Bibliography

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BOOKS

Baily, John, Can you stop the birds singing? The censorship of music in Afghanistan Copenhagen: Freemuse, 2001.

Beck, Guy L., Sacred Sound: Experiencing Music in World Religions. Waterloo, Ontario, Canada: Wilfrid Laurier University Press, 2006.

Becker, Judith, Deep Listeners: Music, Emotion, and Trancing. Bloomington and Indianapolis: Indiana University Press, 2004.

Bell, Catherine, Ritual: Perspectives and Dimensions. New Work: Oxford University Press, 1997.

Friedlander, Shems and Nezih Uzel The whirling dervishes being an account of the Sufi order known as the Mevlevis and its founder the poet and mystic Mevlana Jalalu'ddin Rumi. SUNY Series in Islam. Albany, NY: State University of New York Press, 1992.

Friedson, Steven M., Dancing Prophets: Musical Experience in Tumbuka Healing. Chicago: University of Chicago Press, 1996.

Hammarlund, Anders, Tord Olsson and Elisabeth Özdalga (eds.), Sufism, Music and Society in Turkey and the Middle East. Swedish Research Institute in Istanbul, Transactions Vol. 10. London & New York: Routledge, 2001.

Irwin, Joyce (ed.) Sacred Sound: Music in Religious Thought and Practice. Journal of the American Academy of Religion Studies, Volume 50/1. Chico, California: Scholars Press, 1983.

Manuel, Peter, Cassette Culture: Popular Music and Technology in North India. Chicago & London: The University of Chicago Press, 1993.

Racy, Ali Jihad, Making Music in the Arab World: the culture and artistry of tarab. Cambridge/New York: Cambridge University Press, 2003.

Rouget, Gilbert, Music and Trance: A Theory of the Relations between Music and Possession. Chicago & London: University of Chicago Press, 1985.

Sells, Michael Anthony, Approaching the Qur'an: the early revelations. Ashland, OR: White Cloud Press, 1999.

Shelemay, Kay Kaufman & Peter Jeffery (eds.), Ethiopian Christian Liturgical Chant: An Anthology. 3 vols. Madison, Wis.: A-R Editions, 1993 with CD.

Shehadi, Fadlou, Philosophies of Music in Medieval Islam. Leiden: Brill, 1995.

Sullivan, Lawrence E. (ed.) Enchanting Powers: Music in the World's Religions. Cambridge, Mass.: Harvard University Press, 1997.

Sylvan, Robin, Traces of the Spirit: the Religious Dimensions of Popular Music. New York and London: New York University Press, 2002.

Sylvan, Robin, Trance Formation: The Spiritual and Religious Dimensions of Global Rave Culture. New York & London: Routledge, 2005.

VIDEOS

Prophet Healers of Northern Malawi. Written, edited and filmed by Steven Friedson. Seattle, Washington: University of Washington, 1989. VHS.

Altar of Fire. By Robert Gardner and Fritz Staal. Berkeley: University of California Extension Media Center, 1976. VHS.

Umm Kulthum: A Voice Like Egypt. By Michael Goldman. Waltham, MA: Filmmakers Collaborative, 1996. VHS

Breaking the Silence. Music in Afghanistan. By Simon Broughton. BBC, 2002.

Mystic Iran: the unseen world. By Aryana Farshad. Wellspring, 2002.

ARTICLES & CHAPTERS

Asani, Ali 'Music and dance in the work of Mawlana Jalal al-Din Rumi. Islamic Culture, 60/2, 1986, 41-55.

Basso, Ellen B., “A 'Musical View of the Universe' Kalapalo Myth and Ritual as Religious Performance”, The Journal of American Folklore, 94/373, 1981, 273-291.

Becker, Judith, “Music and Trance”, Leonardo Music Journal, 4, 1994, 41-51.

Boddy, Janice, “Spirits and Selves in Northern Sudan: the Cultural Therapeutics of Possession and Trance”, American Ethnologist, 15/1, 1988, 4-27.

