Difference between revisions of "Bibliography & sources"
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| + | '''Agawu, Kofi''' (2003) Representing African Music: postcolonial notes, queries, positions. New York and London: Routledge. | ||
| − | ''' | + | '''Attali, Jacques''' (1985) Noise: the Political Economy of Music. Minneapolis: University of Minnesota Press. |
| − | ''' | + | '''Averill, Gage''' (2006) [1994] “'Mezanmi, Kouman Nou Ye? My Friends How are You?' Musical Constructions of the Haitian Transnation”, in Post, Jennifer (ed) Ethnomusicology: A Contemporary Reader. New York and London: Routledge, 261-273. |
| − | ''' | + | '''Azenha, Gustavo''' (2006) “The internet and the decentralization of the popular music industry: critical reflections on technology, concentration and diversification”, Radical Musicology, 1. www.radical-musicology.org.uk |
| − | ''' | + | '''Baily, John''' (1988) “Anthropological and psychological approaches to the study of music theory and musical cognition”, Yearbook for Traditional Music, 20, 114-123. |
| − | + | '''Baker, Geoffrey''' (2005) “Hip Hop Revolucion! Nationalizing Rap in Cuba”, Ethnomusicology, 49/3, 368-402. | |
| − | |||
| − | '''Baker, Geoffrey'''(2005) “Hip Hop Revolucion! Nationalizing Rap in Cuba”, Ethnomusicology, 49/3, 368-402. | ||
'''Bartók, Béla''' | '''Bartók, Béla''' | ||
| Line 18: | Line 17: | ||
(1976) Turkish Folk Music from Asia Minor. Edited by Benjamin Suchoff. Princeton: Princeton University Press. | (1976) Turkish Folk Music from Asia Minor. Edited by Benjamin Suchoff. Princeton: Princeton University Press. | ||
| − | '''Barz, Gregory F. and Timothy J. Cooley'''(1997) Shadows in the Field: new perspectives for fieldwork in ethnomusicology. Oxford and New York: Oxford University Press. | + | '''Barz, Gregory F. and Timothy J. Cooley''' (1997) Shadows in the Field: new perspectives for fieldwork in ethnomusicology. Oxford and New York: Oxford University Press. |
| − | '''Béhague, Gerard'''(ed) (1984) Performance Practice: Ethnomusicological Perspectives. Westport, Conn.: Greenwood Press. | + | '''Béhague, Gerard''' (ed) (1984) Performance Practice: Ethnomusicological Perspectives. Westport, Conn.: Greenwood Press. |
| − | '''Berry, Jason'''(1988) “African Cultural Memory in New Orleans Music”, Black Music Research Journal, 8/1, 3-12. | + | '''Berry, Jason''' (1988) “African Cultural Memory in New Orleans Music”, Black Music Research Journal, 8/1, 3-12. |
'''Blacking, John''' | '''Blacking, John''' | ||
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(1987) A commonsense view of all music. Cambridge University Press. | (1987) A commonsense view of all music. Cambridge University Press. | ||
| − | '''Blum, Stephen'''(1992) “Analysis of musical style”, in Myers, Helen (ed) Ethnomusicology: An Introduction. New York & Londond: W.W. Norton & Co., 165-218. | + | '''Blum, Stephen''' (1992) “Analysis of musical style”, in Myers, Helen (ed) Ethnomusicology: An Introduction. New York & Londond: W.W. Norton & Co., 165-218. |
'''Boas, Franz''' | '''Boas, Franz''' | ||
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(1895) The Social Organization and the Secret Societies of the Kwakiutl Indians. Washington: G.P.O.. [Internet access] | (1895) The Social Organization and the Secret Societies of the Kwakiutl Indians. Washington: G.P.O.. [Internet access] | ||
| − | '''Bohlman, Philip V.'''(1991) “Representation and Cultural Critique in the History of Ethnomusicology”, in Nettl, Bruno & | + | '''Bohlman, Philip V.''' (1991) “Representation and Cultural Critique in the History of Ethnomusicology”, in Nettl, Bruno & |
