MPW bibliography 2009

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Abdurashidov, Abduvali (1992) "The Tanbur – Vehicle of the Shashmakom Lad System", in Elsner, J. & Jähnichen, G. (eds.), Regionale Maqâm-Traditionen in Geschichte und Gegenwart, Teil 1. Berlin: International Council for Traditional Music, 5-19.

Adelkhah, Fariba (1991) '”Michael Jackson ne peut absolutment rien faire.” Les pratiques musicales en République Islamique d'Iran', Cahiers d'études sur la Méditerranée orientale et le monde turco-iranien, 11, 23-40.

Albright, Charlotte (1976) 'The Azerbaijani 'Ashiq and His Performance of a Dastan', Iranian Studies, 9, 220-247.

Ashrafi, M.F and Sultanova, R. (2001) 'Uzbekistan. Opera, ballet, orchestral and chamber music', in the New Grove Dictionary of Music and Musicians. Online via www.library.ualberta.ca/databases/

Baily, John

(1981) 'Cross-cultural Perspectives in Popular Music: the case of Afghanistan', Popular Music, 1, 105-22.

(1988) Music of Afghanistan. Professional musicians in the city of Herat. Cambridge: Cambridge University Press.

(1994) “The Role of Music in the Creation of an Afghan National Identity, 1923-73.” In Stokes, Martin (ed.) Ethnicity, Identity and Music. The Musical Construction of Place. Oxford/New York: Berg, 45-60.

(1999) “Afghanistan: Music and the State.” In The Garland Encyclopedia of World Music, Vol. 5: South Asia: the Indian Subcontinent.” Online via www.library.ualberta.ca/databases/

(2001) Can you stop the birds singing? The censorship of music in Afghanistan. Copenhagen: Freemuse.

(2004) 'Music censorship in Afghanistan before and after the Taliban', in Korpe, M. (ed.) Shoot the singer! Music censorship today. London: Zed Books, 19-28.

(2005) 'So Near, S Far: Kabul's music in Exile”, Ethnomusicology Forum, 14/2, 213-233.

Beeman, William O. (1976) 'You can take music out of the country, but...: the dynamics of change in Iranian musical tradition', Asian Music, 7/2, 6-19.

Beliaev, Victor M. (1975) Central Asian Music. Essays in the History of the Music of the Peoples of the USSR. Edited and annotated by Mark Slobin. Translated from Russian by Mark & Greta Slobin. Middletown, Connecticut: Wesleyan University Press.

Berg, Gabrielle Rachel van den (2004) Minstrel Poetry from the Pamir Mountains: a study of the songs and poems of the Ismailis of Tajik Badakhshan. Wiesbaden: Reichert.

Berg, Gabrielle R. van den & Belle, Jan van (1997) ‘The performance of poetry and music by the Ismâ'îlî people of Badaxshân: an example of Madâh from the Shâhdara-Valley’, Persica, 15, 49-76.

Blackwell, Carole (2001) Tradition and Society in Turkmenistan: gender, oral culture and song. Richmond, Surrey: Curzon.

Blum, Stephen

(1972a) Musics in contact: the cultivation of oral repertoires in Meshhed, Iran. University of Illinois: PhD Dissertation.

(1972b) 'The concept of the 'Âsheq in Northern Khorasan', Asian Music, 4/1, 27-47.

(1974) 'Persian folksong in Meshhed, Iran (1969)', Yearbook of the International Folk Music Council, 6, 86-114.

(1978) 'Changing Roles of Performes in Meshhed and Bojnurd, Iran', in Nettl, B. (ed.) Eight Urban Musical Cultures. Urbana: University of Illinois Press, 19-95.

(2001a) 'Iran: Regional and Popular Traditions', in the New Grove Dictionary of Music and Musicians (online via www.library.ualberta.ca/databases/).

(2001b) ‘Central Asia’, in the New Grove Dictionary of Music and Musicians (online via www.library.ualberta.ca/databases/).

(2001c) 'Iran: An Introduction', in The Garland Encyclopedia of World Music, Vol. 6, The Middle East. NY/London: Routledge, 823-38.

