Difference between revisions of "Ya Rayah"

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Line 8: Line 8:
 
'''form'''
 
'''form'''
  
# open with org solo
+
# open with org solo (and bass accompaniment; others can also provide drone, first on A, then D)
# karatshi 4x
+
# karatshi 4x percussion only
 +
 
 
# instrumental melody starts after 4 full bars of karatshi
 
# instrumental melody starts after 4 full bars of karatshi
 
# chorus first repeat:  Samira solo; second repeat:  everyone
 
# chorus first repeat:  Samira solo; second repeat:  everyone
# instrumental section
 
  
 
Repeat the following 3x:
 
Repeat the following 3x:
  
 +
# instrumental section
 
# verse (change to karatshi variant, fewer percussionists, lower volume)
 
# verse (change to karatshi variant, fewer percussionists, lower volume)
 
# chorus (2 repeats)
 
# chorus (2 repeats)
 +
  
 
Then add a final chorus (2 repeats) to end.  Don't slow down to end.  Percussionists:  be sure to end on the final bar.
 
Then add a final chorus (2 repeats) to end.  Don't slow down to end.  Percussionists:  be sure to end on the final bar.

Revision as of 15:36, 23 November 2007

modes


  1. maqam: Nahawand D
  2. iqa`: karatshi (2 variants)


form

  1. open with org solo (and bass accompaniment; others can also provide drone, first on A, then D)
  2. karatshi 4x percussion only
  1. instrumental melody starts after 4 full bars of karatshi
  2. chorus first repeat: Samira solo; second repeat: everyone

Repeat the following 3x:

  1. instrumental section
  2. verse (change to karatshi variant, fewer percussionists, lower volume)
  3. chorus (2 repeats)


Then add a final chorus (2 repeats) to end. Don't slow down to end. Percussionists: be sure to end on the final bar.


notes

  1. percussionists: don't overaccentuate dum. Drop out most percussion during Amal's solo, and switch to lighter variant of karatshi.
  2. singers: be careful with rhythm! Listen a lot to develop the rhythmic feel
  3. everyone: listen to each other!
  4. instruments: when singers are singing -- esp. for solo -- lower volume. Fill in lawazim. Bring up volume for instrumental sections.