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ARTICLES & CHAPTERS
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Catlin-Jairazbhoy, Amy, “Sacred Songs of Khoja Muslims: Sounded and Embodied Liturgy and Devotion”, Ethnomusicology, 48/2, 2004, 251-270.
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Chastagner, Claude, “The Parents' Music Resource Center: from information to censorship”, Popular Music, 18/2, 1999, 179-192.
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al-Faruqi, Lois Ibsen, “The cantillation of the Qur'an”, Asian Music, 19/1, 1987, 2-25.
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Geertz, Clifford, “Religion as a Cultural System”, in Kessler, Gary E. (ed) Philosophy of Religion: Toward a Global Perspective. Belmont, CA: Wadsworth Pub. Co., 1999, 11-20.
Gray, J.E.B., “An Analysis of Rgvedic Recitation”, Bulletin of the School of Oriental and African Studies, 22/1-3, 1959, 86-94. VEDIC, technical.
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Hampton, Barbara L., “Music and Ritual Symbolism in the Ga Funeral”, Yearbook for Traditional Music, 14, 1982, 75-105.
Hampton, Barbara L., “The Role of Song in a Ga Ritual”, in Irwin, Joyce (ed.) Sacred Sound: Music in Religious Thought and Practice. Chico, CA: Scholars Press, 1983, 111-126.
Harnish, David, 'Music and religion: syncretism, orthodox Islam and musical change in Lombok'. Selected Reports in Ethnomusicology, 7. UCLA: Los Angeles, 1988, 123-137.
Harnish, David, “Music, Myth, and Liturgy: at the Lingsar Temple Festival in Lombok, Indonesia”, Yearbook for Traditional Music, 29, 1997, 80-106.
Harnish, David, “New Lines, Shifting Identities: Interpreting Change at the Lingsar Festival in Lombok, Indonesia”, Ethnomusicology, 49/1, 2005, 1-24.
Hegland, Mary Elaine, 'Flagellation and fundamentalism: (trans)forming meaning, identity, and gender through Pakistani women's rituals of mourning'. American Ethnologist, 25/2, 1998, 240-266.
Henry, Edward O., “Jogis and Nirgun Bhajans in Bhojpuri-Speaking India: Intra-Genre Heterogeneity, Adaptation, and Functional Shift”, Ethnomusicology, 35/2, 1991, 221-242.
Herbst, Ed, “Intrinsic Aesthetics in Balinese Artistic and Spiritual Practice”, Asian Music, 13/1, 1981, 42-52. Hill, Jackson, “Ritual Music in Japanese Esoteric Buddhism: Shingon Shomyo”, Ethnomusicology, 26/1, 1982, 27-39.
Hill, Jackson "Ritual Music in Japanese Esoteric Buddhism: Shingon Shomyo", Ethnomusicology, 26/1, 1982, 27-39.
Idel, Moshe, “Conceptualizations of Music in Jewish Mysticism”, in Sullivan, Enchanting Powers.
Jairazbhoy, N.A., “An interpretation of the 22 Srutis”, Asian Music, 6/1-2, 1975, 38-59.
Jankowsky, Richard C., “Black Spirits, White Saints: Music, Spirit Possession, and Sub-Saharans in Tunisia”, Ethnomusicology, 50/3, 2006, 373-410.
Jules-Rosette, Bennetta, “Ceremonial Trance Behavior in an African Church: Private Experience and Public Expression”, Journal for the Scientific Study of Religion, 19/1, 1980, 1-16.
Kapchan, Deborah, “Possessing Gnawa Culture: Displaying Sound, Creating History in an Unoffical Museum”, Music and Anthropology: Journal of Musical Anthropology of the Mediterranean.
Kilson, Marion, “Prayer and Song in Ga Ritual”, Journal of Religion in Africa, 12/1, 16-19.
Koen, Benjamin D., “Medical Ethnomusicology in the Pamir Mountains: Music and Prayer in Healing”, Ethnomusicology, 49/2, 2005, 287-311.
Lausevic, Mirjana, “The ilahiya as a symbol of Bosnian Muslim national identity”, in Slobin, Mark (ed.) Retuning Culture. Musical Changes in Central and Eastern Europe. Durham: Duke University Press, 1996.
Lee, Tong Soon, “Technology and the Production of Islamic Space: the Call to Prayer in Singapore”, Ethnomusicology, 43/1, 1999, 86-100.
Lewisohn, Leonard, “The Sacred Music of Islam: Sama' in the Persian Sufi Tradition”, British Journal of Ethnomusicology, 6, 1997, 1-33.
Li, Lisha, “The Symbolization Process of Shamanic Drums Used by the Manchus and Other Peoples of North Asia”, Yearbook for Traditional Music, 24, 1992, 52-80.
