traditional Music, 16, 1-18.
(1988) “Aesthetics as iconicity of style, or 'lift-up-over sounding': getting into the Kaluli groove”, Yearbook for Traditional Music, 20, 74-113.
(1994a) 'From Schizophonia to Schismogenesis: on the discourses and commodification practices of "World Music" and "World Beat", in Keil, Charles & Feld, Steven (eds) Music Grooves: essays and dialogues. Chicago: University of Chicago Press.
(1994b) 'Music and Language', Annual Review of Anthropology, 23, 25-53.
(1996) 'Pygmy POP. A genealogy of schizophonic mimesis', Yearbook for Traditional Music, 28, 1-35.
Finnegan, Ruth (2003) “Music, Experience, and the Anthropology of Emotion”, in Clayton, Martin et al. (eds) he cultural study of music: a critical introduction. New York: Routledge, 181-192.
Foucault, Michel (2006) "Method", in Storey, John (ed) Cultural Theory and Popular Culture: a reader. 4th Edition. Harlow, England / New York: Pearson/Prentice Hall.
Friedson, Steven M. (1996) Dancing Prophets: Musical experience in Tumbuka healing. Chicago: University of Chicago Press.
Frishkopf, Michael (2002) “Some Meanings of the Spanish Tinge in Contemporary Egyptian Music”, in Plastino, Goffredo (ed) Mediterranean Mosaic. London/New York: Routledge.
Frith, Simon (1996) “Music and Identity”, in Hall, Stuart and Paul Du Gay (eds) Questions of cultural identity. London: Sage, 108-127.
Gilroy, Paul (1991) “Sounds authentic: black music, ethnicity, and the challenge of a 'changing same'”, Black Music Research Journal, 11/2, 111-36.
Gramsci, Antonio (2006) "Hegemony, Intellectuals and the State", in Storey, John (ed) Cultural Theory and Popular Culture: a reader. 4th Edition. Harlow, England / New York: Pearson/Prentice Hall.
Gross, Joan, David McMurray and Ted Swedenburg (1994) “Arab Noise and Ramadan Nights: Rai, Rap and Franco-Maghrebi Identities”, Diaspora, 3/1, 3-39.
Hall, Stuart and Paul Du Gay (eds) (1996) Questions of cultural identity. London: Sage.
Harnish, David (2005) “New Lines, Shifting Identities: Interpreting Change at the Lingsar Festival in Lombok, Indonesia”, Ethnomusicology, 49/1, 1-24.
Harris, Rachel (2004) Singing the Village: Music, Memory, and Ritual among the Sibe of Xinjiang. Oxford: Oxford University Press.
Headland, Thomas, Kenneth Pike and Marvin Harris (eds.) (1990) Emics and Etics: the insider/outsider debate. Newbury Park, CA / London: Sage.
Henry, Edward (1989) “Institutions for the promotion of indigenous music: the case for Ireland's Comhaltas Ceoltoiri”, Ethnomusicology, 33/1, 67-95.
Herndon, Marcia
(1971) “The Cherokee Ballgame Cycle: an Ethnomusicologists View”, Ethnomusicology, 15/3, 339-352.
(1974) “Analysis: the herding of sacred cows?”, Ethnomusicology, 18/2, 219-262.
(1993) 'Insiders, outsiders: knowing our limits, limiting our knowing'. The World of Music, 35/1, 63-80.
Herzog, George
(1928) “The Yuman Musical Style”, Journal of American Folklore, 41/160, 183-231.
(1934) “Speech-Melody and Primitive Music”, Musical Quarterly, 20/4, 452-466.
(1935) “Plains Ghost Dance and Great Basin Music”, American Anthropologist, 37/3, 403-419.
(1936) “ A Comparison of Pueblo and Pima Musical Styles”, Journal of American Folklore, 49/194, 283-417.
Hood, Mantle (1971) The Ethnomusicologist. New York: McGraw-Hill.
Hornbostel, Erich Moritz von (1975) Opera Omnia. The Hague: Nijhoff.
Impey, Angela (2002) 'Culture, Conservation and Community Reconstruction: Explorations in Advocacy Ethnomusicology and Action Research in Northern KwaZulu', Yearbook for Traditional Music, 34, 9-24.
Keyes, Cheryl (2000) “Empowering self, making choices, creating spaces: Black female identity via Rap music performance”, Journal of American Folklore, 113/449, 255-269. Also in Post, Jennifer (ed) Ethnomusicology: A Contemporary Reader. New York and London: Routledge.