Booker, Queen, “Congregational Music in a Pentecostal Church”, The Black Perspective in Music, 16/1, 1988, 30-44.

Booth, Gregory, “Religion, Gossip, Narrative Conventions and the Construction of Meaning in Indian Film Songs”, Popular Music, 19/2, 2000, 125-145.

Catlin-Jairazbhoy, Amy, “Sacred Songs of Khoja Muslims: Sounded and Embodied Liturgy and Devotion”, Ethnomusicology, 48/2, 2004, 251-270.

Chase Smith, Richard, “The Language of Power: Music, Order, and Redemption”, Latin American Music Review, 5/2, 1984, 129-160.

Chastagner, Claude, “The Parents' Music Resource Center: from information to censorship”, Popular Music, 18/2, 1999, 179-192.

Chen, Pi-yen, “Buddhist chant, devotional song, and commercial popular music: from ritual to rock mantra”, Ethnomusicology, 49/2, 2005, 266-286.

Cooley, Timothy J., “Folk Festival as Modern Ritual in the Polish Tatra Mountains”, in Post, Jennifer C. (ed.) Ethnomusicology. A Contemporary Reader. New York: Routledge, 2006, 67-83.

Danielson, Virginia, “'Min al-Mashayikh': A View of Egyptian Musical Tradition”, Asian Music, 22/1, 1990-1991, 113-127.

DeBano, Wendy S. 'Enveloping Music in Gender, Nation, and Islam: Women's Music Festivals in Post-Revolutionary Iran', Iranian Studies, 38/3, 2005, 441-62.

During, Jean 'Hearing and understanding in the Islamic gnosis', The World of Music, 39/2, 1997, 127-137.

During, Jean, “Sufi Music and Rites in the Era of Mass Reproduction Techniques and Culture”, in Hammarlund, Anders, Tord Olsson and Elisabeth Özdalga (eds.), Sufism, Music and Society in Turkey and the Middle East. Swedish Research Institute in Istanbul, Transactions Vol. 10. London & New York: Routledge, 2001, 149-168.

Eisenstein, Judith K., “The Mystical Strain in Jewish Liturgical Music”, in Irwin, Joyce (ed.) Sacred Sound: Music in Religious Thought and Practice. Journal of the American Academy of Religion Studies, Volume 50/1. Chico, California: Scholars Press, 1983, 35-54.

Ellingson, Ter, “Ancient Indian Drum Syllables and Bu Ston's Sham Pa Ta Ritual”, Ethnomusicology, 24/3, 1980, 431-452.

Erlmann, Veit, ”Trance and Music in the Hausa Boorii Spirit Possession Cult in Niger”, Ethnomusicology, 26/1, 1982, 49-58.

Euba, Akin, “Islamic musical culture among the Yoruba: a preliminary survey', in Wachsmann, Klaus P. (ed.) Essays on Music and History in Africa. Evanston: Northwestern University Press, 1971.

al- Faruqi, Lois Ibsen, “The status of music in Muslim nations: evidence from the Arab world”, Asian Music, 12/1, 1979, 56-85.

al-Faruqi, Lois Ibsen, “What Makes 'Religious Music' Religious? in Irwin, Joyce (ed.) Sacred Sound: Music in Religious Thought and Practice. Journal of the American Academy of Religion Studies, Volume 50/1. Chico, California: Scholars Press, 1983, 21-34.

al-Faruqi, Lois Ibsen, “Music, musicians and Muslim law”, Asian Music, 17/1, 1985, 13-36.

al-Faruqi, Lois Ibsen, “The cantillation of the Qur'an”, Asian Music, 19/1, 1987, 2-25.

Flanagan, Kieran, “Liturgy, Ambiguity and Silence: The Ritual Management of Real Absence”, The British Journal of Sociology, 36/2, 1985, 193-223.

Frishkopf, Michael, “Tarab in the Mystic Sufi Chant of Egypt”, in Sherifa Zuhur (ed) Colors of Enchantment: Visual and Performing Arts in the Middle East. American University in Cairo Press, 2001.

