Music 666 Bibliography & AV materials

ETHNOMUSICOLOGY

Alvarez-Pereyre, F. and Simha Arom

(1993) 'Ethnomusicology and the emic/etic issue'. The World of Music, 35/1, 7-33.

Araújo, Samuel et al.

(2006) 'Conflict and Violence as Theoretical Tools in Present-Day Ethnomusicology: Notes on a Dialogic Ethnography of Sound Practices in Rio de Janeiro', Ethnomusicology, 50/2, 287-313.

Baily, John

(1989) “Film making as musical ethnography”, The World of Music.

Barz, Gregory and Timothy Cooley (eds.)

(1997) Shadows in the field: new perspectives for fieldwork in ethnomusicology. New York: Oxford University Press.

Baumann, Max Peter

(1993) 'Listening as an emic/etic process in the context of observation and inquiry'. The World of Music, 35/1, 34-62.

Bohlman, Philip V.

(1991) ‘Representation and Cultural Critique in the History of Ethnomusicology’, in Nettl, Bruno and Philip Bohlman (eds.) Comparative Musicology and Anthropology of Music. Chicago: Chicago University Press, 131-151.

Brandes, Edda

(1991) 'The Role of the Female Ethnomusicologist in the Field: Experiences in Traditional Algerian Communities', The World of Music, 33/2, 35-49.

Ellis, Catherine

(1994) 'Powerful Songs:Their Placement in Aborigenal Thought', The World of Music, 36/1, 3-20.

Feld, Steven

(1984) 'Sound structure as social structure'. Ethnomusicology, 28/3, 383-409.

(1988) 'Aesthetics as iconicity of style, or 'lift-up-over-sounding': getting into the Kaluli groove'. Yearbook for Traditional Music, 20, 74-113. (published also in Keil & Feld 1994: ch. 4).

(1994) 'From Schizophonia to Schismogenesis: on the discourses and commodification practices of "World Music" and "World Beat", in Keil, Charles & Feld, Steven (eds.) Music Grooves: essays and dialogues (Chicago: University of Chicago Press).

(1996) 'Pygmy POP. A genealogy of schizophonic mimesis', Yearbook for Traditional Music, 28, 1-35.

Hemetek, Ursula

(2006) 'Applied Ethnomusicology in the Process of the Political Recognition of a Minority: A Case Study of the Austrian Roma', Yearbook for Traditional Music, 38, 35-57.

Herndon, Marcia

(1993) 'Insiders, outsiders: knowing our limits, limiting our knowing'. The World of Music, 35/1, 63-80.

Herndon, Marcia and Norma McLeod

(1983) Field manual for ethnomusicology. Darby, PA: Norwood.

Impey, Angela

(2002) 'Culture, Conservation and Community Reconstruction: Explorations in Advocacy Ethnomusicology and Action Research in Northern KwaZulu', Yearbook for Traditional Music, 34, 9-24.

Keil, Charles and Steven Feld

(1994) Music grooves. Chicago: University of Chicago Press.

Kimberlin, Cynthia Tse

(1991) 'What am I to be? Female, male, neuter, invisible... Gender roles and ethnomusicological fieldwork in Africa'. The World of Music, 33/2, 14-34.

Lortat-Jacob, Bernard

(1995) Sardinian Chronicles. Chicago: Chicago University Press.

Lysloff, René T.A. and Leslie C. Gay (eds.)

(2003) Music and technoculture. Middletown, Conn.: Wesleyan University Press.

Malm, Krister

(1992) 'The Music Industry', in Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 349-364.

McAllester, David. P.

(1984) 'A problem in ethics', in Kassler, Jamie C. and Jill Stubington (eds.) Problems and solutions: occasional essays in musicology presented to Alice M. Moyle. Syndey: Hale and Iremonger, 279-289.

Mills, Sherylle

(1996) 'Indigenous Music and the Law: An analysis of National and International Legislation', Yearbook for Traditional Music, 28, 57-86.

Myers, Helen

(1992a) 'Fieldwork', in Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 21-49.

Rice, Timothy

(1994) May It Fill Your Soul. Experiencing Bulgarian Music. Chicago: University of Chicago Press.

Scherzinger, Martin Rudoy

(1999) "Music, Spirit Possession and the Copyright Law: Cross-Cultural Comparisons and Strategic Speculations", Yearbook for Traditional Music, 31, 102-125.

Seeger, Anthony

(1987) Why Suya Sing: a musical anthropology of an Amazonian people. Cambridge: Cambridge University Press. (reprinted 2004, Urbana, Ill.: Illinois University Press).

