Music & Politics Bibliography

Agawu, Kofi. 2003. Representing African Music: postcolonial notes, queries, positions. New York and London: Routledge.

Andresen, Lee. 2003. Battle Notes: Music of the Vietnam War. 2nd ed. Superior, WI: Savage Press.

Araújo, Samuel et al. 2006. “Conflict and Violence as Theoretical Tools in Present-Day Ethnomusicology: Notes on a Dialogic Ethnography of Sound Practices in Rio de Janeiro.” Ethnomusicology, 50/2, 287-313.

Askew, Kelly Michelle. 2002. Performing the Nation: Swahili music and cultural politics in Tanzania. Chicago: University of Chicago Press.

Attali, Jacques. 1985. Noise: The Political Economy of Music. Minneapolis: University of Minnesota Press.

Azenha, Gustavo. 2006. “The internet and the decentralization of the popular music industry: critical reflections on technology, concentration and diversification”, Radical Musicology, 1. www.radical-musicology.org.uk

Baade, Christina. 2006. "The Dancing Front: Dance Music, Dancing, and the BBC in World War II." Popular Music 25/3, 347-368. [online]

Baker, Geoffrey. 2005. “Hip Hop Revolucion! Nationalizing Rap in Cuba”, Ethnomusicology, 49/3, 368-402.

Balliger, Robin. 1995. “The Sound of Resistance.” In Ron Sakolsky and Fred Wei-Han Ho (eds) Sounding Off! Subversion/Resistance/Revolution. Brooklyn, NY: Autonomedia, 13-28.

Bohlman, Philip V. 1993. “Musicology as a Political Act.” The Journal of Musicology, 11/4, 411-436.

Bourdieu, Pierre. 1984. Distinctions: A social critique of the judgment of taste. London: Routledge, pp. 1-7, 28-33. Reprinted in Storey, John (ed) Cultural Theory and Popular Culture: a reader. 4th Edition. Harlow, England / New York: Pearson/Prentice Hall, 2006, chapter 41.

Buchanan, Donna A. 1995. “Metaphors of power, metaphors of truth: the politics of music professionalism in Bulgarian folk orchestras”, Ethnomusicology, 39/3, 381-416.

Buchanan, Donna A. (ed). 2007. Balkan popular culture and the Ottoman ecumene: music, image, and regional political discourse. Lanham, Md.: Scarecrow Press.

Chastagner, Claude. 1999. “The Parents’ Music Resource Center: From Information to Censorship.” Popular Music, 18/2, 179-192.

Clayton, Martin, Trevor Herbert and Richard Middleton (eds.). 2003. The cultural study of music: a critical introduction. New York: Routledge.

Clifford, James and George E. Marcus (eds). 1986. Writing Culture: the poetics and politics of ethnography. Berkeley and Los Angeles: University of California Press.

Cloonan, Martin and Reebee Garofalo (eds). 2003. Policing Pop. Philadelphia: Temple University Press.

Cusick, Suzanne G. 2006. "Music as Torture / Music as Weapon." Transcultural Music Review, 10. [online at www.sibetrans.com/trans/trans10/cusick_eng.htm]

Cutler, Chris. 1984. “Technology, Politics and Contemporary Music: Necessity and Choice in Musical Forms.” Popular Music, 4, 279-300.

Daughtry, J. Martin. 2003. “Russia’s New Anthem and the Negotiation of National Identity.” Ethnomusicology, 47/1, 42-67. Reprinted in Jennifer C. Post (ed.) Ethnomusicology. A Contemporary Reader. New York/London: Routledge, 243-260.

Denisoff, R. Serge. 1970. “Protest Songs: Those on the Top Forty and Those of the Streets.” American Quarterly, 22/4, 807-823.

Dunlap, James. 2006. “Through the Eyes of Tom Joad: Patterns of American Idealism, Bob Dylan, and the Folk Protest Movement.” Popular Music and Society 29/5, 549-573.

El-Shawan, Salwa. 1980. “The socio-political context of al-musika al-arabiyya in Cairo, Egypt: policies, institutions, and musical change (1927-77). Asian Music, 12/1, 86-128.

Feldman, Martha. Opera and sovereignty: transforming myths in eighteenth-century Italy. Chicago: University of Chicago Press.

Fernandes, Sujatha. 2003. “Fear of a Black Nation: Local Rappers, Transnational Crossings, and State Power in Contemporary Cuba.” Anthropological Quarterly 76/4, 575-608.

