Difference between revisions of "Bibliography - Music 666 2011"
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'''Alvarez-Pereyre, F. and Simha Arom''' | '''Alvarez-Pereyre, F. and Simha Arom''' | ||
− | (1993) “Ethnomusicology and the emic/etic issue”. The World of Music, 35/1, 7-33. | + | (1993) “Ethnomusicology and the emic/etic issue”. ''The World of Music'', 35/1, 7-33. |
'''Atkinson, Paul''' | '''Atkinson, Paul''' | ||
− | (1990) The Ethnographic Imagination: Textual constructions of reality. New York: Routledge. | + | (1990) ''The Ethnographic Imagination: Textual constructions of reality''. New York: Routledge. |
'''Atkinson, Paul, Amanda Coffey, Sara Delamont, John Lofland and Lyn Lofland''' (eds.) | '''Atkinson, Paul, Amanda Coffey, Sara Delamont, John Lofland and Lyn Lofland''' (eds.) | ||
− | (2001) Handbook of Ethnography. London: Sage. | + | (2001) ''Handbook of Ethnography''. London: Sage. |
'''Baily, John''' | '''Baily, John''' | ||
Line 15: | Line 15: | ||
(1989) “Film making as musical ethnography”, ''The World of Music'', 31/1, 1989, pp. 3-20. | (1989) “Film making as musical ethnography”, ''The World of Music'', 31/1, 1989, pp. 3-20. | ||
− | (1990) The making of Amir: An Afghan Refugee Musician's Life in Peshawar, Pakistan. The Study Guide. Boston: Documentary Educational Resources. | + | (1990) ''The making of Amir: An Afghan Refugee Musician's Life in Peshawar, Pakistan''. The Study Guide. Boston: Documentary Educational Resources. |
− | Barbash, Ilisa and Lucien Taylor | + | '''Barbash, Ilisa and Lucien Taylor''' |
− | (1997) Cross-Cultural Filmmaking. A Handbook for Making Documentary and Ethnographic Films and Videos. Berkeley / Los Angeles / London: University of California Press. | + | |
− | Barley, Nigel | + | (1997) ''Cross-Cultural Filmmaking. A Handbook for Making Documentary and Ethnographic Films and Videos''. Berkeley / Los Angeles / London: University of California Press. |
− | (1983) The innocent anthropologist. London: Penguin. | + | |
− | Barthes, Roland | + | '''Barley, Nigel''' |
− | (1981) Camera Lucida: reflections on photography. New York: Hill and Wang. | + | |
− | Bartlett, Bruce and Jenny Bartlett | + | (1983) ''The innocent anthropologist''. London: Penguin. |
− | (1998) Practical recording technique. Focal Press. | + | |
− | Barz, Gregory and Timothy Cooley (eds.) | + | '''Barthes, Roland''' |
− | (1997) Shadows in the field: new perspectives for fieldwork in ethnomusicology. New York: Oxford University Press. | + | |
− | Baumann, Max Peter | + | (1981) ''Camera Lucida: reflections on photography''. New York: Hill and Wang. |
− | (1993) “Listening as an emic/etic process in the context of observation and inquiry”. The World of Music, 35/1, 34-62. | + | |
− | Bohlman, Philip V. | + | '''Bartlett, Bruce and Jenny Bartlett''' |
− | (1991) “Representation and Cultural Critique in the History of Ethnomusicology”, in Nettl, Bruno and Philip Bohlman (eds.) Comparative Musicology and Anthropology of Music. Chicago: Chicago University Press, 131-151. | + | |
− | Bolante, Antony | + | (1998) ''Practical recording technique''. Focal Press. |
− | (2004) Premiere Pro for Windows. Berkeley, CA: Peachpit Press. | + | |
− | Brandes, Edda | + | '''Barz, Gregory and Timothy Cooley''' (eds.) |
− | (1991) “The Role of the Female Ethnomusicologist in the Field: Experiences in Traditional Algerian Communities”, The World of Music, 33/2, 35-49. | + | |
− | Clifford, James and George Marcus | + | (1997) ''Shadows in the field: new perspectives for fieldwork in ethnomusicology''. New York: Oxford University Press. |
− | (1986) Writing Culture: the Poetics and Politics of Ethnography. | + | |
− | Dewalt, Kathleen and Billie R. Dewalt | + | '''Baumann, Max Peter''' |
− | (2002) Participant Observation: a Guide for Fieldworkers. Walnut Creek, CA: Altamira Press. | + | |