Philip V. Bohlman (eds.) Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology. Chicago & London: University of Chicago Press, 131-151. | Philip V. Bohlman (eds.) Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology. Chicago & London: University of Chicago Press, 131-151. | ||
| − | '''Brailoiu, Constantin'''(1984) Problems of Ethnomusicology. Edited by A.L. Lloyd. Cambridge: Cambridge University Press. | + | '''Brailoiu, Constantin''' (1984) Problems of Ethnomusicology. Edited by A.L. Lloyd. Cambridge: Cambridge University Press. |
| − | '''Buchanan, Donna A.'''(1995) “Metaphors of power, metaphors of truth: the politics of music professionalism in Bulgarian folk orchestras”, Ethnomusicology, 39/3, 381-416. | + | '''Buchanan, Donna A.''' (1995) “Metaphors of power, metaphors of truth: the politics of music professionalism in Bulgarian folk orchestras”, Ethnomusicology, 39/3, 381-416. |
'''Buckland, Theresa Jill''' | '''Buckland, Theresa Jill''' | ||
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(1995) Repeated Takes: a short history of recording and its effects on music. London/New York: Verso. | (1995) Repeated Takes: a short history of recording and its effects on music. London/New York: Verso. | ||
| − | '''Chen, Pi-yen'''(2005) “Buddhist chant, devotional song, and commercial popular music: from ritual to rock mantra”, Ethnomusicology, 49/2, 266-286. | + | '''Chen, Pi-yen''' (2005) “Buddhist chant, devotional song, and commercial popular music: from ritual to rock mantra”, Ethnomusicology, 49/2, 266-286. |
| − | '''Clayton, Martin'''(2001) “Introduction: Towards a Theory of Musical Meaning (in India and Elsewhere)”, British Journal of Ethnomusicology, 10/1, 1-17. | + | '''Clayton, Martin''' (2001) “Introduction: Towards a Theory of Musical Meaning (in India and Elsewhere)”, British Journal of Ethnomusicology, 10/1, 1-17. |
| − | '''Clayton, Martin, Trevor Herbert and Richard Middleton'''(eds) (2003) The cultural study of music: a critical introduction. New York: Routledge. | + | '''Clayton, Martin, Trevor Herbert and Richard Middleton''' (eds) (2003) The cultural study of music: a critical introduction. New York: Routledge. |
| − | '''Clifford, James and George E. Marcus'''(eds) (1986) Writing Culture: the poetics and politics of ethnography. Berkeley and Los Angeles: University of California Press. | + | '''Clifford, James and George E. Marcus''' (eds) (1986) Writing Culture: the poetics and politics of ethnography. Berkeley and Los Angeles: University of California Press. |
| − | '''Cohen, Sara'''(1994) 'Identity, Place and the 'Liverpool Sound', in Stokes, M. (ed.) Ethnicity, Identity and Music. The Musical Construction of Place. Oxford/New York: Berg, 117-134. | + | '''Cohen, Sara''' (1994) 'Identity, Place and the 'Liverpool Sound', in Stokes, M. (ed.) Ethnicity, Identity and Music. The Musical Construction of Place. Oxford/New York: Berg, 117-134. |
'''Cook, Nicholas''' | '''Cook, Nicholas''' | ||
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'''Ellis, Alexander J.''' (1885) “On the Musical Scales of Various Nations”, Journal of the Royal Society of Arts, 33, 485-527. [in Shelemay, Kay Kaufman (ed) The Garland Library of Readings in Ethnomusicology, 1990, vol. 7 ] | '''Ellis, Alexander J.''' (1885) “On the Musical Scales of Various Nations”, Journal of the Royal Society of Arts, 33, 485-527. [in Shelemay, Kay Kaufman (ed) The Garland Library of Readings in Ethnomusicology, 1990, vol. 7 ] | ||
| − | '''Erlmann, Veit'''(1996) “The aesthetics of the global imagination; reflections on world music in the 1990s”, Popular Culture, 8, 467-487. | + | '''Erlmann, Veit''' (1996) “The aesthetics of the global imagination; reflections on world music in the 1990s”, Popular Culture, 8, 467-487. |
'''Feld, Steven''' | '''Feld, Steven''' | ||