Fischlin, Daniel. 2003. “Take One / Rebel Musics: Human Rights, Resistant Sounds, and the Politics of Music Making.” In Daniel Fischli and Ajay Heble (eds) Rebel Musics: Human Rights, Resistant Sounds, and the Politics of Music Making. Montréal: Black Rose Books, 10-43.

Fischlin, Daniel and Ajay Heble (eds). 2003. Rebel Musics: Human Rights, Resistant Sounds, and the Politics of Music Making. Montréal: Black Rose Books.

Fontenot, Kevin S. 2005. ""Dear Ivan": Country Music Perspectives on the Soviet Union and the Cold War." In Wolfe, Charles K. and James E. Akenson (eds) Country Music goes to War. Lexington, Ky.: The University Press of Kentucky, 143-151.

Foucault, Michel. 1978. The History of Sexuality. An Introduction. Volume 1. New York: Vintage Books, 92-102. Reprinted in Storey, John (ed) Cultural Theory and Popular Culture: a reader. 4th Edition. Harlow, England / New York: Pearson/Prentice Hall, 2006, chapter 15.

Fox, Aaron A. 2005. "Alternative to What" O Brother, September 11 and the Politics of Country Music." In Wolfe, Charles K. and James E. Akenson (eds) Country Music goes to War. Lexington, Ky.: The University Press of Kentucky, 164-91.

Frith, Simon (ed). 1989. World music, politics, and social change: papers from the International Association for the Study of Popular Music. New York: St. Martin’s Press.

Frith, Simon and John Street. 1992. “Rock Against Racism and Red Wedge: From Music to Politics, from Politics to Music.” In Reebee Garofalo (ed) Rockin’ the Boat: Mass Music and Mass Movements. Boston: South End Press, 66-80.

Garofalo, Reebee (ed). 1992. Rockin’ the Boat: Mass Music and Mass Movements. Boston, MA: South End Press.

Garofalo, Reebee. 2003. "I Want My MP3: Who Owns Internet Music?" In Cloonan, Martin and Reebee Garofalo (eds), Policing Pop. Philadelphia: Temple University Press, 30-45.

Gibson, Chris and Peter Dunbar-Hall. 2000. “Nitmiluk: Place, Politics, and Empowerment in Australian Aborigenal Popular Music.” Ethnomusicology, 44/1, 39-64. Reprinted in Jennifer C. Post (ed.) Ethnomusicology. A Contemporary Reader. New York/London: Routledge, 383-400.

Gilroy, Paul. 1991. “Sounds authentic: black music, ethnicity, and the challenge of a ‘changing same’.” Black Music Research Journal, 11/2, 111-36.

Gramsci, Antonio. 2001. Selections from the prison notebooks of Antonio Gramsci. Edited and translated by Quintin Hoare and Geoffrey Nowell-Smith, 131-147. UoA intranet

Gramsci, Antonio. 2006. "Hegemony, Intellectuals and the State." In Storey, John (ed.) Cultural Theory and Popular Culture: a reader. 4th Edition. Harlow, England / New York: Pearson/Prentice Hall, chapter 21.

Gross, Joan, David McMurray and Ted Swedenburg. 1994. “Arab Noise and Ramadan Nights: Rai, Rap and Franco-Maghrebi Identities.” Diaspora, 3/1, 3-39.

Gussow, Adam. 2002. “I’m Tore Down: Lynching and the Birth of the Blues Tradition,” in Adam Gussow Seems Like Murder Here: Southern Violence and the Blues Tradition. Chicago: University of Chicago Press, 17-65.

Hall, Stuart and Paul Du Gay (eds.) 1996. Questions of Cultural Identity. London: Sage.

Hamm, Mark S. 1995. “Hammer of the Gods Revisited: Neo-Nazi Skinheads, Domestic Terrorism, and the Rise of the New Protest Music.” In Jeff Ferrell and Clinton R. Sanders (eds) Cultural Criminology. Boston: Northeastern University Press, 190-212.

Hellier-Tinoco, Ruth. 2005. “Power Needs Names: Hegemony, Folklorization, and the Viejitos Dance of Michoacán, Mexico.” In Randall, Annie J. (ed.) Music, Power, and Politics. New York: Routeledge, 45-64.

Hemetek, Ursula. 2006. “Applied Ethnomusicology in the Process of the Political Recognition of a Minority: A Case Study of the Austrian Roma.” Yearbook for Traditional Music, 38, 35-57.

Hirsch, Lily E. "Weaponizing Classical Music:  Crime Prevention and Symbolic Power in the Age of Repetition," Journal of Popular Music Studies, Vol. 19/4, 342-358.