Blum, Stephen & Hassanpour, Amin (1996) '"The Morning of Freedom Rose Up': Kurdish Popular Song and the Exigencies of Cultural Survival', Popular Music, 15/3, 325-343.

Caron, Nelly (1975) 'The Ta'zieh: The Sacred Theatre of Iran', The World of Music, 17/4, 3-10.

Caron, Nelly and Dariouche Safvate (1966/1997) Les Traditions Musicales: Musique d'Iran. Buchet/Chastel: Institut International d'Études Comparatives de la Musique.

Caton, Margaret

(1983) The classical "Tasnif": a genre of Persian vocal music. University of California, Los Angeles: PhD dissertation.

(1988) 'Melodic Contour in Persian Music, and Its Connection to Poetic Form and Meaning', in Caton, M. and Neil Siegel (eds.) Cultural Parameters of Iranian Musical Expression. Redondo Beach, California: Institute of Persian Performing Arts, 18-26.

(2002a) 'The Concept of Mode in Iranian Music: Sh?r', in The Garland Encyclopedia of World Music, Vol. 6, The Middle East. NY/London: Routledge, 59-76.

(2002b) 'Performance Practice in Iran: Rad?f and Improvisation', in The Garland Encyclopedia of World Music, Vol. 6, The Middle East. NY/London: Routledge, 129-143.

Chehabi, H.E.

(1999) 'From Revolutionary Tasnif to Patriotic Surud: Music and Nation-building in Pre-World War II Iran', Iran, 37, 143-154.

(2000) 'Voices Unveiled: Women Singers in Iran', in Matthee, R. et al. (eds.) Iran and Beyond. Essays in Middle Eastern History in Honor of N.R. Keddie. Mazda, CA, 151-166.

Chelkowski, Peter

(1979) Ta'ziye: Ritual and Drama in Iran. NY: New York University Press.

(1991) "Popular entertainment, media and social changes in 20th century Iran', in The Cambridge History of Iran, vol 7.

Czekanowska, Anna (1982) 'Aspects of the Classical Music of Uighur People: Legend versus Reality', Asian Music 14/1, 94-110.

DeBano, Wendy S.

(2005a) 'Introduction: Music and Society in Iran, A Look at the Past and Present Century', Iranian Studies, 38/3, 367-72.

(2005b) 'Enveloping Music in Gender, Nation, and Islam: Women's Music Festivals in Post-Revolutionary Iran', Iranian Studies, 38/3, 441-62.

Djumaev, Alexander

(1993) 'Power Structures, Culture Policy, and Traditional Music in Soviet Central Asia", Yearbook for Traditional Music 25, 43-66.

(2002) 'Sacred Music and Chant in Islamic Central Asia', in The Garland Encyclopedia of World Music, Vol. 6, The Middle East. NY/London: Routledge, 935-47.

(2005) 'Musical Heritage and National Identity in Uzbekistan', Ethnomusicology Forum, 14/2, 165-184.

Dodhoudoyeva, Larisa (2001) 'Tajikistan. Western-inspired music', in the New Grove Dictionary of Music and Musicians (online via www.library.ualberta.ca/databases/).

Doubleday, Veronica

(1988) Three Women of Herat. London: Cape Press.

(1999) 'The Frame Drum in the Middle East: Women, Musical Instruments and Power', Ethnomusicology, 43/1, 101-134.

During, Jean

(1982a) 'Music, Poetry and the Visual Arts in Persia', the World of Music, 24/1, 72-87.

(1982b) 'Revelation and spiritual audition in Islam', the World of Music, 24/3, 68-82.

(1984a) La musique iranienne: tradition et évolution. Paris: Éditions Recherche sur les Civilisations.

(1984b) 'La Musique Traditionelle Iranienne en 1983', Asian Music, 15/2, 10-31.

(1987) 'L'improvisation dans la musique d'art iranienne', in Lortat-Jacob, B. (ed.) L'improvisation dans les musiques de tradition orale. Paris: SELAF, 135-41.

