Difference between revisions of "Arab Modernity and popular musical transformations: 5 themes"
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| − | + | = Westernization and colonization: sounds of the 20th century, and the decline of tarab = | |
| − | [http://www.youtube.com/watch?v=PA0XofIlYZY Sabah Fakhri][http://www.youtube.com/watch?v=jOj_pIhsqkw] | + | * [http://www.youtube.com/watch?v=PA0XofIlYZY Sabah Fakhri][http://www.youtube.com/watch?v=jOj_pIhsqkw] |
| − | [http://www.youtube.com/watch?v=5FX6stbbhUI Umm Kulthum] | + | * [http://www.youtube.com/watch?v=Xaa9oTZL22o Sayed Darwish] |
| − | [http://www.youtube.com/watch?v=bJ5Lu5JydY8 Marcel Khalife] | + | * [http://www.youtube.com/watch?v=5FX6stbbhUI Umm Kulthum] |
| − | [http://www.dailymotion.com/video/x4jm0b_ali-hamida-lawlaki_music Ali Hamida] | + | * [http://www.youtube.com/watch?v=bJ5Lu5JydY8 Marcel Khalife] |
| − | [http://www.youtube.com/watch?v=z9YI3FmYgmk Ruby] | + | * [http://www.dailymotion.com/video/x4jm0b_ali-hamida-lawlaki_music Ali Hamida] |
| + | * [http://www.youtube.com/watch?v=z9YI3FmYgmk Ruby] | ||
| − | + | = Rise of commodification and music media = | |
| − | [http://www.youtube.com/watch?v= | + | * late 19th c: musical plays, operettas, ticketed concerts, caberets |
| − | ** 1904 phonograms | + | ** Abu Khalil Qabbani (1835-1902) |
| − | ** 1920s radio (1934 national radio) | + | ** [http://www.youtube.com/watch?v=mbbwvP0kuWs Salama Hijazi] (1852 - 1917) |
| − | + | ** [http://www.belly-dance.org/badia-masabni.html Badia Masabni]1892- 1974 [http://www.youtube.com/watch?v=26V9iOEw1co] | |
| − | + | * 1904 phonograms | |
| + | ** [http://www.youtube.com/watch?v=Xaa9oTZL22o Sayed Darwish] [[Image:78catalog.jpg]] | ||
| + | * 1920s radio (1934 national radio) | ||
| + | * 1932 musical films: first Unshudat al-Fu’ad, starring Nadra and Shaykh Zakariya Ahmad, then [http://www.youtube.com/watch?v=9JUcTuTd1rI Al-Warda al-Bayda], starring Muhammad Abdel Wahhab. | ||
| + | * Midaq Alley (film 1963 starring Shadia, setting 1940s) [http://video.google.com/videoplay?docid=44230914757826936# Watch the film] from 15:00. | ||
| + | * [http://www.youtube.com/watch?v=ZxBXd247img Samia Gamal and Tahia Carioca and 78s]f | ||
| + | * [http://www.ertu.org/ 1960 Egyptian television] | ||
| + | * late 1970s, 1980s and 90s: cassettes, CDs; [http://www.dailymotion.com/video/x4jm0b_ali-hamida-lawlaki_music Ali Hamida][[Image:cassettes.jpg]] | ||
| + | * 2000s: satellite, internet and mobile distribution | ||
| + | ** [http://www.rotana.net/ Rotana] | ||
| + | ** [http://www.mazika.com/Default.aspx Mazika] | ||
| + | ** [[Satellite technology in Egypt]] | ||
| + | = Shifts in representation of women: the male gaze in music, veiling and unveiling... = | ||
| + | * Almaz and Abdu al-Hamuli [http://www.youtube.com/watch?v=qZ_zRPlYDFc][http://www.youtube.com/watch?v=Y9bX8kQWNsI] with [http://www.fwalive.ualberta.ca/~michaelf/MENAME/MAW/Almaz%20and%20Abduh%20al-Hamuli.pdf accompanying text]. | ||
| + | * [http://www.youtube.com/watch?v=5FX6stbbhUI Umm Kulthum] | ||