Impey, Angela. 2002. “Culture, Conservation and Community Reconstruction: Explorations in Advocacy Ethnomusicology and Action Research in Northern KwaZulu.” Yearbook for Traditional Music, 34, 9-24.

Janson Perez, Brittmarie. 1987. “Political Facets of Salsa.” Popular Music, 6/2, 149-159.

King, Stephen A. 1998. “International Reggae, Democratic Socialism, and the Secularization of the Rastafarian Movement.” Popular Music and Society, 22/3, 39-60.

Korpe, Marie (ed). 2004. Shoot the singer!: music censorship today. New York: Zed Books.

Leppert, Richard and Susan McClary (eds.). 1987. Music and Society: The Politics of Composition, Performance and Reception. Cambridge: Cambridge University Press.

Longinovic, Tomislav. 2000. "Music Wars: Blood and Song at the End of Yugoslavia." In Ronald Radano and Philip V. Bohlman (eds.) Music and the Racial Imagination. Chicago: University of Chicago Press, 622-643.

Lücke, Martin. 2007. “Vilified, Venerated, Forbidden: Jazz in the Stalinist Era.” Music and Politics, 1/2, 1-9 (online at www.music.ucsb.edu/projects/musicand politics/)

Lysloff, René T.A. 1997. “Mozart in Mirrorshades: Ethnomusicology, Technology, and the Politics of Representation.” Ethnomusicology, 41/2, 206-219. Reprinted in Jennifer C. Post (ed.) Ethnomusicology. A Contemporary Reader. New York/London: Routledge, 189-198.

Manns, Patricio, Catherine Boyle and Mike Gonzales. 1987. “The Problems of the Text in nueva cancion.” Popular Music, 6/2, 191-195.

Manuel, Peter. 1987. “Marxism, Nationalism and Popular Music in revolutionary Cuba.” Popular Music, 6/2, 161-178.

Mattern, Mark. 1998. “Cajun Music, Cultural Revival: Theorizing Political Action in Popular Music.” Popular Music and Society, 22/1, 31-48. Reprinted in Jennifer C. Post (ed.) Ethnomusicology. A Contemporary Reader. New York/London: Routledge, 371-382.

Matula, Theodore. 2007. “Pow! To the People: The Make-Up’s Reorganization of Punk Rhetoric.” Popular Music and Society, 30/1, 19-38.

Meintjes, Louise. 1990. "Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning." Ethnomusicology 34/1, 37-73. [online]

Olmsted, Anthony A. 2002. “The capitalization of musical production: the conceptual and spatial development of London’s public concerts, 1660-1750.” In Qureshi, Regula Burckhardt (ed). Music and Marx: ideas, practice, politics. New York: Routledge, 106-138.

Perone, James E. 2001. Songs of the Vietnam Conflict. Westport Conn.: Greenwood Press.

Pieslak, Jonathan R. 2007. "Sound Targets: Music and the War in Iraq." Journal of Musicological Research 26, 123-49. [online]

Pring-Mill, Robert. 1987, “The Roles of Revolutionary Song – a Nicaraguan Assessment.” Popular Music, 6/2, 179-189.

Robb, David (ed). 2007. Protest song in East and West Germany since the 1960s. Rochester, N.Y.: Camden House.

Qureshi, Regula Burckhardt. 2002. “Mode of production and musical production: is Hindustani music feudal?” In Qureshi, Regula Burckhardt (ed). Music and Marx: ideas, practice, politics. New York: Routledge, 81-105.

Randall, Annie J. (ed.) 2005. Music, Power, and Politics. New York: Routeledge.

Rice, Timothy. 1994. May It Fill Your Soul. Experiencing Bulgarian Music. Chicago: University of Chicago Press.

Rice, Timothy. 1996. “The dialectic of economics and aesthetics in Bulgarian music.” In

Slobin, M. (ed.) Retuning Culture: musical changes in Central and Eastern Europe. Durham/London: Duke University Press, 176-199.

Rodnitzky, Jerome L. 1999. “The Sixties between the Microgrooves: Using Folk and Protest Music to Understand American History, 1963-1973.” Popular Music and Society, 23/4, 105-122.

Rosenstone, Robert A. 1969. ““The Times They Are A-Changin’”: The Music of Protest.” Annals of the American Academy of Political and Social Science 382, Protest in the Sixties, 131-144.

Said, Edward. 1978. Orientalism. Western conceptions of the Orient. New York: Pantheon Books.

