Veronika Ambros |
161 |
Jana
Černá,
Kafka’s Milena |
J. Douglas Clayton |
163 |
Bernadette Poliwoda, FEKS—Fabrik des exzentrischen Schauspielers: Vom Exzentrismus zur Poetik des Films in der frühen Sowjetkultur
|
Alexander J. Matejko |
164 |
Christopher G.A. Bryant and Edmund Mokrzycki, eds., Democracy, Civil Society and Pluralism in Comparative Perspective: Poland, Great Britain and The Netherlands
|
Alison Rowley |
166 |
Natalia Kuziakina, Theatre in the Solovki Prison Camp
|
Michael Aston |
168 |
M.N. Murav'ev, Institutiones rhetoricæ. A Treatise of a Russian Sentimentalist
|
Gerald Morgan |
170 |
Frances Nethercott, Une rencontre philosophique: Bergson en Russie (1903–1917)
|
Thomas J. Hegarty |
171 |
Alan M. Ball, And Now My Soul Is Hardened: Abandoned Children in Soviet Russia, 1918–1930
|
Robert A. Orr |
173 |
L.V. Knorina, Grammatika, Semantika, Stilistika |
Lesley A. Rimmel |
174 |
Michael Parrish, The Lesser Terror: Soviet State Security, 1939–1953
|
Janet Hyer |
178 |
Barbara Clements, Bolshevik Women |
Alison Rowley |
179 |
Kazimiera J. Cottam, ed. and trans., Women in Air War: The Eastern Front of World War II
|
Robert E. Johnson |
180 |
Diane P. Koenker and Ronald D. Bachman, eds., Revelations from the Russian Archives: Documents in English Translation
|
Susan Ingram |
182 |
Constantin V. Ponomareff, The Spiritual Geography of Modern Writing: Essays on Dehumanization, Human Isolation and Transcendence
|
J. Guy Lalande |
183 |
Ruth AmEnde Roosa, Russian Industrialists in an Era of Revolution: The Association of Industry and Trade, 1906–1917
|
Luc Beaudoin |
185 |
Brett Cooke, Pushkin and the Creative Process
Vol'f Shmid, Proza Pushkina v poeticheskom prochtenii: "Povesti Belkina"
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J. Douglas Clayton |
186 |
Andrew Wachtel, ed., Petrushka: Sources and Contexts
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Contributors |
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