Difference between revisions of "Week 7 - Oct 17, 19 & 21, 2011 - Music, identity and nationhood"
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[[Bibliography - Music 102 2011]] | [[Bibliography - Music 102 2011]] | ||
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| + | [http://www.fwalive.ualberta.ca/~spinetti/MPW/Music%20102%202011/Week%207%20-%20Music,%20identity%20and%20nationhood/Music%20102%20PPT%20Presentation%20Week%207.pdf Powerpoint presentation for this week] | ||
Revision as of 14:08, 16 October 2011
- Mon: Lecture (case study: Nigeria)
- Wed: Film screening: Crossing the Bridge: The sound of Istanbul, by Fatih Akin
- Fri: Lecture (case study: Bosnia)
Readings:
Assigned reading:
Waterman, Christopher. “‘Our tradition is a very modern tradition’: popular music and the construction of pan-Yoruba identity.” Ethnomusicology, 34/3, 1990, pp. 367-379.
Additional reading:
Lausevic, Mirjana. “The ilahiya as a symbol of Bosnian Muslim national identity.” In Mark Slobin (ed.) Retuning Culture: Musical Changes in Central and Eastern Europe. Durham: Duke University Press, 1996.
Further reading (film reading):
Solomon, Thomas. “‘Living underground is tough’: authenticity and locality in the hip-hop community in Istanbul, Turkey.” Popular Music, 24/1, 2005, pp. 1-20.