Geertz, Clifford, “Religion as a Cultural System”, in Kessler, Gary E. (ed) Philosophy of Religion: Toward a Global Perspective. Belmont, CA: Wadsworth Pub. Co., 1999, 11-20.

Gray, J.E.B., “An Analysis of Rgvedic Recitation”, Bulletin of the School of Oriental and African Studies, 22/1-3, 1959, 86-94. VEDIC, technical.

Greene, Paul D., “Sound Engineering in a Tamil Village: Playing audio cassettes as devotional performance”, Ethnomusicology, 43/3, 1999, 459-489.

Gribetz, Arthur, "The sama' controversy: Sufi vs. legalist" Studia Islamica, 74, 1991, 43-62.

Gross, Joan, David McMurray and Ted Swedeburg, “Arab Noise and Ramadan Nights: Rai, Rap and Franco-Maghrebi Identities”, Diaspora, 3/1, 1994, 3-39.

Hampton, Barbara L., “Music and Ritual Symbolism in the Ga Funeral”, Yearbook for Traditional Music, 14, 1982, 75-105.

Hampton, Barbara L., “The Role of Song in a Ga Ritual”, in Irwin, Joyce (ed.) Sacred Sound: Music in Religious Thought and Practice. Chico, CA: Scholars Press, 1983, 111-126.

Harnish, David, 'Music and religion: syncretism, orthodox Islam and musical change in Lombok'. Selected Reports in Ethnomusicology, 7. UCLA: Los Angeles, 1988, 123-137.

Harnish, David, “Music, Myth, and Liturgy: at the Lingsar Temple Festival in Lombok, Indonesia”, Yearbook for Traditional Music, 29, 1997, 80-106.

Harnish, David, “New Lines, Shifting Identities: Interpreting Change at the Lingsar Festival in Lombok, Indonesia”, Ethnomusicology, 49/1, 2005, 1-24.

Hegland, Mary Elaine, 'Flagellation and fundamentalism: (trans)forming meaning, identity, and gender through Pakistani women's rituals of mourning'. American Ethnologist, 25/2, 1998, 240-266.

Henry, Edward O., “Jogis and Nirgun Bhajans in Bhojpuri-Speaking India: Intra-Genre Heterogeneity, Adaptation, and Functional Shift”, Ethnomusicology, 35/2, 1991, 221-242.

Herbst, Ed, “Intrinsic Aesthetics in Balinese Artistic and Spiritual Practice”, Asian Music, 13/1, 1981, 42-52. Hill, Jackson, “Ritual Music in Japanese Esoteric Buddhism: Shingon Shomyo”, Ethnomusicology, 26/1, 1982, 27-39.

Hill, Jackson "Ritual Music in Japanese Esoteric Buddhism: Shingon Shomyo", Ethnomusicology, 26/1, 1982, 27-39.

Idel, Moshe, “Conceptualizations of Music in Jewish Mysticism”, in Sullivan, Enchanting Powers.

Jairazbhoy, N.A., “An interpretation of the 22 Srutis”, Asian Music, 6/1-2, 1975, 38-59.

Jankowsky, Richard C., “Black Spirits, White Saints: Music, Spirit Possession, and Sub-Saharans in Tunisia”, Ethnomusicology, 50/3, 2006, 373-410.

Jules-Rosette, Bennetta, “Ceremonial Trance Behavior in an African Church: Private Experience and Public Expression”, Journal for the Scientific Study of Religion, 19/1, 1980, 1-16.

Kapchan, Deborah, “Possessing Gnawa Culture: Displaying Sound, Creating History in an Unoffical Museum”, Music and Anthropology: Journal of Musical Anthropology of the Mediterranean.

Kilson, Marion, “Prayer and Song in Ga Ritual”, Journal of Religion in Africa, 12/1, 16-19.

Koen, Benjamin D., “Medical Ethnomusicology in the Pamir Mountains: Music and Prayer in Healing”, Ethnomusicology, 49/2, 2005, 287-311.

