Difference between revisions of "Islamic content and Islamicate music"
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**** Mawlid: celebration of the birth (death) days of Prophet and saints. | **** Mawlid: celebration of the birth (death) days of Prophet and saints. | ||
**** Sufi orders and their liturgies (hadra) (see below) | **** Sufi orders and their liturgies (hadra) (see below) | ||
− | ** | + | ** Courtly practice: High profile of music in the courts (Umayyad, Abbasid, Ottoman) |
− | ** | + | ** Discourse: Controversy over music, and distinctions in music terminology |
+ | *** Sources | ||
**** Qur'anic source | **** Qur'anic source | ||
**** Sunna source (Hadith) | **** Sunna source (Hadith) | ||
− | *** Ethical conditions for | + | **** Fatwas |
− | *** Suspicion of music, Forbidding musical instruments | + | **** Mystical (Sufi) ideas |
− | + | *** Results: | |
− | ** Mystical currents (Sufism) in practice and discourse | + | **** Acceptance |
+ | **** Ethical conditions for accepting certain kinds of music | ||
+ | **** Music as haram: Suspicion of music, Forbidding musical instruments | ||
+ | ** Mystical currents (Sufism) in practice and discourse | ||
*** "tazkiyat al-nafs, tarqiyat al-ruh" (taming the self; raising the spirit or soul) | *** "tazkiyat al-nafs, tarqiyat al-ruh" (taming the self; raising the spirit or soul) | ||
*** Batin > Zahir (Haqiqa > Sharia) (flexibility) | *** Batin > Zahir (Haqiqa > Sharia) (flexibility) |
Latest revision as of 08:07, 30 January 2024
- Practice, discourse, mysticism
- Ritual practice
- General Language-centrality
- Specific forms of "language performance"
- Qur'anic recitation (tilawa), with its rules of pronunciation (ahkam al-tajwid)
- The pedagogy of Qur'anic recitation (kuttab)
- Call to prayer (adhan)
- Traditional genres of poetic performance, e.g. inshad, and especially its collective forms, such as tawashih (shaykh + bitana)
- Mawlid: celebration of the birth (death) days of Prophet and saints.
- Sufi orders and their liturgies (hadra) (see below)
- Courtly practice: High profile of music in the courts (Umayyad, Abbasid, Ottoman)
- Discourse: Controversy over music, and distinctions in music terminology
- Sources
- Qur'anic source
- Sunna source (Hadith)
- Fatwas
- Mystical (Sufi) ideas
- Results:
- Acceptance
- Ethical conditions for accepting certain kinds of music
- Music as haram: Suspicion of music, Forbidding musical instruments
- Sources
- Mystical currents (Sufism) in practice and discourse
- "tazkiyat al-nafs, tarqiyat al-ruh" (taming the self; raising the spirit or soul)
- Batin > Zahir (Haqiqa > Sharia) (flexibility)
- Experiential relation to God
- Non-literal perspective enabled absorption of local traditions
- Aesthetic used as means to spirituality, expression of spirituality
- Use of music/poetry to express/attain spiritual state (ecstasy, union, annihilation...)
- Ritual practice