Difference between revisions of "Week 5 - Oct 13, 15 - Audiovisual and electronic media: worldwide uses and issues of representation"

From CCE wiki archived
Jump to: navigation, search
Line 18: Line 18:
  
 
Greene, Paul D. “Sound Engineering in a Tamil Village: Playing audio cassettes as devotional performance”, ''Ethnomusicology'', 43/3, 1999, pp. 459-489.
 
Greene, Paul D. “Sound Engineering in a Tamil Village: Playing audio cassettes as devotional performance”, ''Ethnomusicology'', 43/3, 1999, pp. 459-489.
 +
 +
[[Bibliography (Music 102 2010)]]
  
  
 
'''DUE: Reading review (Fri, Oct 15)'''
 
'''DUE: Reading review (Fri, Oct 15)'''

Revision as of 10:10, 12 September 2010

  • Mon, Oct 11: No class
  • Wed: Lecture (case study: Korea/China)
  • Fri: Lecture (film-making examples)

Readings:

Assigned reading:

Pease, Rowan. “Internet, fandom, and K-Wave in China.” In Howard, Keith (ed.). Korean Pop Music: Riding the Wave. Folkstone: Global Oriental, 2006, pp. 161-175.

Additional reading:

Lysloff, René and Leslie C. Gay Jr. “Introduction: Ethnomusicology in the Twenty-first Century” in René Lysloff and Lesile C. Gay Jr. (eds.) Music and Technoculture. Middletown, Conn.: Wesleyan University Press, 2003, pp. 1-22.

Further reading:

Greene, Paul D. “Sound Engineering in a Tamil Village: Playing audio cassettes as devotional performance”, Ethnomusicology, 43/3, 1999, pp. 459-489.

Bibliography (Music 102 2010)


DUE: Reading review (Fri, Oct 15)