− | Emerson, Robert M., Rachel I. Fretz and Linda L. Shaw | + | (1993) “Listening as an emic/etic process in the context of observation and inquiry”. ''The World of Music'', 35/1, 34-62. |
− | (1995) Writing Ethnographic Fieldnotes. Chicago: Chicago University Press. | + | |
− | Feld, Steven | + | '''Bohlman, Philip V.''' |
− | (1976) “Ethnomusicology and Visual Communication.” Ethnomusicology, 20/2, pp. 293-325. | + | |
− | Fetterman, David M. | + | (1991) “Representation and Cultural Critique in the History of Ethnomusicology”, in Nettl, Bruno and Philip Bohlman (eds.) ''Comparative Musicology and Anthropology of Music''. Chicago: Chicago University Press, 131-151. |
− | (1998) Ethnography: Step by Step (second edition). London: Sage. | + | |
− | Grimm, Tom | + | '''Bolante, Antony''' |
− | (1997) The Basic Book of Photography (4th edition). Plume Press. | + | |
− | Hammersley, Martin and Paul Atkinson | + | (2004) ''Premiere Pro for Windows''. Berkeley, CA: Peachpit Press. |
− | (1995) Ethnography: Principles in practice. London / New York: Routledge (2nd edition) GN 345 H35 1995 | + | |
− | Hampe, Barry | + | '''Brandes, Edda''' |
− | (1997) Making Documentary Films and reality Videos: A Practical Guide to Planning, Filming, and Editing Documentaries of Real Events. New York: Henry Holt & Co. | + | |
− | Headland, Thomas, Kenneth Pike and Marvin Harris (eds.) | + | (1991) “The Role of the Female Ethnomusicologist in the Field: Experiences in Traditional Algerian Communities”, ''The World of Music'', 33/2, 35-49. |
− | (1990) Emics and Etics: the insider/outsider debate. Newbury Park, CA / London: Sage. | + | |
− | Hemetek, Ursula | + | '''Clifford, James and George Marcus''' |
− | (2006) “Applied Ethnomusicology in the Process of the Political Recognition of a Minority: A Case Study of the Austrian Roma.” Yearbook for Traditional Music, 38, 35-57. | + | |
− | Herndon, Marcia | + | (1986) ''Writing Culture: the Poetics and Politics of Ethnography.'' |
− | (1993) “Insiders, outsiders: knowing our limits, limiting our knowing.” The World of Music, 35/1, 63-80. | + | |
− | Herndon, Marcia and Norma McLeod | + | '''Dewalt, Kathleen and Billie R. Dewalt''' |
− | (1983) Field manual for ethnomusicology. Darby, PA: Norwood. | + | |
− | Impey, Angela | + | (2002) ''Participant Observation: a Guide for Fieldworkers.'' Walnut Creek, CA: Altamira Press. |
− | (2002) “Culture, Conservation and Community Reconstruction: Explorations in Advocacy Ethnomusicology and Action Research in Northern KwaZulu.” Yearbook for Traditional Music, 34, 9-24. | + | |
− | Ives, Edward D. | + | '''Emerson, Robert M., Rachel I. Fretz and Linda L. Shaw''' |
− | (1995) The Tape-Recorded Interview: A Manual for Field Workers in Folklore and Oral History (2nd edition). Knoxville: University of Tennessee Press. | + | |
− | + | (1995) ''Writing Ethnographic Fieldnotes''. Chicago: Chicago University Press. | |
− | (2002) Handle with care: ownership and control of ethnographic materials. Pittsburgh: University of Pittsburgh Press. | + | |
− | Jackson, Bruce | + | '''Feld, Steven''' |
− | (1987) Fieldwork. Urbana: University of Illinois Press. | + | |
− | Jackson, Bruce and Edward Ives (eds.) | + | (1976) “Ethnomusicology and Visual Communication.” ''Ethnomusicology'', 20/2, pp. 293-325. |
− | (1996) The world observed: reflections on the fieldwork process. Urbana: University of Illinois Press. | + | |
− | Kimberlin, Cynthia Tse | + | '''Fetterman, David M.''' |
− | (1991) “What am I to be? Female, male, neuter, invisible... Gender roles and ethnomusicological fieldwork in Africa.” The World of Music, 33/2, 14-34. | + | |
− | Kvale, Steinar | + | (1998) ''Ethnography: Step by Step'' (second edition). London: Sage. |