| Line 90: | Line 89: | ||
(1996) 'Pygmy POP. A genealogy of schizophonic mimesis', Yearbook for Traditional Music, 28, 1-35. | (1996) 'Pygmy POP. A genealogy of schizophonic mimesis', Yearbook for Traditional Music, 28, 1-35. | ||
| − | '''Finnegan, Ruth'''(2003) “Music, Experience, and the Anthropology of Emotion”, in Clayton, Martin et al. (eds) he cultural study of music: a critical introduction. New York: Routledge, 181-192. | + | '''Finnegan, Ruth''' (2003) “Music, Experience, and the Anthropology of Emotion”, in Clayton, Martin et al. (eds) he cultural study of music: a critical introduction. New York: Routledge, 181-192. |
| − | '''Friedson, Steven M.'''(1996) Dancing Prophets: Musical experience in Tumbuka healing. Chicago: University of Chicago Press. | + | '''Friedson, Steven M.''' (1996) Dancing Prophets: Musical experience in Tumbuka healing. Chicago: University of Chicago Press. |
| − | '''Frishkopf, Michael'''(2002) “Some Meanings of the Spanish Tinge in Contemporary Egyptian Music”, in Plastino, Goffredo (ed) Mediterranean Mosaic. London/New York: Routledge. | + | '''Frishkopf, Michael''' (2002) “Some Meanings of the Spanish Tinge in Contemporary Egyptian Music”, in Plastino, Goffredo (ed) Mediterranean Mosaic. London/New York: Routledge. |
| − | '''Frith, Simon'''(1996) “Music and Identity”, in Hall, Stuart and Paul Du Gay (eds) Questions of cultural identity. London: Sage, 108-127. | + | '''Frith, Simon''' (1996) “Music and Identity”, in Hall, Stuart and Paul Du Gay (eds) Questions of cultural identity. London: Sage, 108-127. |
'''Gilroy, Paul''' (1991) “Sounds authentic: black music, ethnicity, and the challenge of a 'changing same'”, Black Music Research Journal, 11/2, 111-36. | '''Gilroy, Paul''' (1991) “Sounds authentic: black music, ethnicity, and the challenge of a 'changing same'”, Black Music Research Journal, 11/2, 111-36. | ||
| − | '''Gross, Joan, David McMurray and Ted Swedenburg'''(1996) “Arab Noise and Ramadan Nights: Rai, Rap and Franco-Maghrebi Identities”, Diaspora, 3/1, 3-39. | + | '''Gross, Joan, David McMurray and Ted Swedenburg''' (1996) “Arab Noise and Ramadan Nights: Rai, Rap and Franco-Maghrebi Identities”, Diaspora, 3/1, 3-39. |
| − | '''Hall, Stuart and Paul Du Gay'''(eds) (1996) Questions of cultural identity. London: Sage. | + | '''Hall, Stuart and Paul Du Gay''' (eds) (1996) Questions of cultural identity. London: Sage. |
| − | '''Harris, Rachel'''(2004) Singing the Village: Music, Memory, and Ritual among the Sibe of Xinjiang. Oxford: Oxford University Press. | + | '''Harris, Rachel''' (2004) Singing the Village: Music, Memory, and Ritual among the Sibe of Xinjiang. Oxford: Oxford University Press. |
'''Headland, Thomas, Kenneth Pike and Marvin Harris (eds.)''' (1990) Emics and Etics: the insider/outsider debate. Newbury Park, CA / London: Sage. | '''Headland, Thomas, Kenneth Pike and Marvin Harris (eds.)''' (1990) Emics and Etics: the insider/outsider debate. Newbury Park, CA / London: Sage. | ||
| − | '''Henry, Edward'''(1989) “Institutions for the promotion of indigenous music: the case for Ireland's Comhaltas Ceoltoiri”, Ethnomusicology, 33/1, 67-95. | + | '''Henry, Edward''' (1989) “Institutions for the promotion of indigenous music: the case for Ireland's Comhaltas Ceoltoiri”, Ethnomusicology, 33/1, 67-95. |
'''Herndon, Marcia''' | '''Herndon, Marcia''' | ||
| Line 128: | Line 127: | ||
(1936) “ A Comparison of Pueblo and Pima Musical Styles”, Journal of American Folklore, 49/194, 283-417. | (1936) “ A Comparison of Pueblo and Pima Musical Styles”, Journal of American Folklore, 49/194, 283-417. | ||
| − | '''Hood, Mantle'''(1971) The Ethnomusicologist. New York: McGraw-Hill. | + | '''Hood, Mantle''' (1971) The Ethnomusicologist. New York: McGraw-Hill. |