(1991) 'Styles of Musical Ethnography', in Nettl, Bruno and Philip Bohlman (eds.) Comparative Musicology and Anthropology of Music. Chicago: Chicago University Press, 342-355.

(1992) 'Ethnography of music', in Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 88-109.

(1996) 'Ethnomusicologists, Archives, Professional Organizations, and the Shifting Ethics of Intellectual Property'. Yearbook for Traditional Music, 28, 87-105.

Shelemay, Kay Kaufman

(1991) 'Recording technology, the record industry, and ethnomusicological scholarship', in Nettl, Bruno and Philip Bohlman (eds.) Comparative Musicology and Anthropology of Music. Chicago: Chicago University Press, 277-292.

Slobin, Mark

(1992) 'Ethical issues', in Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 329-336.

Society for Ethnomusicology

(2001) A Manual for Documentation, Fieldwork and Preservation for Ethnomusicologists (2nd edition). Bloomington: The Society for Ethnomusicology.

Turino, Thomas

(1990) 'Structure, Context, and Strategy in Musical Ethnography', Ethnomusicology, 34/3, 399-412.

Zemp, Hugo

(1996) 'The/an ethnomusicologist and the record business'. Yearbook for Traditional Music, 28, 36-56.

ANTHROPOLOGY, SOCIOLOGY, SOCIAL & CULTURAL THEORY

Atkinson, Paul

(1990) The Ethnographic Imagination: Textual constructions of reality. New York: Routledge.

Atkinson, Paul, Amanda Coffey, Sara Delamont, John Lofland and Lyn Lofland (eds.)

(2001) Handbook of Ethnography. London: Sage.

Augé, Marc

(1995) Non-Places: Introduction to an Anthropology of Supermodernity. London: Verso.

Barley, Nigel

(1983) The innocent anthropologist. London: Penguin.

Barthes, Roland

(1981) Camera Lucida: reflections on photography. New York: Hill and Wang.

Berreman, Gerald D.

(1966) 'Anemic and Emetic Analyses in Social Anthropology'. American Anthropologist, 68/2, 346-354.

Bourdieu, Pierre

(1984a) Homo Academicus. Paris: Minuit.

(1984b) Distinctions: A social critique of the judgment of taste. London: Routledge. (pp. 1-7, 28-33. Also in Storey, John ch 41)

(1992) (with Loic Wacquant) An Invitation to Reflexive Sociology. Chicago / London: University of Chicago Press.

Burawoy, Michael, Joseph A. Blum et al.

(2000) Global Ethnography: Forces, Connections, and Imaginations in a Postmodern World. University of California Press.

Certeau, Michel de

(1998) 'The Practice of Everyday Life', in Storey, John (ed.) Cultural Theory and Popular Culture (2nd edition). New York: Harvester Wheatsheaf, 474-485.

Clifford, James and George Marcus

(1986) Writing Culture: the Poetics and Politics of Ethnography. Including:

Dewalt, Kathleen and Billie R. Dewalt

(2002) Participant Observation: a Guide for Fieldworkers. Walnut Creek, CA: Altamira Press.

Emerson, Robert M., Rachel I. Fretz and Linda L. Shaw

(1995) Writing Ethnographic Fieldnotes. Chicago: Chicago University Press.

Fetterman, David M.

(1998) Ethnography (second edition): Step by Step. London: Sage.

Foucault, Michel

(2006) ‘Method’, in Storey, John (ed.) Cultural Theory and Popular Culture: a reader. 4th edition. Harlow, England: / New York: Pearson/Prentice Hall.

Gramsci, Antonio

(1992) Prison notebooks. New York: Columbia University Press.

(2001a) Selections from cultural writings. Edited by David Forgacs and Geoffrey Nowell-Smith; translated by William Boelhower. London: Electric Book.

(2001b) Selections from political writings (1921-1926). Translated and edited by Quintin Hoare. London: Electric Book.

(2001c) Selections from the prison notebooks of Antonio Gramsci. Edited and translated by Quintin Hoare and Geoffrey Nowell-Smith.

(2001d) Further selections from the prison notebooks. Translated and edited by Derek Boothman.

(2006) 'Hegemony, Intellectuals and the State', in Storey, John (ed.) Cultural Theory and Popular Culture: a reader. 4th edition. Harlow, England: / New York: Pearson/Prentice Hall.

Hammersley, Martin and Paul Atkinson

(1995) Ethnography: Principles in practice. London / New York: Routledge (2nd edition) GN 345 H35 1995

Headland, Thomas, Kenneth Pike and Marvin Harris (eds.)

(1990) Emics and Etics: the insider/outsider debate. Newbury Park, CA / London: Sage.

