Afghanistan, Tajikistan & Uzbekistan
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Ashrafi, M.F and Sultanova, R. (2001) 'Uzbekistan. Opera, ballet, orchestral and chamber music', in the New Grove Dictionary of Music and Musicians (online via www.library.ualberta.ca/databases/).
Beliaev, Victor M. (1975) Central Asian Music. Essays in the History of the Music of the Peoples of the USSR. Edited and annotated by Mark Slobin. Translated from Russian by Mark & Greta Slobin. Middletown, Connecticut: Wesleyan University Press.
Baily, John (1981) 'Cross-cultural Perspectives in Popular Music: the case of Afghanistan', Popular Music, 1, 105-22. (1988) Music of Afghanistan. Professional musicians in the city of Herat. Cambridge: Cambridge University Press. (1994) 'The Role of Music in the Creation of an Afghan National Identity, 1923-73', in Stokes, Martin (ed.) Ethnicity, Identity and Music. The Musical Construction of Place. Oxford/New York: Berg, 45-60. (2001) Can you stop the birds singing? The censorship of music in Afghanistan Copenhagen: Freemuse. (2004) 'Music censorship in Afghanistan before and after the Taliban', in Korpe, M. (ed.) Shoot the singer! Music censorship today. London: Zed Books, 19-28.
Berg, Gabrielle Rachel van den (2004) Minstrel Poetry from the Pamir Mountains: a study of the songs and poems of the Ismailis of Tajik Badakhshan. Wiesbaden: Reichert.
Berg, Gabrielle R. van den & Belle, Jan van (1997) ‘The performance of poetry and music by the Ismâ'îlî people of Badaxshân: an example of Madâh from the Shâhdara-Valley’, Persica, 15, 49-76.
Blum, Stephen (2001), ‘Central Asia’, in the New Grove Dictionary of Music and Musicians (online via www.library.ualberta.ca/databases/).
Djumaev, Alexander (1993) 'Power Structures, Culture Policy, and Traditional Music in Soviet Central Asia", Yearbook for Traditional Music 25, 43-66. (2002) 'Sacred Music and Chant in Islamic Central Asia', in The Garland Encyclopedia of World Music, Vol. 6, The Middle East. NY/London: Routledge, 935-47. (2005) 'Musical Heritage and National Identity in Uzbekistan', Ethnomusicology Forum, 14/2, 165-184.
Dodhoudoyeva, Larisa (2001) 'Tajikistan. Western-inspired music', in the New Grove Dictionary of Music and Musicians (online via www.library.ualberta.ca/databases/).
Doubleday, Veronica (1988) Three Women of Herat. London: Cape Press. (1999) 'The Frame Drum in the Middle East: Women, Musical Instruments and Power', Ethnomusicology, 43/1, 101-134.
During, Jean (1993) "Musique, nation et territoire en Asie intérieure", Yearbook for Traditional Music 25, 29-42. (1997a) "Rythmes ovoïdes et quadrature du cycle", Cahiers des musiques traditionnelles, 10, 17-36. (1998) Musiques d'Asie Centrale. L'Esprit d'une Tradition. Arles: Cité de la Musique / Actes Sud. (2005a) 'Power, Authority and Music in the Cultures of Inner Asia', Ethnomusicology Forum, 14/2, 143-164.
Elsner, Jürgen (ed.) (1989) Maqam – Raga – Zeilenmelodik: Konzeptionen und Prinzipien der Musikproduktion. Berlin: International Council for Traditional Music. (1992) Regionale Maqâm-Traditionen in Geschichte und Gegenwart, Teil 1/2. Berlin: International Council for Traditional Music. (1997) The structure and idea of maqam: historical approaches. Tampere: ICTM/University of Tampere, Dept. of Folk Traditions.
Elsner, Jürgen (1992) 'On the structure of the Uzbek-Tajik Shashmaq?m', in Elsner, J. & Jähnichen, G. (ed.), Regionale Maqâm-Traditionen in Geschichte und Gegenwart, Teil 1. Berlin: International Council for Traditional Music, 163-190.
Feldman, Walter (1992) ‘Central Asia. Music’, in Yarshater, Ehsan (ed), Encyclopaedia Iranica, 5, 240-242.
Frolova-Walker, Marina (1998) '"National in Form, Socialist in Content": Musical Nation-Building in the Soviet Republics', Journal of the American Musicological Society, 51/2, 331-371.
Gerson-Kiwi Edith (1950) ‘Wedding Dances and Songs of the Jews of Bokhara’, Journal of the International Folk Music Council, 2, 17-8.