| + | |||
| + | '''Hornbostel, Erich Moritz von''' (1975) Opera Omnia. The Hague: Nijhoff. | ||
| + | |||
| + | '''Impey, Angela''' (2002) 'Culture, Conservation and Community Reconstruction: Explorations in Advocacy Ethnomusicology and Action Research in Northern KwaZulu', Yearbook for Traditional Music, 34, 9-24. | ||
| + | |||
| + | '''Keyes, Cheryl''' (2000) “Empowering self, making choices, creating spaces: Black female identity via Rap music performance”, Journal of American Folklore, 113/449, 255-269. Also in Post, Jennifer (ed) Ethnomusicology: A Contemporary Reader. New York and London: Routledge. | ||
| + | |||
| + | '''Kimberlin, Cynthia Tse''' (1991) 'What am I to be? Female, male, neuter, invisible... Gender roles and ethnomusicological fieldwork in Africa'. The World of Music, 33/2, 14-34. | ||
| + | |||
| + | '''Koskoff, Ellen''' (ed) (1987) Women and Music in Cross-cultural Perspective. New York: Greenwood. | ||
| + | |||
| + | '''Kramer, Lawrence''' (2003) “Subjectivity Rampant! Music, Hermeneutics, and History”, in Clayton, Martin et al. (eds) he cultural study of music: a critical introduction. New York: Routledge, 124-135. | ||
| + | |||
| + | '''Kunst, Jaap''' (1959) Ethnomusicology: a study of its nature, its problems, methods and representative personalities to which is added a bibliography. The Hague: Nijhoff. | ||
| + | |||
| + | '''Langlois, Tony''' (1996) 'Music and contending identities in the Maghreb', in Schultze K.E., Stokes M.H. & Campbell C. (eds), Nationalism, Minorities and Diasporas: Identities and Rights in the Middle East. London: Tauris, 203-216. | ||
| + | |||
| + | '''Lee, Tong Soon''' (1999) “Technology and the Production of Islamic Space: the Call to Prayer in Singapore”, Ethnomusicology, 43/1, 1999, 86-100. | ||
| + | |||
| + | '''Lomax, Alan''' | ||
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(1959) “Folksong style”, American Anthropologist, 61/6, 927-954. | (1959) “Folksong style”, American Anthropologist, 61/6, 927-954. | ||
| + | |||
(1976) Cantometrics: an approach to the anthropology of music. Berkeley: University of California Extension Media Center. ML 3798 L839 1976 | (1976) Cantometrics: an approach to the anthropology of music. Berkeley: University of California Extension Media Center. ML 3798 L839 1976 | ||
| − | Lysloff, René and Leslie C. Gay Jr. | + | |
| − | (2003) Music and Technoculture. Middletown, Conn.: Wesleyan University Press. | + | '''Lysloff, René and Leslie C. Gay Jr.''' (2003) Music and Technoculture. Middletown, Conn.: Wesleyan University Press. |
| − | Magrini, Tullia | + | |
| − | (ed) (2003) Music and Gender: Perspectives from the Mediterranean. Chicago/London: University of Chicago Press. | + | '''Magrini, Tullia''' (ed) (2003) Music and Gender: Perspectives from the Mediterranean. Chicago/London: University of Chicago Press. |
| − | Marett, A.J. | + | |
| − | (1985) “Togaku: where have the Tang melodies gone and where have the new melodies come from?”, Ethnnomusicology, 29/3, 409-431. | + | '''Marett, A.J.''' (1985) “Togaku: where have the Tang melodies gone and where have the new melodies come from?”, Ethnnomusicology, 29/3, 409-431. |
| − | Meintjes, Louise | + | |
| − | (1990) “Paul Simon's Graceland, South Africa, and the mediation of musical meaning”, Ethnomusicology, 34/1, 37-74. | + | '''Meintjes, Louise''' (1990) “Paul Simon's Graceland, South Africa, and the mediation of musical meaning”, Ethnomusicology, 34/1, 37-74. |
| − | Merriam, Alan | + | |
| − | (1964) The Anthropology of Music. Northwestern University Press. | + | '''Merriam, Alan''' (1964) The Anthropology of Music. Northwestern University Press. |
| − | Middleton, Richard | + | |