− | (1996) InterViews: An Introduction to Qualitative Research Interviewing. London: Sage. | + | |
− | Lortat-Jacob, Bernard | + | '''Grimm, Tom''' |
− | (1995) Sardinian Chronicles. Chicago: Chicago University Press. | + | |
− | Marcus, George E. | + | (1997) ''The Basic Book of Photography'' (4th edition). Plume Press. |
− | (1995) “The Modernist Sensibility in Recent Ethnographic Writing and the Cinematic Metaphor of Montage.” In L. a. R. H. Devereaux (ed.) Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography. Berkeley: University of California Press. | + | |
− | (1998) Ethnography Through Thick and Thin. Princeton: Princeton University Press. | + | '''Hammersley, Martin and Paul Atkinson''' |
− | (1999) (ed.) Critical Anthropology Now: Unexpected Contexts. Shifting Constituencies, Changing Agendas. School of American Research Advanced Seminar Series. | + | |
− | Mills, Sherylle | + | (1995) ''Ethnography: Principles in practice''. London / New York: Routledge (2nd edition) GN 345 H35 1995 |
− | (1996) “Indigenous Music and the Law: An analysis of National and International Legislation'.” Yearbook for Traditional Music, 28, 57-86. | + | |
− | Myers, Helen | + | '''Hampe, Barry''' |
− | (1992a) “Fieldwork.” In Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 21-49. | + | |
− | (1992b) “Field technology.” In Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 50-87. | + | (1997) ''Making Documentary Films and reality Videos: A Practical Guide to Planning, Filming, and Editing Documentaries of Real Events''. New York: Henry Holt & Co. |
− | Rice, Timothy | + | |
− | (1994) May It Fill Your Soul. Experiencing Bulgarian Music. Chicago: University of Chicago Press. | + | '''Headland, Thomas, Kenneth Pike and Marvin Harris''' (eds.) |
− | + | ||
− | (1990) Fieldnotes: the makings of anthropology. Ithaca: Cornell University Press. | + | (1990) ''Emics and Etics: the insider/outsider debate''. Newbury Park, CA / London: Sage. |
− | Scherzinger, Martin Rudoy | + | |
− | (1999) “Music, Spirit Possession and the Copyright Law: Cross-Cultural Comparisons and Strategic Speculations.” Yearbook for Traditional Music, 31, 102-125. | + | '''Hemetek, Ursula''' |
− | Seeger, Anthony | + | |
− | (1987) Why Suya Sing: a musical anthropology of an Amazonian people. Cambridge: Cambridge University Press. (reprinted 2004, Urbana, Ill.: Illinois University Press). | + | (2006) “Applied Ethnomusicology in the Process of the Political Recognition of a Minority: A Case Study of the Austrian Roma.” ''Yearbook for Traditional Music'', 38, 35-57. |
− | (1991) “Styles of Musical Ethnography.” In Nettl, Bruno and Philip Bohlman (eds.) Comparative Musicology and Anthropology of Music. Chicago: Chicago University Press, 342-355. | + | |
− | (1992) “Ethnography of music.” In Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 88-109. | + | '''Herndon, Marcia''' |
− | (1996) “Ethnomusicologists, Archives, Professional Organizations, and the Shifting Ethics of Intellectual Property.” Yearbook for Traditional Music, 28, 87-105. | + | |
− | Shelemay, Kay Kaufman | + | (1993) “Insiders, outsiders: knowing our limits, limiting our knowing.” ''The World of Music'', 35/1, 63-80. |
− | Slobin, Mark | + | |
− | (1992) “Ethical issues.” In Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 329-336. | + | '''Herndon, Marcia and Norma McLeod''' |
− | Society for Ethnomusicology | + | |
− | (2001) A Manual for Documentation, Fieldwork and Preservation for Ethnomusicologists (2nd edition). Bloomington: The Society for Ethnomusicology. | + | (1983) ''Field manual for ethnomusicology''. Darby, PA: Norwood. |
− | Turino, Thomas | + | |
− | (1990) “Structure, Context, and Strategy in Musical Ethnography.” Ethnomusicology, 34/3, 399-412. | + | '''Impey, Angela''' |
− | Zemp, Hugo | + | |
