Difference between revisions of "Arab Modernity and popular musical transformations: 5 themes"
(→Rise of music media and commodification) |
|||
| Line 6: | Line 6: | ||
* [http://www.youtube.com/watch?v=z9YI3FmYgmk Ruby] | * [http://www.youtube.com/watch?v=z9YI3FmYgmk Ruby] | ||
| − | = Rise of commodification and music media | + | = Rise of commodification and music media = |
* late 19th c: operettas, ticketed concerts, caberets [http://www.belly-dance.org/badia-masabni.html Badia Masabni][http://www.youtube.com/watch?v=26V9iOEw1co] | * late 19th c: operettas, ticketed concerts, caberets [http://www.belly-dance.org/badia-masabni.html Badia Masabni][http://www.youtube.com/watch?v=26V9iOEw1co] | ||
* 1904 phonograms | * 1904 phonograms | ||
Revision as of 10:07, 17 February 2011
Contents
Westernization and colonization: musical sound
Rise of commodification and music media
- late 19th c: operettas, ticketed concerts, caberets Badia Masabni[2]
- 1904 phonograms
- 1920s radio (1934 national radio)
- 1932 musical films: first Unshudat al-Fu’ad, starring Nadra and Shaykh Zakariya Ahmad, then Al-Warda al-Bayda, starring Muhammad Abdel Wahhab.
- Midaq Alley (film 1963 starring Shadia, setting 1940s) Watch the film from 15:00.
- Samia Gamal and Tahia Carioca and 78s
- 1980s and 90s: cassettes, CDs; Ali Hamida
- 2000s: satellite, internet and mobile distribution
Shifts in representation of women: the male gaze in music, veiling and unveiling...
- Almaz and Abdu al-Hamuli [3][4] with accompanying text.
- Umm Kulthum
- Samia Gamal[5]
- Ruby
Bifurcations: Religious/secular; Sufi/Salafi
Nationalism, pan-Arabism, and the media
The span of pan-Arab media