| − | (2003) “Introduction: Music Studies and the Idea of Culture”, in Clayton, Martin et al. (eds) The cultural study of music: a critical introduction. New York: Routledge, 1-15. | + | '''Middleton, Richard''' (2003) “Introduction: Music Studies and the Idea of Culture”, in Clayton, Martin et al. (eds) The cultural study of music: a critical introduction. New York: Routledge, 1-15. |
| − | Mitchell, Tony | + | |
| − | (ed.) (2002) Global Noise: rap and Hip-Hop outside the USA. Middletown: Wesleyan University Press. | + | '''Mitchell, Tony''' (ed.) (2002) Global Noise: rap and Hip-Hop outside the USA. Middletown: Wesleyan University Press. |
| − | Myers, Helen | + | |
| + | '''Myers, Helen''' | ||
| + | |||
(ed) (1992) Ethnomusicology: An Introduction. New York & London: W.W. Norton & Co. | (ed) (1992) Ethnomusicology: An Introduction. New York & London: W.W. Norton & Co. | ||
| + | |||
(ed) (1993) Ethnomusicology: Historical and Regional Studies. New York & London: W.W. Norton & Co. | (ed) (1993) Ethnomusicology: Historical and Regional Studies. New York & London: W.W. Norton & Co. | ||
| − | Nattiez, Jean-Jacques | + | |
| − | (1990) Music and discourse: towards a semiology of music. Princeton, New Jersey: Princeton University Press. | + | '''Nattiez, Jean-Jacques''' (1990) Music and discourse: towards a semiology of music. Princeton, New Jersey: Princeton University Press. |
| − | Nettl, Bruno | + | |
| + | '''Nettl, Bruno''' | ||
| + | |||
(1974) “Thoughts on improvisation: a comparative approach”, Musical Quarterly, 60/1, 1-19. | (1974) “Thoughts on improvisation: a comparative approach”, Musical Quarterly, 60/1, 1-19. | ||
| + | |||
(1985) The Western Impact of World Music: Change, Adaptation and Survival. New York: Schirmer. | (1985) The Western Impact of World Music: Change, Adaptation and Survival. New York: Schirmer. | ||
| + | |||
(1991) “The Dual Nature of Ethnomusicology in North America: The Contributions of Charles Seeger and George Herzog”, in Nettl, Bruno & Philip V. Bohlman (eds.) Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology. Chicago & London: University of Chicago Press, 266-274. | (1991) “The Dual Nature of Ethnomusicology in North America: The Contributions of Charles Seeger and George Herzog”, in Nettl, Bruno & Philip V. Bohlman (eds.) Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology. Chicago & London: University of Chicago Press, 266-274. | ||
| − | Nettl, Bruno and Melinda Russell | + | |
| − | (eds) (1998) In the course of performance: studies in the world of musical improvisation. Chicago: University of Chicago Press. | + | '''Nettl, Bruno and Melinda Russell''' (eds) (1998) In the course of performance: studies in the world of musical improvisation. Chicago: University of Chicago Press. |
| − | Neuenfeldt, Karl | + | |
| − | (1998) “Good vibrations? The 'curious' cases of the Didjeridu in spectacle and therapy in Australia”, World of Music, 40/2, 29-51. | + | '''Neuenfeldt, Karl''' (1998) “Good vibrations? The 'curious' cases of the Didjeridu in spectacle and therapy in Australia”, World of Music, 40/2, 29-51. |
| − | Olsen, Dale | + | |
| − | (2004) The chrysanthemum and the song: music, memory and identity in the South American Japanese diaspora, Gainesville: University Press of Florida. | + | '''Olsen, Dale''' (2004) The chrysanthemum and the song: music, memory and identity in the South American Japanese diaspora, Gainesville: University Press of Florida. |
| − | Porcello, Thomas | + | |
| − | (1998) “'Tails out': social phenomenology and the ethnographic representation of technology in music-making”, Ethnomusicology, 42/3, 485-510. | + | '''Porcello, Thomas''' (1998) “'Tails out': social phenomenology and the ethnographic representation of technology in music-making”, Ethnomusicology, 42/3, 485-510. |