(1988) 'Emotion and Trance: Musical Exorcism in Baluchestan', in Caton, M. and Niel Siegel (eds.) Cultural Parameters of Iranian Musical Expression. Redondo Beach, California: Institute of Persian Performing Arts, 36-46.

(1989) Musique et Mystique dans les Traditions de l'Iran. Paris/Tehran: Institut Français de Recherches en Iran.

(1991) Le répertoire-modèle de la musique persane: Radif de târ et de setâr de Mirzâ 'Abdollâh: version de Nur 'Ali Borumand. Introduction et notation par Jean During. Tehran: Soroush.

(1992a) 'L'Oreille Islamique: Dix Années Capitales de la Vie Musicale en Iran: 1980-1990', Asian Music, 23/2, 135-164.

(1992b) 'The Organization of Rhythm in Baluchi Trance Music', in Baumann, M.P. (ed.) European Studies in Ethnomusicology: Historical Developments and Recent Trends. Wilhelmshaven: Florian Noetzel, 282-302.

(1993) "Musique, nation et territoire en Asie intérieure", Yearbook for Traditional Music 25, 29-42.

(1994) Quelque Chose Se Passe. Le sens de la tradition dans l'Orient musical. Lagrasse: Editions Verdier.

(1997a) "Rythmes ovoïdes et quadrature du cycle", Cahiers de musiques traditionnelles, 10, 17-36.

(1997b) 'African Winds and Muslim Djinns: Trance, Healing, and Devotion in Baluchistan', Yearbook for Traditional Music, 29, 39-56.

(1997c) 'Hearing and understanding in the Islamic gnosis', the World of Music, 39/2, 127-37.

(1998) Musiques d'Asie Centrale. L'Esprit d'une Tradition. Arles: Cité de la Musique / Actes Sud.

(2001) “Tradition and History: The Case of Iran.” In The Garland Encyclopedia of World Music, Vol. 6, The Middle East. NY/London: Routledge, 853-64.

(2002) “Music, Trance, and Therapy in Baluchistan.” The Garland Encyclopedia of World Music, Vol. 6, The Middle East. NY/London: Routledge, 881-890.

(2005a) “Power, Authority and Music in the Cultures of Inner Asia.” Ethnomusicology Forum, 14/2, 143-164.

(2005b) “Third Millenium Tehran: Music!” Iranian Studies, 38/3, 373-98.

During, Jean, Z. Mirabdolbaghi and D. Safvate

(1991) The Art of Persian Music. Washington: Mage Publishers.

During, Jean & Sabine Trebinjac

(1991) Introduction au Muqam Ouigour. Bloomington, Indiana: Indiana University Research Institute for Inner Asian Studies.

Elsner, Jürgen (ed.)

(1989) Maqam – Raga – Zeilenmelodik: Konzeptionen und Prinzipien der Musikproduktion. Berlin: International Council for Traditional Music.

(1992) Regionale Maqâm-Traditionen in Geschichte und Gegenwart, Teil 1/2. Berlin: International Council for Traditional Music.

(1997) The structure and idea of maqam: historical approaches. Tampere: ICTM/University of Tampere, Dept. of Folk Traditions.

Elsner, Jürgen

(1992) 'On the structure of the Uzbek-Tajik Shashmaqam', in Elsner, J. & Jähnichen, G. (ed.), Regionale Maqâm-Traditionen in Geschichte und Gegenwart, Teil 1. Berlin: International Council for Traditional Music, 163-190.

Farhat, Hormoz

(1990) The Dastgâh Concept in Persian Music. Cambridge: Cambridge University Press.

(2001) 'Iran. Classical Traditions', in the New Grove Dictionary of Music and Musicians (online via www.library.ualberta.ca/databases/).

Fatemi, Sasan (2005) “Music, Festivity, and Gender in Iran from the Qajar to the Early Pahlavi Period.” Iranian Studies, 38/3, 399-416.

Feldman, Walter (1992) ‘Central Asia. Music’, in Yarshater, Ehsan (ed), Encyclopaedia Iranica, 5, 240-242.

Frolova-Walker, Marina (1998) '"National in Form, Socialist in Content": Musical Nation-Building in the Soviet Republics', Journal of the American Musicological Society, 51/2, 331-371.