Kimberlin, Cynthia Tse (1991) 'What am I to be? Female, male, neuter, invisible... Gender roles and ethnomusicological fieldwork in Africa'. The World of Music, 33/2, 14-34.
Koskoff, Ellen (ed) (1987) Women and Music in Cross-cultural Perspective. New York: Greenwood.
Kramer, Lawrence (2003) “Subjectivity Rampant! Music, Hermeneutics, and History”, in Clayton, Martin et al. (eds) he cultural study of music: a critical introduction. New York: Routledge, 124-135.
Kunst, Jaap (1959) Ethnomusicology: a study of its nature, its problems, methods and representative personalities to which is added a bibliography. The Hague: Nijhoff.
Langlois, Tony (1996) 'Music and contending identities in the Maghreb', in Schultze K.E., Stokes M.H. & Campbell C. (eds), Nationalism, Minorities and Diasporas: Identities and Rights in the Middle East. London: Tauris, 203-216.
Lee, Tong Soon (1999) “Technology and the Production of Islamic Space: the Call to Prayer in Singapore”, Ethnomusicology, 43/1, 1999, 86-100.
Lomax, Alan
(1959) “Folksong style”, American Anthropologist, 61/6, 927-954.
(1976) Cantometrics: an approach to the anthropology of music. Berkeley: University of California Extension Media Center.
Lortat-Jacob, Bernard (1995) Sardinian chronicles. Chicago: University of Chicago Press.
Lysloff, René and Leslie C. Gay Jr. (2003) Music and Technoculture. Middletown, Conn.: Wesleyan University Press.
Magrini, Tullia (ed) (2003) Music and Gender: Perspectives from the Mediterranean. Chicago/London: University of Chicago Press.
Marett, A.J. (1985) “Togaku: where have the Tang melodies gone and where have the new melodies come from?”, Ethnnomusicology, 29/3, 409-431.
Meintjes, Louise (1990) “Paul Simon's Graceland, South Africa, and the mediation of musical meaning”, Ethnomusicology, 34/1, 37-74.
Merriam, Alan (1964) The Anthropology of Music. Northwestern University Press.
Middleton, Richard (2003) “Introduction: Music Studies and the Idea of Culture”, in Clayton, Martin et al. (eds) The cultural study of music: a critical introduction. New York: Routledge, 1-15.
Mitchell, Tony (ed.) (2002) Global Noise: rap and Hip-Hop outside the USA. Middletown: Wesleyan University Press.
Myers, Helen
(ed) (1992) Ethnomusicology: An Introduction. New York & London: W.W. Norton & Co.
(ed) (1993) Ethnomusicology: Historical and Regional Studies. New York & London: W.W. Norton & Co.
Nattiez, Jean-Jacques (1990) Music and discourse: towards a semiology of music. Princeton, New Jersey: Princeton University Press.
Nettl, Bruno
(1974) “Thoughts on improvisation: a comparative approach”, Musical Quarterly, 60/1, 1-19.
(1985) The Western Impact of World Music: Change, Adaptation and Survival. New York: Schirmer.
(1991) “The Dual Nature of Ethnomusicology in North America: The Contributions of Charles Seeger and George Herzog”, in Nettl, Bruno & Philip V. Bohlman (eds.) Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology. Chicago & London: University of Chicago Press, 266-274.
Nettl, Bruno and Melinda Russell (eds) (1998) In the course of performance: studies in the world of musical improvisation. Chicago: University of Chicago Press.
Neuenfeldt, Karl (1998) “Good vibrations? The 'curious' cases of the Didjeridu in spectacle and therapy in Australia”, World of Music, 40/2, 29-51.
Nooshin, Laudan (1998) "The Song of the Nightingale: Processes of Improvisation in dastgah Segah (Iranian Classical Music)", British Journal of Ethnomusicology, 7, 69-116.
Olsen, Dale (2004) The chrysanthemum and the song: music, memory and identity in the South American Japanese diaspora, Gainesville: University Press of Florida.
Porcello, Thomas (1998) “'Tails out': social phenomenology and the ethnographic representation of technology in music-making”, Ethnomusicology, 42/3, 485-510.
Post, Jennifer (ed) (2006) Ethnomusicology: A Contemporary Reader. New York and London: Routledge.
Powers, Harold (1980) “Language models and musical analysis”, Ethnomusicology, 24/1, 1-60.
Qureshi, Regula Burckhardt (1987) "Musical sound and Contextual Input: A Performance Model for Musical Analysis", Ethnomusicology, 31/1, 56-86.