| − | Post, Jennifer | + | |
| − | (ed) (2006) Ethnomusicology: A Contemporary Reader. New York and London: Routledge. | + | '''Post, Jennifer''' (ed) (2006) Ethnomusicology: A Contemporary Reader. New York and London: Routledge. |
| − | Powers, Harold | + | |
| − | (1980) “Language models and musical analysis”, Ethnomusicology, 24/1, 1-60. | + | '''Powers, Harold''' (1980) “Language models and musical analysis”, Ethnomusicology, 24/1, 1-60. |
| − | Qureshi, Regula Burckhardt | + | |
| − | (ed) (2002) Music and Marx: ideas, practice, politics. New York: Routledge. | + | '''Qureshi, Regula Burckhardt''' (ed) (2002) Music and Marx: ideas, practice, politics. New York: Routledge. |
| − | Radano, Ronald & Philip Bohlman | + | |
| − | (eds) (2000) Music and the Racial Imagination, Chicago: University of Chicago Press. | + | '''Radano, Ronald & Philip Bohlman''' (eds) (2000) Music and the Racial Imagination, Chicago: University of Chicago Press. |
| − | Randall, Annie Janeiro | + | |
| − | (ed) (2005) Music, Power and Politics. New York: Routledge. | + | '''Randall, Annie Janeiro''' (ed) (2005) Music, Power and Politics. New York: Routledge. |
| − | Ramnarine, Tina | + | |
| − | (1996) “'Indian' Music in the Diaspora: Case Studies of 'Chutney' in Trinidad and in London”, British Journal of Ethnomusicology, 5, 133-153. | + | '''Ramnarine, Tina''' (1996) “'Indian' Music in the Diaspora: Case Studies of 'Chutney' in Trinidad and in London”, British Journal of Ethnomusicology, 5, 133-153. Also, in Jennifer Post 2006. |
| − | Rasmussen, Anne | + | |
| − | (1996) 'Theory and practice at the "Arabic org": Digital Technology in Contemporary Arab Music Performance', Popular Music, 15/3, 345-365. | + | '''Rasmussen, Anne''' (1996) 'Theory and practice at the "Arabic org": Digital Technology in Contemporary Arab Music Performance', Popular Music, 15/3, 345-365. |
| − | Reed, Daniel B. | + | |
| − | (2005) “'The Ge is in the Church' and 'Our Parents Play Muslim': Performance, Identity and Resistance in Postcolonial Cote d'Ivoire”, Ethnomusicology, 49/3, 347-367. | + | '''Reed, Daniel B.''' (2005) “'The Ge is in the Church' and 'Our Parents Play Muslim': Performance, Identity and Resistance in Postcolonial Cote d'Ivoire”, Ethnomusicology, 49/3, 347-367. |
| − | Rice, Timothy | + | |
| + | '''Rice, Timothy''' | ||
| + | |||
(1987) “Toward the Remodeling of Ethnomusicology”, Ethnomusicology, 31/3: 469-488. | (1987) “Toward the Remodeling of Ethnomusicology”, Ethnomusicology, 31/3: 469-488. | ||
| + | |||
(1994) May It Fill Your Soul. Experiencing Bulgarian Music (Chicago: University of Chicago Press). | (1994) May It Fill Your Soul. Experiencing Bulgarian Music (Chicago: University of Chicago Press). | ||
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(1996) 'The dialectic of economics and aesthetics in Bulgarian music', in Slobin, M. (ed.) Retuning Culture: musical changes in Central and Eastern Europe (Durham/London: Duke University Press), 176-199. | (1996) 'The dialectic of economics and aesthetics in Bulgarian music', in Slobin, M. (ed.) Retuning Culture: musical changes in Central and Eastern Europe (Durham/London: Duke University Press), 176-199. | ||
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(2001) “Reflections on Musical Meaning: Metaphor, Signification and Control in the Bulgarian Case”, British Journal of Ethnomusicology, 10/1, 19-38. | (2001) “Reflections on Musical Meaning: Metaphor, Signification and Control in the Bulgarian Case”, British Journal of Ethnomusicology, 10/1, 19-38. | ||
| − | Roman-Velazquez, Patria | + | |