− | (1996) “The/an ethnomusicologist and the record business.” Yearbook for Traditional Music, 28, 36-56. | + | (2002) “Culture, Conservation and Community Reconstruction: Explorations in Advocacy Ethnomusicology and Action Research in Northern |
+ | KwaZulu.” ''Yearbook for Traditional Music'', 34, 9-24. | ||
+ | |||
+ | '''Ives, Edward D'''. | ||
+ | |||
+ | (1995) ''The Tape-Recorded Interview: A Manual for Field Workers in Folklore and Oral History'' (2nd edition). Knoxville: University of | ||
+ | Tennessee Press. | ||
+ | |||
+ | '''Jaarsma, S.R.''' | ||
+ | |||
+ | (2002) ''Handle with care: ownership and control of ethnographic materials''. Pittsburgh: University of Pittsburgh Press. | ||
+ | |||
+ | '''Jackson, Bruce''' | ||
+ | |||
+ | (1987) ''Fieldwork''. Urbana: University of Illinois Press. | ||
+ | |||
+ | '''Jackson, Bruce and Edward Ives''' (eds.) | ||
+ | |||
+ | (1996) ''The world observed: reflections on the fieldwork process.'' Urbana: University of Illinois Press. | ||
+ | |||
+ | '''Kimberlin, Cynthia Tse''' | ||
+ | |||
+ | (1991) “What am I to be? Female, male, neuter, invisible... Gender roles and ethnomusicological fieldwork in Africa.” ''The World of Music'', 33/2, 14-34. | ||
+ | |||
+ | '''Kvale, Steinar''' | ||
+ | |||
+ | (1996) ''InterViews: An Introduction to Qualitative Research Interviewing''. London: Sage. | ||
+ | |||
+ | '''Lortat-Jacob, Bernard''' | ||
+ | |||
+ | (1995) ''Sardinian Chronicles''. Chicago: Chicago University Press. | ||
+ | |||
+ | '''Marcus, George E.''' | ||
+ | |||
+ | (1995) “The Modernist Sensibility in Recent Ethnographic Writing and the Cinematic Metaphor of Montage.” In L. a. R. H. Devereaux (ed.) | ||
+ | ''Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography''. Berkeley: University of California Press. | ||
+ | |||
+ | (1998) ''Ethnography Through Thick and Thin''. Princeton: Princeton University Press. | ||
+ | |||
+ | (1999) (ed.) ''Critical Anthropology Now: Unexpected Contexts. Shifting Constituencies, Changing Agendas''. School of American Research Advanced Seminar Series. | ||
+ | |||
+ | '''Mills, Sherylle''' | ||
+ | |||
+ | (1996) “Indigenous Music and the Law: An analysis of National and International Legislation'.” ''Yearbook for Traditional Music'', 28, 57-86. | ||
+ | |||
+ | '''Myers, Helen''' | ||
+ | |||
+ | (1992a) “Fieldwork.” In Myers, Helen (ed.) ''Ethnomusicology: an introduction''. New York: W.W. Norton, 21-49. | ||
+ | |||
+ | (1992b) “Field technology.” In Myers, Helen (ed.) ''Ethnomusicology: an introduction''. New York: W.W. Norton, 50-87. | ||
+ | |||
+ | '''Rice, Timothy''' | ||
+ | |||
+ | (1994) ''May It Fill Your Soul. Experiencing Bulgarian Music''. Chicago: University of Chicago Press. | ||
+ | |||
+ | '''Sanjek, Roger''' (ed.) | ||
+ | |||
+ | (1990) ''Fieldnotes: the makings of anthropology.'' Ithaca: Cornell University Press. | ||
+ | |||
+ | '''Scherzinger, Martin Rudoy''' | ||
+ | |||
+ | (1999) “Music, Spirit Possession and the Copyright Law: Cross-Cultural Comparisons and Strategic Speculations.” ''Yearbook for Traditional Music'', 31, 102-125. | ||
+ | |||
+ | '''Seeger, Anthony''' | ||
+ | |||
+ | (1987) ''Why Suya Sing: a musical anthropology of an Amazonian people''. Cambridge: Cambridge University Press. (reprinted 2004, Urbana, Ill.: Illinois University Press). | ||
+ | |||
+ | (1991) “Styles of Musical Ethnography.” In Nettl, Bruno and Philip Bohlman (eds.) ''Comparative Musicology and Anthropology of Music''. Chicago: Chicago University Press, 342-355. | ||
+ | |||
+ | (1992) “Ethnography of music.” In Myers, Helen (ed.) ''Ethnomusicology: an introduction''. New York: W.W. Norton, 88-109. | ||
+ | |||
+ | (1996) “Ethnomusicologists, Archives, Professional Organizations, and the Shifting Ethics of Intellectual Property.” ''Yearbook for Traditional Music'', 28, 87-105. | ||
+ | |||