Qureshi, Regula Burckhardt (ed) (2002) Music and Marx: ideas, practice, politics. New York: Routledge.
Radano, Ronald & Philip Bohlman (eds) (2000) Music and the Racial Imagination, Chicago: University of Chicago Press.
Randall, Annie Janeiro (ed) (2005) Music, Power and Politics. New York: Routledge.
Ramnarine, Tina (1996) “'Indian' Music in the Diaspora: Case Studies of 'Chutney' in Trinidad and in London”, British Journal of Ethnomusicology, 5, 133-153. Also, in Jennifer Post 2006.
Rasmussen, Anne (1992) "'An Evening in the Orient': The Middle Eastern Nightclub in America", Asian Music, 23/2, 63-88.
Rasmussen, Anne (1996) 'Theory and practice at the "Arabic org": Digital Technology in Contemporary Arab Music Performance', Popular Music, 15/3, 345-365.
Reed, Daniel B. (2005) “'The Ge is in the Church' and 'Our Parents Play Muslim': Performance, Identity and Resistance in Postcolonial Cote d'Ivoire”, Ethnomusicology, 49/3, 347-367.
Rice, Timothy
(1987) “Toward the Remodeling of Ethnomusicology”, Ethnomusicology, 31/3: 469-488.
(1994) May It Fill Your Soul. Experiencing Bulgarian Music (Chicago: University of Chicago Press).
(1996) 'The dialectic of economics and aesthetics in Bulgarian music', in Slobin, M. (ed.) Retuning Culture: musical changes in Central and Eastern Europe (Durham/London: Duke University Press), 176-199.
(2001) “Reflections on Musical Meaning: Metaphor, Signification and Control in the Bulgarian Case”, British Journal of Ethnomusicology, 10/1, 19-38.
Roman-Velazquez, Patria (1999) “The Embodiment of Salsa: Musicians, Instruments and the Performance of a Latin Style and Identity”, Popular Music, 18/1, 115-131. Also in Post, Jennifer 2006.
Romero, Raul R. (2001) Debating the past: music, memory, and identity in the Andes, New York: Oxford University Press.
Roseman, Marina (1984) “The social structuring of sound: the Temiar of peninsular Malaysia”, Ethnomusicology, 28/3, 411-445.
Sachs, Curt (1962) The Wellsprings of All Music. The Hague: M. Nijhoff.
Schechner, Richard (1988) Performance Theory. New York: Routledge. On-line access
Seeger, Anthony
(1986) “The role of sound archives in ethnomusicology today”, Ethnomusicology, 30/2, 261-276.
(1987) “Do We Need to Remodel Ethnomusicology?”, Ethnomusicology, 31/3: 491-495.
(1992) “Ethnography of Music”, in Myers, Helen (ed.) Ethnomusicology: An Introduction. New York & Londond: W.W. Norton & Co., 88-109.
(1996) “Ethnomusicologists, archives, professional organizations and the shifting ethics of intellectual property”, Yearbook for Traditional Music, 28, 87-105.
(2004) [1987] Why Suyá sing: a musical anthropology of an Amazonian people. Urbana, Ill.: University of Illinois Press.
Seeger, Charles
(1957a) “Music and Class Structure in the United States”, American Quarterly, 9/3, 281-294.
(1957b) “Toward a Universal Music Sound-Writing for Musicology”, Journal of the International Folk Music Council, 9, 63-66.
(1958) “Prescriptive and descriptive music-writing”, The Musical Quarterly, 44/2, 184-195.
(1977a) Studies in Musicology 1935-1975. Berkeley & Los Angeles: University of California Press, 16-30.
(1977b) “The Musicological Juncture: 1976”, Ethnomusicology, 21, 179-188.
Shannon, Jonathan H., (2006) “Sultans of Spin. Syrian Sacred Music on the World Stage”, in Post, Jennifer C. (ed.) Ethnomusicology. A Contemporary Reader. New York: Routledge, 17-32.
Shelemay , Kay Kaufman
(1980) "Historical Ethnomusicology: Reconstructing Falasha Liturgical History", Ethnomusicology, 24/2, 1980, 233-258.
(1998) Let Jasmine Rain Down: song and remembrance among Syrian Jews. Chicago / London: University of Chicago Press.
(2001) Soundscapes: Exploring Music in a Changing World. WW. New York and London: W.W. Norton & co..
Slobin, Mark
(1993) Subcultural Sounds: Micromusics of the West. Wesleyan University Press.