| − | (1999) “The Embodiment of Salsa: Musicians, Instruments and the Performance of a Latin Style and Identity”, Popular Music, 18/1, 115-131. | + | '''Roman-Velazquez, Patria''' (1999) “The Embodiment of Salsa: Musicians, Instruments and the Performance of a Latin Style and Identity”, Popular Music, 18/1, 115-131. Also in Post, Jennifer 2006. |
| − | Romero, Raul R. | + | |
| − | (2001) Debating the past: music, memory, and identity in the Andes, New York: Oxford University Press. | + | '''Romero, Raul R.''' (2001) Debating the past: music, memory, and identity in the Andes, New York: Oxford University Press. |
| − | Roseman, Marina | + | |
| − | (1984) “The social structuring of sound: the Temiar of peninsular Malaysia”, Ethnomusicology, 28/3, 411-445. | + | '''Roseman, Marina''' (1984) “The social structuring of sound: the Temiar of peninsular Malaysia”, Ethnomusicology, 28/3, 411-445. |
| − | Sachs, Curt | + | |
| − | (1962) The Wellsprings of All Music. The Hague: M. Nijhoff. | + | '''Sachs, Curt''' (1962) The Wellsprings of All Music. The Hague: M. Nijhoff. |
| − | Schechner, Richard | + | |
| − | (1988) Performance Theory. New York: Routledge. On-line access | + | '''Schechner, Richard''' (1988) Performance Theory. New York: Routledge. On-line access |
| − | Seeger, Anthony | + | |
| + | '''Seeger, Anthony''' | ||
| + | |||
(1986) “The role of sound archives in ethnomusicology today”, Ethnomusicology, 30/2, 261-276. | (1986) “The role of sound archives in ethnomusicology today”, Ethnomusicology, 30/2, 261-276. | ||
| + | |||
(1987) “Do We Need to Remodel Ethnomusicology?”, Ethnomusicology, 31/3: 491-495. | (1987) “Do We Need to Remodel Ethnomusicology?”, Ethnomusicology, 31/3: 491-495. | ||
| + | |||
(1992) “Ethnography of Music”, in Myers, Helen (ed.) Ethnomusicology: An Introduction. New York & Londond: W.W. Norton & Co., 88-109. | (1992) “Ethnography of Music”, in Myers, Helen (ed.) Ethnomusicology: An Introduction. New York & Londond: W.W. Norton & Co., 88-109. | ||
| + | |||
(1996) “Ethnomusicologists, archives, professional organizations and the shifting ethics of intellectual property”, Yearbook for Traditional Music, 28, 87-105. | (1996) “Ethnomusicologists, archives, professional organizations and the shifting ethics of intellectual property”, Yearbook for Traditional Music, 28, 87-105. | ||
| + | |||
(2004) [1987] Why Suyá sing: a musical anthropology of an Amazonian people. Urbana, Ill.: University of Illinois Press. | (2004) [1987] Why Suyá sing: a musical anthropology of an Amazonian people. Urbana, Ill.: University of Illinois Press. | ||
| − | Seeger, Charles | + | |
| − | + | '''Seeger, Charles''' | |
| + | |||
(1957a) “Music and Class Structure in the United States”, American Quarterly, 9/3, 281-294. | (1957a) “Music and Class Structure in the United States”, American Quarterly, 9/3, 281-294. | ||
| + | |||
(1957b) “Toward a Universal Music Sound-Writing for Musicology”, Journal of the International Folk Music Council, 9, 63-66. | (1957b) “Toward a Universal Music Sound-Writing for Musicology”, Journal of the International Folk Music Council, 9, 63-66. | ||
| + | |||
(1958) “Prescriptive and descriptive music-writing”, The Musical Quarterly, 44/2, 184-195. | (1958) “Prescriptive and descriptive music-writing”, The Musical Quarterly, 44/2, 184-195. | ||
| + | |||
(1977a) Studies in Musicology 1935-1975. Berkeley & Los Angeles: University of California Press, 16-30. | (1977a) Studies in Musicology 1935-1975. Berkeley & Los Angeles: University of California Press, 16-30. | ||
| + | |||
(1977b) “The Musicological Juncture: 1976”, Ethnomusicology, 21, 179-188. | (1977b) “The Musicological Juncture: 1976”, Ethnomusicology, 21, 179-188. | ||
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