Lausevic, Mirjana, “The ilahiya as a symbol of Bosnian Muslim national identity”, in Slobin, Mark (ed.) Retuning Culture. Musical Changes in Central and Eastern Europe. Durham: Duke University Press, 1996.

Lee, Tong Soon, “Technology and the Production of Islamic Space: the Call to Prayer in Singapore”, Ethnomusicology, 43/1, 1999, 86-100.

Lewisohn, Leonard, “The Sacred Music of Islam: Sama' in the Persian Sufi Tradition”, British Journal of Ethnomusicology, 6, 1997, 1-33.

Li, Lisha, “The Symbolization Process of Shamanic Drums Used by the Manchus and Other Peoples of North Asia”, Yearbook for Traditional Music, 24, 1992, 52-80.

Manasseh, Sara, “Religious Music Traditions of the Jewish-Babylonian Diaspora in Bombay”, Ethnomusicology Forum, 13/1, 2004, 47-73.

Mellers, Wilfrid, “God, modality, and meaning in some recent songs of Bob Dylan”, Popular Music, 1, 1981, 142-157.

Moore, Leroy Jr, “The Spiritual: Soul of Black Religion”, Church History, 40/1, 1971, 79-81.

Neuenfeldt, Karl, “Good vibrations? The 'curious' cases of the Didjeridu in spectacle and therapy in Australia”, World of Music, 40/2, 1998, 29-51.

Peek, Philip M., “The Sounds of Silence: Cross-World Communication and the Auditory Arts in African Societies”, American Ethnologists, 21/3, 1994, 474-494.

Pegg, Carole, “Ritual, Religion and Magic in West Mongolian (Oirad) Heroic Epic Performance”, British Journal of Ethnomusicology, 4, 1995, 77-99.

Pellow, Deborah, 'Male Praise-singers in Accra: In the Company of Women'. Africa, 67/4, 1997, 582-601.

Podstavsky, Sviatoslav, “Hausa Entertainers and their Social Status: A Reconsideration of Historical Evidence”, Ethnomusicology, 48/3, 2004, 348-377.

Qureshi, Regula, “Muslim Devotional: Popular Religious Music and Muslim Identity under British, Indian and Pakistani Hegemony”, Asian Music, 24/1, 1992-1993, 111-121.

Rappoport, Dana, “Ritual Music and Christianization in the Toraja Highlands, Sulawesi”, Ethnomusicology, 48/3, 2004, 378-404.

Rasmussen, Anne K., “The Qur'an in Indonesian Daily Life: The Public Project of Musical Oratory”, Ethnomusicology, 45/1, 2001, 30-57.

Reed, Daniel B., “'The Ge is in the Church' and 'Our Parents Play Muslim': Performance, Identity and Resistance in Postcolonial Cote d'Ivoire”, Ethnomusicology, 49/3, 2005, 347-367.

Roseman, Marina, “Head, Heart, Odor, and Shadow: The Structure of the Self, the Emotional World, and Ritual Performance among Senoi Temiar”, Ethos, 18/3, 1990, 227-250.

Rosowsky, Solomon, “The Music of the Pentateuch. Analytical Theory of Biblical Cantillations.” Proceedings of the Musical Association, 60th session, 1933-1934, 38-66.

Sakata, Hirromi Lorraine, “The Sacred and the Profane: Qawwali represented in the performances of Nusrat Fateh Ali Khan”, The World of Music, 36/3, 1994, 86-99.

Sarkissian, Margaret, “'Religion Never Had It So Good': Contemporary Nasyid and the Growth of Islamic Popular Music in Malaysia”, Yearbook for Traditional Music, 37, 2005, 124-152.

Scherzinger, Martin Rudoy, "Music, Spirit Possession and the Copyright Law: Cross-Cultural Comparisons and Strategic Speculations", Yearbook for Traditional Music, 31, 1999, 102-125.