Sakolsky, Ron and Fred Wei-Han Ho (eds). 1995. Sounding Off! Subversion / Resistance / Revolution. Brooklyn, NY: Autonomedia.

Scherzinger, Martin Rudoy. 1999. “Music, Spirit Possession and the Copyright Law: Cross-Cultural Comparisons and Strategic Speculations.” Yearbook for Traditional Music, 31, 102-125.

Schneiderman, Davis. 2005. “We got Heads on Sticks / You got Ventriloquists’: Radiohead and the Improbability of Resistance.” In Joseph Tate (ed) The Music and Art of Radiohead. Burlington, VT: Ashgate Publishing Limited, 15-37.

Schultz, Anna. 2008. “The Collision of Genres and Collusion of Participants: Marathi Rastriya Kirtan and the Communication of Hindu Nationalism.” Ethnomusicology, 52/1, 31-51.

Schwarz, David. 1997. “Oi: Music, Politics and Violence.” In David Schwarz Listening Subjects: Music, Psychoanalysis, Culture. Durham: Duke University Press, 110-132.

Shepherd, John. 2003. “Music and Social Categories.” In Clayton, Martin, Trevor Herbert and Richard Middleton (eds.) The cultural study of music: a critical introduction. New York: Routledge, 69-79.

Signell, Karl. 1980. “Turkey’s Classical Music, a Class Symbol.” Asian Music, 12/1, 164-169.

Simonett, Helena. 2006. “Los gallos valientes: Examining Violence in Mexican Popular Music.” Transcultural Music Review, no. 10. [online at www.sibetrans.com/trans/trans10/simonett.htm]

Slobin, Mark. 1993. Subcultural Sounds: Micromusics of the West. Wesleyan University Press.

Slobin, Mark (ed). 1996. Retuning Culture: musical changes in Central and Eastern Europe. Durham/London: Duke University Press.

Stokes, Martin. 1992. “Islam, the Turkish State and Arabesk.” Popular Music, 11/2, 213- 227.

Stokes, Martin. 1992. The Arabesk debate: music and musicians in modern Turkey. New York: Oxford University Press.

Stone, Christopher Reed. 2008. Popular culture and nationalism in Lebanon: the Fairouz and Rahbani nation. London / New York: Routledge.

Stratton, Jon. 2005. “Jews, Punks, and the Holocaust: From the Velvet Underground to the Ramones – The Jewish-American Story.” Popular Music, 24/1, 79-105.

Sweers, Britta. 2005. "The Power to Influence Minds: German Folk Music During the Nazi Era and After." In Annie J. Randall (ed.) Music, Power, and Politics. New York: Routeledge, 65-86.

Tuohy, Sue. 2001. “The Sonic Dimensions of Nationalism in Modern China: Musical Representation and Transformation.” Ethnomusicology, 45/1, 22-50. Reprinted in Jennifer C. Post (ed.) Ethnomusicology. A Contemporary Reader. New York/London: Routledge, 225-242.

Turino, Thomas. (1990) “Structure, Context, and Strategy in Musical Ethnography.” Ethnomusicology, 34/3, 399-412.

Turino, Thomas. 1993. Moving away from silence: music of the Peruvian Altiplano and the experience of urban migration. Chicago: Chicago University Press.

Turino, Thomas. 1999 “Signs of imagination, identity, and experience: a Peircian semiotic theory for music.” Ethnomusicology, 43/2, 221-55.

Turino, Thomas. 2000. Nationalists, Cosmopolitans, and Popular Music in Zimbabwe. Chicago / London: The University of Chicago Press.

Turino, Thomas. 2003. “Are we global yet? Globalist discourse, cultural formations and the study of Zimbabwean popular music.” British Journal of Ethnomusicology, 12/2, 51-79.

Van Sickel, Robert W. 2005. “A World without Citizenship: On (the Absence of) Politics and Ideology in Country Music Lyrics, 1960-2000.” Popular Music and Society, 28/3, 313-331.

Vila, Pablo. 1987. “Rock Nacional and Dictatorship in Argentina.” Popular Music, 6/2, 129-148.

Wolfe, Charles K. and James E. Akenson (eds). 2005. Country Music goes to War. Lexington, Ky.: The University Press of Kentucky.

Films

Umm Kulthum: A Voice Like Egypt. By Michael Goldman. Waltham, MA: Filmmakers Collaborative, 1996.

Breaking the Silence: Music in Afghanistan. Directed by Simon Broughton. BBC, 2002.

I know I’m not Alone. By Michael Franti. Stay Human Films, 2006.