Ives, Edward D.

(1995) The Tape-Recorded Interview: A Manual for Field Workers in Folklore and Oral History (2nd edition). Knoxville: University of Tennessee Press.

Jaarsma, S.R.

(2002) Handle with care: ownership and control of ethnographic materials. Pittsburgh: University of Pittsburgh Press.

Jackson, Bruce

(1987) Fieldwork. Urbana: University of Illinois Press.

Jackson, Bruce and Edward Ives (eds.)

(1996) The world observed: reflections on the fieldwork process. Urbana: University of Illinois Press.

Kvale, Steinar

(1996) InterViews: An Introduction to Qualitative Research Interviewing. London: Sage.

Marcus, George E.

(1995) (ed. with Fred Myers) The Traffic in Culture. Refiguring Art and Anthropology. Berkeley: University of California Press. N72 A56 T73 1995.

(1998) Ethnography Through Thick and Thin. Princeton: Princeton University Press.

(1999) (ed.) Critical Anthropology Now: Unexpected Contexts. Shifting Constituencies, Changing Agendas. School of American Research Advanced Seminar Series.

Said, Edward W.

(1978) Orientalism. Western conceptions of the Orient. Routledge & Kegan.

Sanjek, Roger (ed.)

(1990) Fieldnotes: the makings of anthropology. Ithaca: Cornell University Press.

Storey, John (ed.)

(2006) Cultural Theory and Popular Culture. A Reader. 4th edition. Harlow, England: / New York: Pearson/Prentice Hall.

TECHNICAL

Barbash, Ilisa and Lucien Taylor

(1997) Cross-Cultural Filmmaking. A Handbook for Making Documentary and Ethnographic Films and Videos. Berkeley / Los Angeles / London: University of California Press.

Bartlett, Bruce and Jenny Bartlett

(1998) Practical recording Technique. Focal Press.

Bolante, Antony

(2004) Premiere Pro for Windows. Berkeley, CA: Peachpit Press.

Brenneis, Lisa

(2007) Final Cut Pro 6: visual quickpro guide. Berkeley, CA: Peachpit Press.

Fischer, Michael D.

(1994) Applications in computing for social anthropologists. London / New York: Routledge.

Grimm, Tom

(1997) The Basic Book of Photography (4th edition). Plume Press.

Hampe, Barry

(1997) Making Documentary Films and reality Videos: A Practical Guide to Planning, Filming, and Editing Documentaries of Real Events. New York: Henry Holt & Co.

Myers, Helen

(1992b) 'Field technology', in Myers, Helen (ed.) Ethnomusicology: an introduction. New York: W.W. Norton, 50-87.

FILMS

Amir: an Afghan refugee musician's life in Peshawar, Pakistan. Directed and edited by John Baily. Royal Anthropological Institute, 1985. VHS

Breaking the Silence: Music in Afghanistan. Directed by Simon Broughton. BBC, 2002.

Mystic Iran: the Unseen World. Directed by Aryana Farshad. Wellspring, 2002.

The art of the Afghan rubab: Homayun Sakhi. Music of Central Asia, vol. 3. Smithsonian Folkways Recordings, 2005.

Invisible Face of the Beloved. Classical Music of the Tajiks and Uzbeks. Smithsonian Folkways Recordings, 2005 (Music of Central Asia, vol. 2).

Mountain Music of Kyrgyzstan: Tengir-Too. Smithsonian Folkways Recordings, 2005 (Music of Central Asia, vol. 1).

Bardic Divas: Women's Voices in Central Asia. Smithsonian Folkways Recordings, 2007 (Music of Central Asia, vol. 4).

The Badakhshan Ensemble: Song and Dance from the Pamir Mountains. Smithsonian Folkways Recordings, 2007 (Music of Central Asia, vol. 5).

Alim and Fargana Qasimov: Spiritual Music of Azerbaijan. Smithsonian Folkways Recordings, 2007 (Music of Central Asia, vol. 6).

Wedding. Directed and edited by Federico Spinetti. InTheMiddleofAsia, 2004.

Prophet Healers of Northern Malawi. Written, edited and filmed by Steven Friedson. Seattle, Washington: University of Washington, 1989. VHS.

Altar of Fire. By Robert Gardner and Fritz Staal. Berkeley: University of California Extension Media Center, 1976. VHS.

Umm Kulthum: A Voice Like Egypt. By Michael Goldman. Waltham, MA: Filmmakers Collaborative, 1996.

Crossing the Bridge: The Sound of Istanbul. Directed by Fatih Akin. Mongrel Media, 2006.