Difference between revisions of "The history of Arab music (Touma)"
| Line 1: | Line 1: | ||
| − | * Pre-Islamic Arabia (Jahiliyya). | + | * Pre-Islamic Arabia (Jahiliyya) of 6th century. |
| + | ** Bedouin song (huda', nasb) | ||
| + | ** Urban song of qayna (sinad, hazaj) | ||
* Early Arabian school, in Medina, Damascus | * Early Arabian school, in Medina, Damascus | ||
| − | * New | + | ** Multiple influences of Islam: as moral system, as civilizational catalyst |
| + | ** Rise of al-ghina' al-mutqan (perfect singing) | ||
| + | ** Rise of Medina as musical center | ||
| + | ** mukhannathun, esp. Tuways (632-710) | ||
| + | ** multicultural influences in Arabia | ||
| + | * New music of Baghdad | ||
| + | ** Persian influence | ||
| + | ** Traditionalists: Ishaq al-Mawsili (767-850), student Ziryab. | ||
| + | ** Modernists: Ibrahim al-Mahdi (779-839) | ||
| + | ** Treatises. Translation movement, music theory (al-Farabi), history (Isfahani) | ||
| + | * Music of Andalusia | ||
| + | ** Ziryab to Cordoba (822) | ||
| + | ** Transfer to North African art musics (Ala, nawba, san`a, ma'luf) | ||
| + | * Decline of Arab music: 13th to 19th c | ||
Revision as of 16:13, 15 January 2008
- Pre-Islamic Arabia (Jahiliyya) of 6th century.
- Bedouin song (huda', nasb)
- Urban song of qayna (sinad, hazaj)
- Early Arabian school, in Medina, Damascus
- Multiple influences of Islam: as moral system, as civilizational catalyst
- Rise of al-ghina' al-mutqan (perfect singing)
- Rise of Medina as musical center
- mukhannathun, esp. Tuways (632-710)
- multicultural influences in Arabia
- New music of Baghdad
- Persian influence
- Traditionalists: Ishaq al-Mawsili (767-850), student Ziryab.
- Modernists: Ibrahim al-Mahdi (779-839)
- Treatises. Translation movement, music theory (al-Farabi), history (Isfahani)
- Music of Andalusia
- Ziryab to Cordoba (822)
- Transfer to North African art musics (Ala, nawba, san`a, ma'luf)
- Decline of Arab music: 13th to 19th c
