Dead-end pages

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Showing below up to 50 results in range #751 to #800.

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  1. Week 2 - Jan 16: Italian Opera: national identity and music industry
  2. Week 2 - January 12: Fieldwork and ethnography: an overview of approaches, methods and critical perspectives. Planning fieldwork
  3. Week 2 - January 15. Fieldwork and ethnography: an overview of approaches, methods and techniques. Planning fieldwork
  4. Week 2 - Sept 14 & 16, 2011 - Key issues in the study of "world music"
  5. Week 2 - Sept 16, 2013: DISCIPLINE
  6. Week 2 - September 21: Mapping EM / Ethnomusicological histories
  7. Week 2 Fieldwork and ethnography: an overview of approaches. Planning fieldwork
  8. Week 2 assigned readings
  9. Week 2 – Jan 18 and 20: Sound in (documentary) film
  10. Week 2 – Jan 19: Muslim discourses on the legitimacy of music 1: the sama' controversy
  11. Week 2 – Monday, January 17: Fieldwork and ethnography: an overview of approaches, methods and critical perspectives; Planning fieldwork
  12. Week 2 – Sept 10 and 12: Introduction to an analysis of documentary film
  13. Week 3
  14. Week 3 (Jan 18-22) - Audiovisual media: worldwide uses, and issues of ethnographic representation
  15. Week 3 - Jan 23: Music, politics and society 1900-1945: labor songs, the fascist regime and the 'Resistenza'
  16. Week 3 - January 19: Fieldnotes & participant observation
  17. Week 3 - Sept 23, 2013: ETHNOGRAPHY
  18. Week 3 Critical perspectives and theories of ethnography
  19. Week 3 assigned readings
  20. Week 3 – Jan 25 and 27: Fine lines I: fiction and documentary
  21. Week 3 – Jan 26: Muslim discourses on the legitimacy of music 2: ancient treatises and contemporary debates
  22. Week 3 – Monday, January 24: Fieldnotes; Participant observation.
  23. Week 3 – Sept 17 and 19: Sound in (documentary) film
  24. Week 4
  25. Week 4 (Jan 25-29) - Popular musics and cultural identity: hybridization, appropriation and indigenization
  26. Week 4 - Jan 30: From Naples to San Remo: the classic 'canzone italiana' and its transformations
  27. Week 4 - January 26: Ethics 1: Research with human participants. Emic / Etic issues in ethnographic research
  28. Week 4 - Oct 17, 2011: Neo-comparativism, ethnoscience, theory of practice in Ethnomusicology
  29. Week 4 - Sept 30, 2013: THEORY AND PRACTICE
  30. Week 4 Fieldnotes and participant observation. The experience of fieldwork: the researcher's position
  31. Week 4 assigned readings
  32. Week 4 – Feb 1 and 3: Observational cinema and the moving image in Anthropology I
  33. Week 4 – Feb 2: The history of music in the Middle East: science of music, cosmology and musical affects
  34. Week 4 – Monday, January 31: Ethics 1: Research with human participants; Emic / Etic issues in ethnographic research.
  35. Week 4 – Sept 24 and 26: Fine lines I: fiction and documentary
  36. Week 5
  37. Week 5 (Feb 1-5) - Transnational migrations and diaspora musics
  38. Week 5 - Feb 6: Italian folk music: practice, scholarship and revival
  39. Week 5 - February 02: Interviewing
  40. Week 5 - Oct 7, 2013: INTERPRETATION AND EXPERIENCE
  41. Week 5 - October 5: Devotion & mysticism
  42. Week 5 Ethics 1: human participants. Emic / etic issues in ethnographic research
  43. Week 5 – Feb 8 and 10: Observational cinema and the moving image in Anthropology II
  44. Week 5 – Feb 9: Mystical Islam and Sufism 1
  45. Week 5 – Monday, February 7: Interviewing.
  46. Week 5 – Oct 1 and 3: Observational cinema and audiovisual ethnography in Anthropology, I
  47. Week 6
  48. Week 6 (Feb 8-12) - Marketing authenticity: traditional music in the world music market
  49. Week 6 - Feb 13: Engaged singer-songwriters and art song: 'cantautori' and 'canzone d'autore'
  50. Week 6 - Oct 21, 2013: MEANING

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