+ | '''Shelemay, Kay Kaufman''' (1991) | ||
+ | |||
+ | “Recording technology, the record industry, and ethnomusicological scholarship.” In Nettl, Bruno and Philip Bohlman (eds.) ''Comparative Musicology and Anthropology of Music''. Chicago: Chicago University Press, 277-292. | ||
+ | |||
+ | '''Slobin, Mark''' | ||
+ | |||
+ | (1992) “Ethical issues.” In Myers, Helen (ed.) ''Ethnomusicology: an introduction''. New York: W.W. Norton, 329-336. | ||
+ | |||
+ | '''Society for Ethnomusicology''' | ||
+ | |||
+ | (2001) ''A Manual for Documentation, Fieldwork and Preservation for Ethnomusicologists'' (2nd edition). Bloomington: The Society for Ethnomusicology. | ||
+ | |||
+ | '''Turino, Thomas''' | ||
+ | |||
+ | (1990) “Structure, Context, and Strategy in Musical Ethnography.” ''Ethnomusicology'', 34/3, 399-412. | ||
+ | |||
+ | '''Zemp, Hugo''' | ||
+ | |||
+ | (1996) “The/an ethnomusicologist and the record business.” ''Yearbook for Traditional Music'', 28, 36-56. |
Latest revision as of 19:01, 8 January 2011
Alvarez-Pereyre, F. and Simha Arom
(1993) “Ethnomusicology and the emic/etic issue”. The World of Music, 35/1, 7-33.
Atkinson, Paul
(1990) The Ethnographic Imagination: Textual constructions of reality. New York: Routledge.
Atkinson, Paul, Amanda Coffey, Sara Delamont, John Lofland and Lyn Lofland (eds.)
(2001) Handbook of Ethnography. London: Sage.
Baily, John
(1989) “Film making as musical ethnography”, The World of Music, 31/1, 1989, pp. 3-20.
(1990) The making of Amir: An Afghan Refugee Musician's Life in Peshawar, Pakistan. The Study Guide. Boston: Documentary Educational Resources.
Barbash, Ilisa and Lucien Taylor
(1997) Cross-Cultural Filmmaking. A Handbook for Making Documentary and Ethnographic Films and Videos. Berkeley / Los Angeles / London: University of California Press.
Barley, Nigel
(1983) The innocent anthropologist. London: Penguin.
Barthes, Roland
(1981) Camera Lucida: reflections on photography. New York: Hill and Wang.
Bartlett, Bruce and Jenny Bartlett
(1998) Practical recording technique. Focal Press.
Barz, Gregory and Timothy Cooley (eds.)
(1997) Shadows in the field: new perspectives for fieldwork in ethnomusicology. New York: Oxford University Press.
Baumann, Max Peter
(1993) “Listening as an emic/etic process in the context of observation and inquiry”. The World of Music, 35/1, 34-62.
Bohlman, Philip V.
(1991) “Representation and Cultural Critique in the History of Ethnomusicology”, in Nettl, Bruno and Philip Bohlman (eds.) Comparative Musicology and Anthropology of Music. Chicago: Chicago University Press, 131-151.
Bolante, Antony
(2004) Premiere Pro for Windows. Berkeley, CA: Peachpit Press.
Brandes, Edda
(1991) “The Role of the Female Ethnomusicologist in the Field: Experiences in Traditional Algerian Communities”, The World of Music, 33/2, 35-49.
Clifford, James and George Marcus
(1986) Writing Culture: the Poetics and Politics of Ethnography.
Dewalt, Kathleen and Billie R. Dewalt
(2002) Participant Observation: a Guide for Fieldworkers. Walnut Creek, CA: Altamira Press.
Emerson, Robert M., Rachel I. Fretz and Linda L. Shaw
(1995) Writing Ethnographic Fieldnotes. Chicago: Chicago University Press.
Feld, Steven
(1976) “Ethnomusicology and Visual Communication.” Ethnomusicology, 20/2, pp. 293-325.
Fetterman, David M.
(1998) Ethnography: Step by Step (second edition). London: Sage.
Grimm, Tom
(1997) The Basic Book of Photography (4th edition). Plume Press.
Hammersley, Martin and Paul Atkinson
(1995) Ethnography: Principles in practice. London / New York: Routledge (2nd edition) GN 345 H35 1995
Hampe, Barry
(1997) Making Documentary Films and reality Videos: A Practical Guide to Planning, Filming, and Editing Documentaries of Real Events. New York: Henry Holt & Co.
Headland, Thomas, Kenneth Pike and Marvin Harris (eds.)