Gronow, Pekka (1975) 'Ethnic Music and Soviet Record Industry', Ethnomusicology, 19/1, 91-99.
Jung, Angelica (1989) Quellen der traditionellen Kunstmusik der Usbeken und Tadshiken Mittelasiens (Hamburg: Verlag der Musikalenhandlung). (1989) 'The maqam principle and the cyclic principle in the Uzbek-Tajik Shashmaqam', in Elsner, J. (ed.) Maqam – Raga – Zeilenmelodik Konzeptionen and Prinzipien der Musikproduktion. Berlin: International Council for Traditional Music, 200-215.
Karomatov, Faizullah (1983) 'Uzbek Instrumental Music', Asian Music 25/1, 11-53. (1992) 'Traditions of Maq?m?t in Central Asia', in Elsner, J. & Jähnichen, G. (eds.), Regionale Maqâm-Traditionen in Geschichte und Gegenwart, Teil 2. Berlin: International Council for Traditional Music, 306-311.
Karomatov, Faizullah & Rajabov, I. (1981) 'Introduction to the Shashmaqâm', Asian Music 13/1, 97-118.
Koen, Benjamin D. (2003) Devotional Music and Healing in Badakhshan, Tajikistan: Preventive and Curative Practices. The Ohio State University: PhD dissertation. (2003a) 'The Spiritual Aesthetic in Badakhshani Devotional Music', The World of Music, 45/3, 77-90. (2005) 'Medical Ethnomusicology in the Pamir Mountains: Music and Prayer in Healing', Ethnomusicology, 49/2, 287-311.
Kosacheva, Rimma (1990), ‘Traditional Music in the Context of the Socio-Political Development in the USSR’, Yearbook for Traditional Music, 22, 17-19.
Levin, Theodore (1979) ’Music in modern Uzbekistan: the convergence of Marxist aesthetics and Central Asian tradition’, Asian Music, 12 (1), 149-158. (1984) The Music and Tradition of the Bukharan Shashmaqam in Soviet Uzbekistan. Princeton University: unpublished PhD thesis. (1992) 'Katta Ashula, Haggoni, Shi'ra: Great little traditions from Transoxiana', in Elsner, J. & Jähnichen, G. (ed.), Regionale Maqâm-Traditionen in Geschichte und Gegenwart, Teil 2. Berlin: International Council for Traditional Music, 355-376. (1993) ‘The Reterritorialization of Culture in the new Central Asian States: a Report from Uzbekistan’, Yearbook for Traditional Music, 25, 51-59. (1996) The Hundred Thousand Fools of God. Musical Travels in Central Asia (and Queens. New York). Bloomington, Indiana: Indiana University Press. (2001) 'Uzbekistan. Urban traditions; Rural Traditions; Soviet and post-Soviet Popular music', in the New Grove Dictionary of Music and Musicians (online via www.library.ualberta.ca/databases/). (2001) 'Making Marxist-Leninist Music in Uzbekistan', in R. Burckhardt Qureshi (ed.) Music and Marx: Ideas, Practice, Politics. New York: Garland. (2002) 'Central Asia: Overview', in The Garland Encyclopedia of World Music. Vol. 6. The Middle East. NY/London: Routledge, 895-906.