| + | * [http://www.youtube.com/watch?v=DJNHfmETiVk Samia Gamal][http://www.youtube.com/watch?v=t1hoCRfeFc0] | ||
| + | * [http://www.youtube.com/watch?v=z9YI3FmYgmk Ruby] | ||
| − | + | = Bifurcations: Religious/secular; Sufi/Salafi = | |
| − | + | * "Shaykh" vs "Effendi" | |
| − | ** | + | * Decline of religious training for singers |
| − | + | * [http://www.fwalive.ualberta.ca/mediawiki/index.php?title=Islamic_performance_genres Religious genres] | |
| − | |||
| − | |||
| − | |||
| + | = Nationalism, pan-Arabism, and the media = | ||
| − | * | + | * Benedict Anderson and communities "imagined" via mass media (19th c print capitalism) |
| − | ** [http://www.fwalive.ualberta.ca/~michaelf/MENAME/MAW/pan-Arab%20music%20networks.pdf Shifts in the pan-Arab media network] | + | * 19th c Arab nationalism and the first "Arab music" (via media) |
| + | * Nasser's Egypt-centric pan-Arabism (top down, ideological), and associated music (Abdel Halim, Umm Kulthum) | ||
| + | * satellite revolution's new pan-Arabism (bottom up, capitalistic, distributed production) | ||
| + | |||
| + | '''The span of pan-Arab media''' | ||
| + | [[Image:satellite.jpg]] | ||
| + | |||
| + | * [http://www.fwalive.ualberta.ca/~michaelf/MENAME/MAW/pan-Arab%20music%20networks.pdf Shifts in the pan-Arab media network] | ||
Latest revision as of 14:10, 17 February 2011
Contents
- 1 Westernization and colonization: sounds of the 20th century, and the decline of tarab
- 2 Rise of commodification and music media
- 3 Shifts in representation of women: the male gaze in music, veiling and unveiling...
- 4 Bifurcations: Religious/secular; Sufi/Salafi
- 5 Nationalism, pan-Arabism, and the media
Westernization and colonization: sounds of the 20th century, and the decline of tarab
Rise of commodification and music media
- late 19th c: musical plays, operettas, ticketed concerts, caberets
- Abu Khalil Qabbani (1835-1902)
- Salama Hijazi (1852 - 1917)
- Badia Masabni1892- 1974 [2]
- 1904 phonograms
- 1920s radio (1934 national radio)
- 1932 musical films: first Unshudat al-Fu’ad, starring Nadra and Shaykh Zakariya Ahmad, then Al-Warda al-Bayda, starring Muhammad Abdel Wahhab.
- Midaq Alley (film 1963 starring Shadia, setting 1940s) Watch the film from 15:00.
- Samia Gamal and Tahia Carioca and 78sf
- 1960 Egyptian television
- late 1970s, 1980s and 90s: cassettes, CDs; Ali Hamida
- 2000s: satellite, internet and mobile distribution
Shifts in representation of women: the male gaze in music, veiling and unveiling...
- Almaz and Abdu al-Hamuli [3][4] with accompanying text.
- Umm Kulthum
- Samia Gamal[5]
- Ruby
Bifurcations: Religious/secular; Sufi/Salafi
- "Shaykh" vs "Effendi"
- Decline of religious training for singers
- Religious genres
Nationalism, pan-Arabism, and the media
- Benedict Anderson and communities "imagined" via mass media (19th c print capitalism)
- 19th c Arab nationalism and the first "Arab music" (via media)
- Nasser's Egypt-centric pan-Arabism (top down, ideological), and associated music (Abdel Halim, Umm Kulthum)
- satellite revolution's new pan-Arabism (bottom up, capitalistic, distributed production)
The span of pan-Arab media