(ed) (1996) Retuning Culture: musical changes in Central and Eastern Europe. Durham/London: Duke University Press.
(2003) “The Destiny of “Diaspora” in Ethnomusicology”, in Clayton, Martin et al. (eds) The cultural study of music: a critical introduction. New York: Routledge, 284-296.
Small, Christopher (1998) Musicking: the meanings of performing and listening. Hanover: University Press of New England.
Solie, Ruth(1993) Musicology and Difference: Gender and Sexuality in Music Scholarship. Berkeley: University of California Press.
Solomon, Thomas(2000) “Dueling Landscapes: Singing Places and Identities in Highland Bolivia”, Ethnomusicology, 44/2, 256-280. Also in Post, Jennifer 2006.
Stokes, Martin
(ed) (1994) Ethnicity, Identity and Music: the Musical Construction of Place. Oxford: Berg.
(2003) “Globalization and the Politics of World Music”, in Clayton, Martin et al. (eds) he cultural study of music: a critical introduction. New York: Routledge, 297-308.
Storey, John (2006) Cultural Theory and Popular Culture: A Reader. Harlow, England /New York: Pearson/Prentice Hall.
Sugarman, Jane (1997) Engendering Song: Singing and Subjectivity at Prespa Albanian Weddings. Chicago: University of Chicago Press.
Swedenburg, Ted (1997) 'Saida Sultan/Danna International: Transgender Pop and the Polysemiotics of Sex, Nation and Ethnicity on the Israeli-Egyptian Border', Music Quarterly, 58, 81-108.
Turino, Thomas
(1984) “The urban-Mestizo charango tradition in Southern Peru: a statement of shifting identity”, Ethnomusicology, 28/2, 253-270.
(1990) “Structure, Context, and Strategy in Musical Ethnography”, Ethnomusicology, 34/3, 399-412.
(1993) Moving away from silence: music of the Peruvian Altiplano and the experience of urban migration. Chicago: Chicago University Press.
(1998) “The Mbira, Worldbeat, and the International Imagination”, World of Music, 40/2, 85-106.
(1999) “Signs of imagination, identity, and experience: a Peircian semiotic theory for music”. Ethnomusicology, 43/2, 221-55.
(2000) Nationalists, Cosmopolitans, and Popular Music in Zimbabwe. Chicago / London: The University of Chicago Press.
(2003) 'Are we global yet? Globalist discourse, cultural formations and the study of Zimbabwean popular music', British Journal of Ethnomusicology, 12/2, 51-79.
Turino, Thomas and James Lea (eds) (2004) Identity and the arts in diaspora communities. Warren, Mich.: Harmonie Park Press.
Ullestad, Neal (1999) "American Indian Rap and Reggae: Dancing to the Beat of a Different Drummer", Popular Music and Society, 23/2, 63-90. Also, in Post 2006, chapter 20.
Upton, Janet (2002) “The politics and poetics of Sister Drum: 'Tibetan' music in the global marketplace”, in T. Craig and R. King (eds) Global goes Local: Popular Culture in Asia. Vancouver: University of British Columbia Press, 99-119.
Waterman, Christopher (1990) '"Our tradition is a very modern tradition": popular music and the construction of pan-Yoruba identity', Ethnomusicology, 34/3, 367-379.
Waugh, Earl (2005) Memory, Music, and Religion. Morocco's Mystical Chanters. Columbia, SC: University of South Carolina Press.
Widdess, Richard
(1992) “Historical ethnomusicology”, in Myers, Helen (ed) Ethnomusicology: an introduction. London: Macmillan.
(2006) “Musical structure, performance and meaning: the case of a stick-dance from Nepal”, Ethnomusicology Forum, 15/2, 179-213.
Wong, Deborah
(2000) “Taiko and the Asian/American Body: Drums, Rising Sun, and the Question of Gender”, The World of Music, 42/2, 67-78. Also in Post, Jennifer 2006.
(2001) Sounding the Center: history and Aesthetics in Thai Buddhist Performance. Chicago: University of Chicago Press.
Wrazen, Louise (2007) “Relocating the Tatras: Place and Music in Gorale Identity and Imagination”, Ethnomusicology, 51/2, 185-204.
Zemp, Hugo (1979) “Aspects of 'Are'Are Musical Theory”, Ethnomusicology, 23/1, 5-48.
Zheng, Su De San (1990) “Music and Migration: Chinese American Traditional Music in New York City”, The World of Music, 32/3, 48-67.