Gerson-Kiwi Edith (1950) ‘Wedding Dances and Songs of the Jews of Bokhara’, Journal of the International Folk Music Council, 2, 17-8.

Gronow, Pekka (1975) 'Ethnic Music and Soviet Record Industry', Ethnomusicology, 19/1, 91-99.

Harris, Rachel

(2002 with Rahila Dawut) 'Mazar festivals of the Uyghurs: music, Islam and the Chinese state', British Journal of Ethnomusicology, 11/1, 101-118.

(2002) 'Cassettes, bazaars and saving the nation: the Uyghur music industry in Xinjiang, China', in T. Craig and R. King (eds.) Global Goes Local: Popular Culture in Asia. Vancouver: University of British Columbia Press, 265-283.

(2004) Singing the Village: Music, Memory, and Ritual amongst the Sibe of Xinjiang. Oxford & New York: Oxford University Press.

(2005) 'Reggae on the Silk Road: the Globalization of Uyghur Pop', The China Quarterly, 183, 627-643.

(2008) The making of a musical canon in Chinese Central Asia: the Uyghur Twelve Muqam. Aldershot: Ashgate.

Jung, Angelica

(1989) Quellen der traditionellen Kunstmusik der Usbeken und Tadshiken Mittelasiens (Hamburg: Verlag der Musikalenhandlung).

(1989) 'The maqam principle and the cyclic principle in the Uzbek-Tajik Shashmaqam', in Elsner, J. (ed.) Maqam – Raga –Zeilenmelodik Konzeptionen and Prinzipien der Musikproduktion. Berlin: International Council for Traditional Music, 200-215.

Karomatov, Faizullah

(1983) 'Uzbek Instrumental Music', Asian Music 25/1, 11-53.

(1992) 'Traditions of Maqamat in Central Asia', in Elsner, J. & Jähnichen, G. (eds.), Regionale Maqâm-Traditionen in Geschichte und Gegenwart, Teil 2. Berlin: International Council for Traditional Music, 306-311.

Khashimov, Abdulaziz

(1992) 'On Ikki Muqam and its Local Features (on the example of the structure of the Ili muqams)', in Jurgan Elsner (ed.) Regionale Maqam Traditionen in Geschichte und Gegenwart. ICTM, 312-344.

Khoshzamir, Mojtaba

(1979) Ali Naqi Vaziri and his influence on music and music education in Iran. University of Illinois at Urbana-Champaign: PhD dissertation.

Koen, Benjamin D.

(2003a) Devotional Music and Healing in Badakhshan, Tajikistan: Preventive and Curative Practices. The Ohio State University: PhD dissertation.

(2003b) 'The Spiritual Aesthetic in Badakhshani Devotional Music', The World of Music, 45/3, 77-90.

(2005) 'Medical Ethnomusicology in the Pamir Mountains: Music and Prayer in Healing', Ethnomusicology, 49/2, 287-311.

(2006) “Musical Healing in Eastern Tajikistan: Transforming Stress and Depression through Falak Performance.” Asian Music, 38/2, 58-83.

(2009) Beyond the Roof of the World: Music, Prayer, and Healing in the Pamir Mountains. New York: Oxford University Press.

Kosacheva, Rimma

(1990), ‘Traditional Music in the Context of the Socio-Political Development in the USSR’, Yearbook for Traditional Music, 22, 17-19.

Levin, Theodore

(1979) ’Music in modern Uzbekistan: the convergence of Marxist aesthetics and Central Asian tradition’, Asian Music, 12 (1), 149-158.

(1984) The Music and Tradition of the Bukharan Shashmaqam in Soviet Uzbekistan. Princeton University: unpublished PhD thesis.

(1992) 'Katta Ashula, Haggoni, Shi'ra: Great little traditions from Transoxiana', in Elsner, J. & Jähnichen, G. (ed.), Regionale Maqâm-Traditionen in Geschichte und Gegenwart, Teil 2. Berlin: International Council for Traditional Music, 355-376.