Shannon, Jonathan H., “Sultans of Spin. Syrian Sacred Music on the World Stage”, in Post, Jennifer C. (ed.) Ethnomusicology. A Contemporary Reader. New York: Routledge, 2006, 17-32.

Shelemay, Kay Kaufman, “A Quarter-Century in the Life of a Falasha Prayer”, Yearbook of the International folk Music Council, 10, 1978, 83-108.

Shelemay, Kay Kaufman, "Historical Ethnomusicology: Reconstructing Falasha Liturgical History", Ethnomusicology, 24/2, 1980, 233-258.

Shelemay, Kay Kaufman, Peter Jeffrey and Ingrid Monson, “Oral and Written Transmission in Ethiopian Christian Chant”, Early Music History, 12, 1993, 55-117.

Sherinian, Zoe C., “Musical Style and the Changing Social Identity of Tamil Christians”, Ethnomusicology, 51/2, 2007, 238-280.

Shiloah, Amnon, The Dimension of Music in Islamic and Jewish Culture. Aldershot: Ashgate, 1993.

Shiloah, Amnon, “Music and Religion in Islam”, Acta Musicologica, 69/2, 1997, 143-155.

Slawek, Stephen M., “Popular Kirtan in Benares: Some 'Great' Aspects of a Little Tradition', Ethnomusicology, 32/2, 1988, 77-92.

Smart, Ninian, “The Nature of Religion”, in Kessler, Gary E. (ed) Philosophy of Religion: Toward a Global Perspective. Belmont, CA: Wadsworth Pub. Co., 1999, 2-11.

Smith, Fidelis, “'Musicae Sacrae Disciplina': Pius XII's Encyclical on Sacred Music', The Musical Quarterly, 43/4, 1957, 461-479.

Solomon, Thomas, “Hardcore Muslims: Islamic Themes in Turkish Rap in Diaspora and in the Homeland”, Yearbook for Traditional Music, 38, 2006, 59-78.

Staal, Fritz, “Mantras and Bird Songs”, Journal of the American Oriental Society, 105/3, 1985, 549-558.

Staal, Fritz, “The Meaninglessness of Ritual”. Numen, 26/1, 1979, 2-22.

Swedenburg, Ted, 'Islamic hip-hop vs. Islamophobia: Aki Nawaz, Natacha Atlas, Akhenaton', in Mitchell, Tony (ed.) Global Noise: rap and Hip-Hop outside the USA. Middletown: Wesleyan University Press, 2002, 57-86.

Thram, Diane, “Therapeutic efficacy of music-making: neglected aspect of human experience integral to performance process”, Yearbook for Traditional Music, 34, 2002, 129-138.

Tingey, C. “Musical Instrument or Ritual Object? The Status of the Kettledrum in the Temples of Central Nepal”, British Journal of Ethnomusicology, 1, 1994, 103-110.

Wei, Li, “The Duality of the Sacred and the Secular in Chinese Buddhist Music: An Introduction”, Yearbook for Traditional Music, 24, 1992, 81-90.

Widdess, Richard, “Festivals of Dhrupad in Northern India: New Contexts for an Ancient Art”, British Journal of Ethnomusicology, 3, 1994, 89-109.

Wong, Deborah and Rene T.A. Lysloff, “Threshold to the Sacred: The Overture in Thai and Javanese Ritual Performance”, Ethnomusicology, 35/2, 1991, 315-348.

Wright, Robert, “I'd Sell You Suicide: Pop Music and Moral Panic in the Age of Marilyn Manson”, Popular Music, 19/3, 2000, 365-385.

Wulff, Donna Marie, “On Practicing Religiously: Music as Sacred in India”, in Irwin, Joyce (ed.) Sacred Sound: Music in Religious Thought and Practice. Journal of the American Academy of Religion Studies, Volume 50/1. Chico, California: Scholars Press, 1983, 149-172.

Youssefzadeh, Ameneh 'The Situation of Music in Iran since the Revolution: the Role of Official Organizations', British Journal of Ethnomusicology, 9/2, 2000, 35-61.