Difference between revisions of "Week 9 - Oct 31, Nov 2 & 4, 2011 - Musics of the world in the World Music market"
(4 intermediate revisions by the same user not shown) | |||
Line 1: | Line 1: | ||
* Mon: Lecture (case study: Central African Republic) | * Mon: Lecture (case study: Central African Republic) | ||
− | * Wed: Film screening: ''Buena Vista Social Club'', by Wim Wenders | + | * Wed: Film screening: ''Buena Vista Social Club'', by Wim Wenders ([[Films - Music 102 2011]]) |
* Fri: Lecture (case study: Syria) | * Fri: Lecture (case study: Syria) | ||
Line 10: | Line 10: | ||
Feld, Steven. “Pygmy POP: A genealogy of schizophonic mimesis.” ''Yearbook for Traditional Music'', 28, 1996, pp. 1-35. | Feld, Steven. “Pygmy POP: A genealogy of schizophonic mimesis.” ''Yearbook for Traditional Music'', 28, 1996, pp. 1-35. | ||
+ | |||
+ | Audio examples for this class: [http://www.fwalive.ualberta.ca/~spinetti/MPW/Music%20102%202011/Week%209%20-%20Musics%20of%20the%20world%20in%20the%20WM%20market/ protected content] | ||
+ | |||
Line 15: | Line 18: | ||
Shannon, Jonathan H. “Sultans of Spin. Syrian Sacred Music on the World Stage.” In Post, Jennifer C. (ed.) ''Ethnomusicology. A Contemporary Reader''. New York: Routledge, 2006, pp. 17-32. | Shannon, Jonathan H. “Sultans of Spin. Syrian Sacred Music on the World Stage.” In Post, Jennifer C. (ed.) ''Ethnomusicology. A Contemporary Reader''. New York: Routledge, 2006, pp. 17-32. | ||
+ | |||
+ | YouTube links for this class: | ||
+ | |||
+ | Al-Kindi Ensemble: http://www.youtube.com/watch?v=YSrdFo-vNDY | ||
+ | |||
+ | http://www.youtube.com/watch?v=CpYODriqG3s | ||
+ | |||
Line 20: | Line 30: | ||
Perna, Vincenzo. “Marketing nostalgia: the rise of Buena Vista Social Club” in Vincenzo Perna, ''Timba: the sound of the Cuban crisis'', Aldershot & Burlington, VT: Ashgate, 2005. | Perna, Vincenzo. “Marketing nostalgia: the rise of Buena Vista Social Club” in Vincenzo Perna, ''Timba: the sound of the Cuban crisis'', Aldershot & Burlington, VT: Ashgate, 2005. | ||
+ | |||
+ | |||
+ | [http://www.fwalive.ualberta.ca/~spinetti/MPW/Music%20102%202011/Week%209%20-%20Musics%20of%20the%20world%20in%20the%20WM%20market/Music%20102%20PPT%20Presentation%20Week%209.pdf Powerpoint presentation for this week] | ||
+ | |||
+ | [[Bibliography - Music 102 2011]] |
Latest revision as of 14:12, 30 October 2011
- Mon: Lecture (case study: Central African Republic)
- Wed: Film screening: Buena Vista Social Club, by Wim Wenders (Films - Music 102 2011)
- Fri: Lecture (case study: Syria)
Readings:
Assigned reading:
Feld, Steven. “Pygmy POP: A genealogy of schizophonic mimesis.” Yearbook for Traditional Music, 28, 1996, pp. 1-35.
Audio examples for this class: protected content
Additional reading:
Shannon, Jonathan H. “Sultans of Spin. Syrian Sacred Music on the World Stage.” In Post, Jennifer C. (ed.) Ethnomusicology. A Contemporary Reader. New York: Routledge, 2006, pp. 17-32.
YouTube links for this class:
Al-Kindi Ensemble: http://www.youtube.com/watch?v=YSrdFo-vNDY
http://www.youtube.com/watch?v=CpYODriqG3s
Further reading (film reading):
Perna, Vincenzo. “Marketing nostalgia: the rise of Buena Vista Social Club” in Vincenzo Perna, Timba: the sound of the Cuban crisis, Aldershot & Burlington, VT: Ashgate, 2005.