(1993) ‘The Reterritorialization of Culture in the new Central Asian States: a Report from Uzbekistan’, Yearbook for Traditional Music, 25, 51-59.

(1996) The Hundred Thousand Fools of God. Musical Travels in Central Asia (and Queens. New York). Bloomington, Indiana: Indiana University Press.

(2001a) 'Uzbekistan. Urban traditions; Rural Traditions; Soviet and post-Soviet Popular music', in the New Grove Dictionary of Music and Musicians (online via www.library.ualberta.ca/databases/).

(2001b) 'Making Marxist-Leninist Music in Uzbekistan', in R. Burckhardt Qureshi (ed.) Music and Marx: Ideas, Practice, Politics. New York: Garland.

(2002) 'Central Asia: Overview', in The Garland Encyclopedia of World Music. Vol. 6. The Middle East. NY/London: Routledge, 895-906.

Levin, Theodore and Sultanova, Razia (2002) 'The Classical Music of Uzbeks and Tajiks', in in The Garland Encyclopedia of World Music. Vol. 6. The Middle East. NY/London: Routledge, 907-20.

Lewisohn, L. (1997) 'The sacred music of Islam: Sama' in the Persian Sufi tradition.' British Journal of Ethnomusicology, 6, 1-33.

Mackerras, Colin

(1985a) 'Uygur Performing Arts in Contemporary China', The China Quarterly, 101, 58-77.

(1985b) 'Traditional Uygur Performing Arts', Asian Music, 16/1, 29-58.

Matyakubov, Otanazar

(1989) 'The Šašmaq?m v XX veke (Der Šašmaq?m im 20. Jahrhundert)', in Elsner, J. (ed.) Maqam – Raga – Zeilenmelodik Konzeptionen and Prinzipien der Musikproduktion. Berlin: International Council for Traditional Music, 181-199.

(1992) 'Lad and rhythmic system of the Shashmaq?m', in Elsner, J. & Jähnichen, G. (ed.), Regionale Maqâm-Traditionen in Geschichte und Gegenwart, Teil 2. Berlin: International Council for Traditional Music, 398-406.

(1993) 'A Traditional Musician in Modern Society: a case study of Turgun Alimatov', Yearbook for Traditional Music 25, 60-66.

Matyakubova, Svetlana (1992) 'The cyclic character of the maq?m', in Elsner, J. & Jähnichen, G. (ed.), Regionale Maqâm-Traditionen in Geschichte und Gegenwart, Teil 2. Berlin: International Council for Traditional Music, 407-417.

Movahed, Azin (2003/2004) 'Religious supremacy, Anti-imperialist Nationhood and Persian Musicology After the 1979 Revolution', Asian Music, 35/1, 85-113.

Naroditskaya, Inna (2000) 'Azerbaijanian Female Musicians: Women's Voices Defying and Defining the Culture', Ethnomusicology, 44/2, 234-56.

O'Connell, John Morgan (2004) 'Sustaining Difference: Theorizing Minority Music in Badakhshan', in Hemetek, Ursula, Lechleitner, Gerda, Naroditskaya, Inna and Czekanowska, Anna (eds.) Manifold Identities: Studies on Music and Minorities. London: Cambridge Scholars Press, 1-19.

Nettl, Bruno

(1970) 'Attitudes towards Persian Music in Tehran, 1969', The Musical Quarterly, 56/2, 183-197.

(1972) 'Persian Popular Music in 1969', Ethnomusicology, 16/2, 218-39.

(1974) 'Aspects of Form in the Instrumental Performance of Persian Âv?z', Ethnomusicology, 18, 405-14.

(1978) 'Persian Classical Music in Tehran: the Processes of Change', in Nettl, B. (ed.) Eight Urban Musical Cultures. Urbana/Chicago/London: University of Illinois Press.

(1980) 'Musical Values and Social Values: Symbols in Iran', Asian Music, 12/1, 129-48.

(1985) 'Music School'. 'Concerts.' 'A Champion', in Nettl, B. The Western Impact on World Music. Change, Adaptation, and Survival. London: Macmillan, 72-75, 79-83, 110-113.