Manasseh, Sara, “Religious Music Traditions of the Jewish-Babylonian Diaspora in Bombay”, Ethnomusicology Forum, 13/1, 2004, 47-73.
Mellers, Wilfrid, “God, modality, and meaning in some recent songs of Bob Dylan”, Popular Music, 1, 1981, 142-157.
Moore, Leroy Jr, “The Spiritual: Soul of Black Religion”, Church History, 40/1, 1971, 79-81.
Neuenfeldt, Karl, “Good vibrations? The 'curious' cases of the Didjeridu in spectacle and therapy in Australia”, World of Music, 40/2, 1998, 29-51.
Peek, Philip M., “The Sounds of Silence: Cross-World Communication and the Auditory Arts in African Societies”, American Ethnologists, 21/3, 1994, 474-494.
Pegg, Carole, “Ritual, Religion and Magic in West Mongolian (Oirad) Heroic Epic Performance”, British Journal of Ethnomusicology, 4, 1995, 77-99.
Pellow, Deborah, 'Male Praise-singers in Accra: In the Company of Women'. Africa, 67/4, 1997, 582-601.
Podstavsky, Sviatoslav, “Hausa Entertainers and their Social Status: A Reconsideration of Historical Evidence”, Ethnomusicology, 48/3, 2004, 348-377.
Qureshi, Regula, “Muslim Devotional: Popular Religious Music and Muslim Identity under British, Indian and Pakistani Hegemony”, Asian Music, 24/1, 1992-1993, 111-121.
Rappoport, Dana, “Ritual Music and Christianization in the Toraja Highlands, Sulawesi”, Ethnomusicology, 48/3, 2004, 378-404.
Rasmussen, Anne K., “The Qur'an in Indonesian Daily Life: The Public Project of Musical Oratory”, Ethnomusicology, 45/1, 2001, 30-57.
Reed, Daniel B., “'The Ge is in the Church' and 'Our Parents Play Muslim': Performance, Identity and Resistance in Postcolonial Cote d'Ivoire”, Ethnomusicology, 49/3, 2005, 347-367.
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Sakata, Hirromi Lorraine, “The Sacred and the Profane: Qawwali represented in the performances of Nusrat Fateh Ali Khan”, The World of Music, 36/3, 1994, 86-99.
Sarkissian, Margaret, “'Religion Never Had It So Good': Contemporary Nasyid and the Growth of Islamic Popular Music in Malaysia”, Yearbook for Traditional Music, 37, 2005, 124-152.
Scherzinger, Martin Rudoy, "Music, Spirit Possession and the Copyright Law: Cross-Cultural Comparisons and Strategic Speculations", Yearbook for Traditional Music, 31, 1999, 102-125.
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Shelemay, Kay Kaufman, “A Quarter-Century in the Life of a Falasha Prayer”, Yearbook of the International folk Music Council, 10, 1978, 83-108.
Shelemay, Kay Kaufman, "Historical Ethnomusicology: Reconstructing Falasha Liturgical History", Ethnomusicology, 24/2, 1980, 233-258.
Shelemay, Kay Kaufman, Peter Jeffrey and Ingrid Monson, “Oral and Written Transmission in Ethiopian Christian Chant”, Early Music History, 12, 1993, 55-117.
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Shiloah, Amnon, The Dimension of Music in Islamic and Jewish Culture. Aldershot: Ashgate, 1993.
Shiloah, Amnon, “Music and Religion in Islam”, Acta Musicologica, 69/2, 1997, 143-155.
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Solomon, Thomas, “Hardcore Muslims: Islamic Themes in Turkish Rap in Diaspora and in the Homeland”, Yearbook for Traditional Music, 38, 2006, 59-78.
Staal, Fritz, “Mantras and Bird Songs”, Journal of the American Oriental Society, 105/3, 1985, 549-558.
Staal, Fritz, “The Meaninglessness of Ritual”. Numen, 26/1, 1979, 2-22.
Swedenburg, Ted, 'Islamic hip-hop vs. Islamophobia: Aki Nawaz, Natacha Atlas, Akhenaton', in Mitchell, Tony (ed.) Global Noise: rap and Hip-Hop outside the USA. Middletown: Wesleyan University Press, 2002, 57-86.
Thram, Diane, “Therapeutic efficacy of music-making: neglected aspect of human experience integral to performance process”, Yearbook for Traditional Music, 34, 2002, 129-138.
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Youssefzadeh, Ameneh 'The Situation of Music in Iran since the Revolution: the Role of Official Organizations', British Journal of Ethnomusicology, 9/2, 2000, 35-61.