Levin, Theodore and Sultanova, Razia (2002) 'The Classical Music of Uzbeks and Tajiks', in in The Garland Encyclopedia of World Music. Vol. 6. The Middle East. NY/London: Routledge, 907-20. Matyakubov, Otanazar (1989) 'The Šašmaq?m v XX veke (Der Šašmaq?m im 20. Jahrhundert)', in Elsner, J. (ed.) Maqam – Raga – Zeilenmelodik Konzeptionen and Prinzipien der Musikproduktion. Berlin: International Council for Traditional Music, 181-199. (1992) 'Lad and rhythmic system of the Shashmaq?m', in Elsner, J. & Jähnichen, G. (ed.), Regionale Maqâm-Traditionen in Geschichte und Gegenwart, Teil 2. Berlin: International Council for Traditional Music, 398-406. (1993) 'A Traditional Musician in Modern Society: a case study of Turgun Alimatov', Yearbook for Traditional Music 25, 60-66. Matyakubova, Svetlana (1992) 'The cyclic character of the maq?m', in Elsner, J. & Jähnichen, G. (ed.), Regionale Maqâm-Traditionen in Geschichte und Gegenwart, Teil 2. Berlin: International Council for Traditional Music, 407-417. Naby, Eden (1973) ‘Tajik and Uzbek Nationality Identity: the Non-literary Arts’, in Allworth, Edward (ed.) The Nationality Question in Soviet Central Asia. NY/Washington/London: Praeger Publishers, 110-120. Naroditskaya, Inna (2000) 'Azerbaijanian Female Musicians: Women's Voices Defying and Defining the Culture', Ethnomusicology, 44/2, 234-56. O'Connell, John Morgan (2004) 'Sustaining Difference: Theorizing Minority Music in Badakhshan', in Hemetek, Ursula, Lechleitner, Gerda, Naroditskaya, Inna and Czekanowska, Anna (eds.) Manifold Identities: Studies on Music and Minorities. London: Cambridge Scholars Press, 1-19. Powers, Harold (1989) '"International seg?h" and its nominal equivalents in Central Asia and Kashmir', in Elsner, J. (ed.) Maqam – Raga – Zeilenmelodik Konzeptionen and Prinzipien der Musikproduktion. Berlin: International Council for Traditional Music, 40-85. Sakata, Hiromi Lorraine (1976) ‘The Concept of Musician in Three Persian-Speaking Areas of Afghanistan’, Asian Music, 8/1, 1-28. (1983) Music in the Mind: the Concepts of Music and Musician in Afghanistan. Kent, Ohio: The Kent State University Press. (1986) 'The Complementary Opposition of Music and Religion in Afghanistan', the World of Music, 28/3, 33-41. (1987) 'Hazara Women in Afghanistan: Innovators and Preservers of a Musical Tradition', in Koskoff, Ellen (ed.) Women and Music in Cross-Cultural Perspective. NY/ Westport, CT/ London: Greenwood Press, 85-96. (1989) 'Afghan Regional Melody Types and the Notion of Modes', in Elsner, Jürgen (ed.) Maqam – Raga – Zeilenmelodik Konzeptionen and Prinzipien der Musikproduktion. Berlin: International Council for Traditional Music, 170-179. Shahrani, Enayatullah (1973) ‘The 'Falaks' of the Mountains’, Afghanistan, 26/1, 68-75. Slobin, Mark (1970) ‘Persian folksong Texts from Afghan Badakhshan’, Iranian Studies, 3/ 2, 91-103. (1970a) 'Music and the Structure of Town Life in Northern Afghanistan', Ethnomusicology, 14, 450-58. (1971) 'A Muslim Shaman in Afghan Turkestan', Ethnology, 10, 160-173. (1976) Music in the Culture of Northern Afghanistan. Tucson, Arizona: University of Arizona Press. (1977) Music of Central Asia and of the Volga-Ural Peoples. Bloomington, Indiana: Indiana University, Asian Studies Research Institute. Slobin, Mark & Djumaev, Alexander (2001), ‘Tajikistan. Traditional Music’, in the New Grove Dictionary of Music and Musicians, 14-18. Spector, Johanna (1967) 'Musical Tradition and Innovation', in Allworth, E. (ed.), Central Asia. A century of Russian Rule. NY/London: Columbia University Press, 434-8 Spinetti, Federico (2005) 'Open Borders: Tradition and Tajik Popular Music: Questions of Aesthetics, Identity and Political Economy', Ethnomusicology Forum, 14/2, 185-211. (2006) Music, Politics and Identity in Post-Soviet Tajikistan. School of Oriental and African Studies, London: PhD dissertation. (forthcoming) 'Music, politics and nation building in post-Soviet Tajikistan', in Nooshin, L. (ed.) Music and the Play of Power in the Middle East, North Africa and Central Asia. London: Ashgate. Sultanova, Razia (1994) 'Rhythms of Central Asian Traditional Music through the Prism of Aruz Poetic Meters', in Baldauf, I. & Friederich, M. (eds.) Bamberger Zentralasienstudien, 217-222. (1994) 'Rituels poétiques et musicaux des femmes de la vallée du Ferghâna (Ouzbékistan)', Musées / Hommes, vol. 4, 58-61. (2001) 'Uzbekistan. Musical instruments', in the New Grove Dictionary of Music and Musicians (online via www.library.ualberta.ca/databases/). (2005) 'Music and Identity in Central Asia: Introduction', Ethnomusicology Forum, 14/2, 131-142. Zaranska-Kominek, S., Kostrubiec, B. & Wierzejewska, J. (1982) 'Universal Symbols in the Bukharan Shashmaqam', Asian Music 14/1, 74-93.