(1987) The Radif of Persian Music: Studies of Structure and Cultural Context. Champaign, Illinois: Elephant and Cat.

Neyzi, Leyla (2002) 'Embodied Elders: Space and Subjectivity in the Music of Metin-Kemal Kahraman', Middle Eastern Studies, 38/1, 89-109.

Nooshin, Laudan

(1998) 'The Song of the Nightingale: Processes of Improvisation in Dastg?h Seg?h', British Journal of Ethnomusicology, 7, 69-116.

(2005a) 'Subversion and Countersubversion: Power, Control, and Meaning in the New Iranian Pop Music', in Randall, A.J. (ed.) Music, Power, and Politics. NY/London: Routledge, 231-272.

(2005b) 'Underground, Overground: Rock Music and Youth Discourses in Iran', Iranian Studies, 38/3, 463-94.

Powers, Harold (1989) '"International segah" and its nominal equivalents in Central Asia and Kashmir', in Elsner, J. (ed.) Maqam – Raga – Zeilenmelodik Konzeptionen and Prinzipien der Musikproduktion. Berlin: International Council for Traditional Music, 40-85.

Reckord, Thomas (1988) 'The Role of Religious Chant in the Definition of the Iranian Aesthetic', in Caton, M. and Neil Siegel (eds.) Cultural Parameters of Iranian Musical Expression. Redondo Beach, Caifornia: Institute of Persian Performing Arts.

Roberts, Sean (1998) 'Negotiating Locality, Islam, and National Culture in a Changing Borderlands: the revival of the Mashrap ritual among young Uighur men in the Ili valley', Central Asian Survey, 17/4, 672-700.

Sakata, Hiromi Lorraine

(1976) ‘The Concept of Musician in Three Persian-Speaking Areas of Afghanistan’, Asian Music, 8/1, 1-28.

(1983) Music in the Mind: the Concepts of Music and Musician in Afghanistan. Kent, Ohio: The Kent State University Press.

(1986) 'The Complementary Opposition of Music and Religion in Afghanistan', the World of Music, 28/3, 33-41.

(1987) 'Hazara Women in Afghanistan: Innovators and Preservers of a Musical Tradition', in Koskoff, Ellen (ed.) Women and Music in Cross-Cultural Perspective. NY/ Westport, CT/ London: Greenwood Press, 85-96.

(1989) 'Afghan Regional Melody Types and the Notion of Modes', in Elsner, Jürgen (ed.) Maqam – Raga – Zeilenmelodik Konzeptionen and Prinzipien der Musikproduktion. Berlin: International Council for Traditional Music, 170-179.

Shay, Anthony

(1999) Choreophobia: solo improvised dance in the Iranian world. Costa Mesa, California: Mazda.

(2000) 'The 6/8 beat goes on: Persian popular music from Bazm-e Qujariyye to Beverly Hills garden parties', in Armbrust, Walter (ed.) Mass Mediations: New Approaches to Popular Culture in the Middle East and Beyond. Berkeley: University of California Press.

(2002) 'Dance in Iran', The Garland Encyclopedia of World Music, vol. 6, The Middle East, 875-879.

Slobin, Mark

(1970) ‘Persian folksong Texts from Afghan Badakhshan’, Iranian Studies, 3/ 2, 91-103.

(1970a) 'Music and the Structure of Town Life in Northern Afghanistan', Ethnomusicology, 14, 450-58.

(1971) 'A Muslim Shaman in Afghan Turkestan', Ethnology, 10, 160-173.

(1976) Music in the Culture of Northern Afghanistan. Tucson, Arizona: University of Arizona Press.

(1977) Music of Central Asia and of the Volga-Ural Peoples. Bloomington, Indiana: Indiana University, Asian Studies Research Institute.

Slobin, Mark & Djumaev, Alexander (2001), ‘Tajikistan. Traditional Music’, in the New Grove Dictionary of Music and Musicians, 14-18.

