Difference between revisions of "Week 9 (March 1-5) - Popular music, politics and resistance"
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Nooshin, Laudan. “Subversion and Countersubversion: Power, Control, and Meaning in the New Iranian Pop Music.” In Randall, A.J. (ed.) ''Music, Power, and Politics''. NY/London: Routledge, 2005, pp. 231-272. | Nooshin, Laudan. “Subversion and Countersubversion: Power, Control, and Meaning in the New Iranian Pop Music.” In Randall, A.J. (ed.) ''Music, Power, and Politics''. NY/London: Routledge, 2005, pp. 231-272. | ||
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+ | YouTube links for this class: | ||
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+ | http://www.youtube.com/watch?v=VtazbggYr5Y | ||
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+ | http://www.youtube.com/watch?v=MIx0ZkWqymc | ||
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+ | http://www.youtube.com/watch?v=K-TdpeIdEmc | ||
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''Additional reading'': | ''Additional reading'': |
Revision as of 19:29, 14 March 2010
Tuesday 2: Lecture & class discussion
Assigned readings:
Baker, Geoffrey. “Hip Hop Revolucion! Nationalizing Rap in Cuba.” Ethnomusicology, 49/3, 2005, pp. 368-402;
Nooshin, Laudan. “Subversion and Countersubversion: Power, Control, and Meaning in the New Iranian Pop Music.” In Randall, A.J. (ed.) Music, Power, and Politics. NY/London: Routledge, 2005, pp. 231-272.
YouTube links for this class:
http://www.youtube.com/watch?v=VtazbggYr5Y
http://www.youtube.com/watch?v=MIx0ZkWqymc
http://www.youtube.com/watch?v=K-TdpeIdEmc
Additional reading:
Vila, Pablo. “Rock Nacional and Dictatorship in Argentina.” Popular Music, 6/2, 1987, pp. 129-148.
Thursday 4: Film screening & class discussion
Film: Amandla: A Revolution in Four Part Harmony. By Lee Hirsch. ATO Pictures, 2003.
Film reading:
Viljoen, Stella. “En Route to the Rainbow Nation: South African Voices of Resistance.” In Richard Young (ed.) Music, Popular Culture, Identities. Amsterdam / New York: Rodopi, 2002, pp. 319-337.