(1990) Emics and Etics: the insider/outsider debate. Newbury Park, CA / London: Sage.
Hemetek, Ursula
(2006) “Applied Ethnomusicology in the Process of the Political Recognition of a Minority: A Case Study of the Austrian Roma.” Yearbook for Traditional Music, 38, 35-57.
Herndon, Marcia
(1993) “Insiders, outsiders: knowing our limits, limiting our knowing.” The World of Music, 35/1, 63-80.
Herndon, Marcia and Norma McLeod
(1983) Field manual for ethnomusicology. Darby, PA: Norwood.
Impey, Angela
(2002) “Culture, Conservation and Community Reconstruction: Explorations in Advocacy Ethnomusicology and Action Research in Northern KwaZulu.” Yearbook for Traditional Music, 34, 9-24.
Ives, Edward D.
(1995) The Tape-Recorded Interview: A Manual for Field Workers in Folklore and Oral History (2nd edition). Knoxville: University of Tennessee Press.
Jaarsma, S.R.
(2002) Handle with care: ownership and control of ethnographic materials. Pittsburgh: University of Pittsburgh Press.
Jackson, Bruce
(1987) Fieldwork. Urbana: University of Illinois Press.
Jackson, Bruce and Edward Ives (eds.)
(1996) The world observed: reflections on the fieldwork process. Urbana: University of Illinois Press.
Kimberlin, Cynthia Tse
(1991) “What am I to be? Female, male, neuter, invisible... Gender roles and ethnomusicological fieldwork in Africa.” The World of Music, 33/2, 14-34.
Kvale, Steinar
(1996) InterViews: An Introduction to Qualitative Research Interviewing. London: Sage.
Lortat-Jacob, Bernard
(1995) Sardinian Chronicles. Chicago: Chicago University Press.
Marcus, George E.
(1995) “The Modernist Sensibility in Recent Ethnographic Writing and the Cinematic Metaphor of Montage.” In L. a. R. H. Devereaux (ed.) Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography. Berkeley: University of California Press.
(1998) Ethnography Through Thick and Thin. Princeton: Princeton University Press.
(1999) (ed.) Critical Anthropology Now: Unexpected Contexts. Shifting Constituencies, Changing Agendas. School of American Research Advanced Seminar Series.
Mills, Sherylle
(1996) “Indigenous Music and the Law: An analysis of National and International Legislation'.” Yearbook for Traditional Music, 28, 57-86.
Myers, Helen
(1992a) “Fieldwork.” In Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 21-49.
(1992b) “Field technology.” In Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 50-87.
Rice, Timothy
(1994) May It Fill Your Soul. Experiencing Bulgarian Music. Chicago: University of Chicago Press.
Sanjek, Roger (ed.)
(1990) Fieldnotes: the makings of anthropology. Ithaca: Cornell University Press.
Scherzinger, Martin Rudoy
(1999) “Music, Spirit Possession and the Copyright Law: Cross-Cultural Comparisons and Strategic Speculations.” Yearbook for Traditional Music, 31, 102-125.
Seeger, Anthony
(1987) Why Suya Sing: a musical anthropology of an Amazonian people. Cambridge: Cambridge University Press. (reprinted 2004, Urbana, Ill.: Illinois University Press).
(1991) “Styles of Musical Ethnography.” In Nettl, Bruno and Philip Bohlman (eds.) Comparative Musicology and Anthropology of Music. Chicago: Chicago University Press, 342-355.
(1992) “Ethnography of music.” In Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 88-109.
(1996) “Ethnomusicologists, Archives, Professional Organizations, and the Shifting Ethics of Intellectual Property.” Yearbook for Traditional Music, 28, 87-105.
Shelemay, Kay Kaufman (1991)
“Recording technology, the record industry, and ethnomusicological scholarship.” In Nettl, Bruno and Philip Bohlman (eds.) Comparative Musicology and Anthropology of Music. Chicago: Chicago University Press, 277-292.
Slobin, Mark
(1992) “Ethical issues.” In Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 329-336.
Society for Ethnomusicology
(2001) A Manual for Documentation, Fieldwork and Preservation for Ethnomusicologists (2nd edition). Bloomington: The Society for Ethnomusicology.
Turino, Thomas
(1990) “Structure, Context, and Strategy in Musical Ethnography.” Ethnomusicology, 34/3, 399-412.
Zemp, Hugo
(1996) “The/an ethnomusicologist and the record business.” Yearbook for Traditional Music, 28, 36-56.