Spector, Johanna (1967) 'Musical Tradition and Innovation', in Allworth, E. (ed.), Central Asia. A century of Russian Rule. NY/London: Columbia University Press, 434-8

Spinetti, Federico

(2005) 'Open Borders: Tradition and Tajik Popular Music: Questions of Aesthetics, Identity and Political Economy', Ethnomusicology Forum, 14/2, 185-211.

(2006) Music, Politics and Identity in Post-Soviet Tajikistan. School of Oriental and African Studies, London: unpublished PhD dissertation. Download this article here

(2009) “Music, politics and nation building in post-Soviet Tajikistan.” In Nooshin, L. (ed.) Music and the Play of Power in the Middle East, North Africa and Central Asia. London: Ashgate.

(2010) “Choreographing the self: staged folklore and popular music rural Tajikistan.” The World of Music, special issue on “Musical Stages” edited by John Morgan O’Connell. Download this article here

Sultanova, Razia

(2001) 'Uzbekistan. Musical instruments', in the New Grove Dictionary of Music and Musicians (online via www.library.ualberta.ca/databases/).

(2005a) 'Music and Identity in Central Asia: Introduction', Ethnomusicology Forum, 14/2, 131-142.

(2005b) 'En soulevant le voile. Les femmes dans les cultures traditionnelles du monde turcophone', in Cahiers de musiques traditionnelles, 18, 11-38.

(2008) “Female Celebrations in Uzbekistan and Afghanistan: the Power of Cosmology in Musical Rites.” Yearbook for Traditional Music, 40, 8-20.

Talai, Dariush (2002) 'A New Approach to the Theory of Persian Art Music: the Radif and the Modal System', in The Garland Encyclopedia of World Music, Vol. 6, The Middle East. NY/London: Routledge, 865-74.

Trebinjac, Sabine (2000) Le Pouvoir en Chantant: l'art de fabriquer une Musique Chinoise. Nanterre: Société d'ethnologie.

Tsuge, Gen'ichi (1970) 'Rhythmic Aspects of the Avaz in Persian Music', Ethnomusicology, 14/2, 205-227.

Yarshater, Ehsan (1974) 'Affinities between Persian Poetry and Music', in Chelkowski, P. (ed.) Studies in the Art and Literature of the Near East. Salt Lake City/NY: University of Utah and New York University.

Youssefzadeh, Ameneh

(2000) 'The Situation of Music in Iran since the Revolution: the Role of Official Organizations', British Journal of Ethnomusicology, 9/2, 35-61.

(2002a) Les bardes du Khorassan iranien. Le bakhshi et son répertoire. Leuven/Paris: Peeters.

(2002b) 'Snapshot: Ali Aqa Almajoqi: The Life of a Khorasani Bakhshi', in The Garland Encyclopedia of World Music, Vol. 6, The Middle East. NY/London: Routledge, 839-841.

(2004) 'Singing in a Theocracy: Female Musicians in Iran', in Korpe, M. (ed.) Shoot the Singer! Music Censorship Today. London/NY: Zed Books, 129-134.

(2005) 'Iran's Regional Musical Traditions in the Twentieth Century: A Historical Overview', Iranian Studies, 38/3, 417-39.

Zeranska-Kominek, Slawomira

(1990) 'The Classification of Repertoire in Turkmen Traditional Music', Asian Music, 21/2, 90-109.

(1991) Turkmenistan: La musique des bakhshy. Lausanne: VDE-Gallo, AIMP 22. [sound recording]

(1992) 'The Turkmen Bakhshy: Shaman and/or Artist', in Baumann, M.P. (ed.), European Studies in Ethnomusicology: Historical Developments and Recent Trends. Wilhelmshaven: Noetzel.

(1994) Turkmen Epic Singing: Koroglu. Gentilly: Auvidis. [sound recording]

(2002) 'Music of Turkmenistan', The Garland Encyclopedia of World Music, vol. 6, The Middle East, 965-977. Zaranska-Kominek, S., Kostrubiec, B. & Wierzejewska, J.

(1982) 'Universal Symbols in the Bukharan Shashmaqam', Asian Music 14/1, 74-93.

Zonis, Ella (1973) Classical Persian Music: An Introduction. Cambridge, Mass.: Harvard University Pr