Syncretic Islamic communities & their music: Difference between revisions
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# '''Bektashi and Alevi''': [https://www.jstor.org/stable/43561104 The Role of Expressive Culture in the Demystification of a Secret Sect of Islam: The Case of the Alevis of Turkey], by Irene Markoff. ''The World of Music'', Vol. 28, No. 3, Islam (1986), pp. 42-56 (15 pages) | # '''Bektashi and Alevi''': [https://www.jstor.org/stable/43561104 The Role of Expressive Culture in the Demystification of a Secret Sect of Islam: The Case of the Alevis of Turkey], by Irene Markoff. ''The World of Music'', Vol. 28, No. 3, Islam (1986), pp. 42-56 (15 pages) | ||
Watch and review: [https://fod-infobase-com.login.ezproxy.library.ualberta.ca/p_ViewVideo.aspx?xtid=282217&tScript=0 "Gnawa Music - Body and Soul" | Watch and review: '''[https://fod-infobase-com.login.ezproxy.library.ualberta.ca/p_ViewVideo.aspx?xtid=282217&tScript=0 "Gnawa Music - Body and Soul"]''' (if you have trouble with the link, search for the title in [https://www.library.ualberta.ca/dbinfo/films-on-demand Films on Demand]) | ||
What connections can you perceive between these traditions? How are they similar or different? Consider ritual, folkloric, and popular/world musical forms (including intersections with other genres, like jazz). Compare and contrast them in your review. | What connections can you perceive between these traditions? How are they similar or different? Consider ritual, folkloric, and popular/world musical forms (including intersections with other genres, like jazz). Compare and contrast them in your review. | ||
Revision as of 22:56, 9 March 2024
Syncretism from an Islamic perspective: spirit propitiation/healing groups and practices combining Islamic and sub-saharan Africa: Gnawa and Zar
Tuesday (10a)
From Kurdistan to Turkey to Morocco: Ahl al-Haqq, Bektashi/Alevi ... and Gnawa!
Due
Read/skim and review one of the following two (depending on your interests - your choice!), in conjunction with the videos posted for last week:
- Yaresan (Ahl al-Haqq): Introduction and Chapter 5: Ritual and Observance from “God First and Last". Religious Traditions and Music of the Yaresan of Guran, by Philip G. Kreyenbroek (feel free to browse other sections of the book if you're interested)
- Bektashi and Alevi: The Role of Expressive Culture in the Demystification of a Secret Sect of Islam: The Case of the Alevis of Turkey, by Irene Markoff. The World of Music, Vol. 28, No. 3, Islam (1986), pp. 42-56 (15 pages)
Watch and review: "Gnawa Music - Body and Soul" (if you have trouble with the link, search for the title in Films on Demand)
What connections can you perceive between these traditions? How are they similar or different? Consider ritual, folkloric, and popular/world musical forms (including intersections with other genres, like jazz). Compare and contrast them in your review.
You may submit both reviews in one page or less.
Class
Intro to Gnawa and its globalization
Some lilas:
History: how the Gnawas came to Morocco...
- West African history: general timeline; art timeline; West African timeline, empires of West Africa (BBC); Basil Davidson on Empires of Gold
- Islamic history
- Umayyads in Spain
- Berber and Arab empires of North Africa
- al-Murabitun (Almoravids)
- al-Muwahhidun (Almohads)
- Saadi dynasty
- [http://archnet.org/authorities/2872 Paul Bowles
Gnawa fusions: jazz, funk, hiphop, festival
- Randy Weston [2](jazz)
- Hassan Hakmoun: Gnawa fusion
- Sidi Yasser: Gnawa fusion
- Women in gnawa: Hind Ennaira
- Belikemuhammad: hiphop MC (Anas Canon?
- Gnawa festival[3]
Student presentations as per above.
Thursday (10b)
Gnawa continued....links to jazz and popular music in the West.
Zar.
Due
Read: Liminal Rites and Female Symbolism in the Egyptian Zar Possession Cult, by Richard Natvig, Numen, Vol. 35, Fasc. 1 (Jul., 1988), pp. 57-68
Listen/watch: traditional Egyptian zar
Then browse the following sites and videos produced by two folkloric centers in Cairo:
- Rango (xylophone)
- Rango tradition Rango video
- More rango: [4][5]
- Zar (Asyad El Zar)
- Zar in Egypt - overview
- Zar with Tambur (large bass size, similar to guimbri)
Also note diffusion of Zar to other parts of the world:
- Zar ritual in Ethiopia
- Zar Ritual in Iran
- Common also in Sudan (I'm looking for a good example)
Submit: one page on similarities and differences between Moroccan Gnawa and Egyptian Zar. Consider: the people, the ritual, the music - but also the ways this music has been folklorized, rendered "world music", or mixed with other genres. How, when, and where does the performance retain a spiritual significance, and why is that significance at other times and places eliminated? What are the reasons why the two traditions may be similar? Why are there differences?
Class
- Introduction to Zar
- Critical reading of the article by Natvig (Sharqiya Governorate in Egypt).
- Iranian zar
- Sudanese zar from Sudan
- Egyptian Zar: very similar to dhikr; even same musicians. Note male musicians; female adepts and patients.
- Sudanese Zar in Egypt: The Tanbura[6][7][8]. The British Museum displayed this beautiful Sudanese tanbura, known locally as "kissar".
- Rango documentary (CSL component by Mariem Oloroso, Music of the Arab World, fall 2014); Rango zar ceremony. More videos from the Rango website
- Zar in the global bellydance scene
- Folklorization (El Mastaba, Makan), world music presence, belly dance element...(use of ayub rhythm). How are these musics promoted for general consumption? Distortions, exaggerations? (Be critical!)
- Discussion: comparison of Gnawa and Zar; spirit/healing groups in Islam...
- Zar-Gnawa fusion in Cairo!