Rosie: Difference between revisions

From Canadian Centre for Ethnomusicology
Jump to navigation Jump to search
(Created page with "ROSIE (Recording of prisoners at Mississippi State Penitentiary's Parchman work camp, in 1947. Recorded by song collector/archivist Alan Lomax) (Transcription thanks to http...")
 
No edit summary
Line 7: Line 7:




Lead Singer's Call: "Be my woman, gal, I'll-"
Lead Singer's Call: "Be my woman, gal, I'll-" <br>
Group Response: " -be your man."  
Group Response: " -be your man."  


(3x)
(3x)


Call: "Every Sunday's dollar-"
Call: "Every Sunday's dollar-"<br>
Response: "-in your hand."
Response: "-in your hand."


Call: "In your hand, Lordy-"
Call: "In your hand, Lordy-"<br>
Response: "-in your hand."
Response: "-in your hand."


Call: "Every Sundays dollar-"
Call: "Every Sundays dollar-"<br>
Response: "-in your hand."
Response: "-in your hand."


Call: "Stick to the promise, gal, that-"
Call: "Stick to the promise, gal, that-"<br>
Response: "-you made me."  
Response: "-you made me."  


(3x)
(3x)


Call: "Wasn't gonna marry 'til-uh-"
Call: "Wasn't gonna marry 'til-uh-"<br>
Response: "-I go free."
Response: "-I go free."


Call: "I go free, lordy-"
Call: "I go free, lordy-"<br>
Response: "I go free."
Response: "I go free."


Call: "Wasn't gonna marry 'til-uh-"
Call: "Wasn't gonna marry 'til-uh-"<br>
Response: "-I go free."
Response: "-I go free."


Call: "Well, Rosie-"  
Call: "Well, Rosie-" <br>
Call: "-oh, lord, gal."  
Call: "-oh, lord, gal." <br>
Call: "Ah, Rosie-"
 
Call: "Ah, Rosie-"<br>
Response: "-oh, lord, gal."
Response: "-oh, lord, gal."




Call: "When she walks she reels and-"
Call: "When she walks she reels and-"<br>
Response: "-rocks behind."
Response: "-rocks behind."


(2x)
(2x)


Call: "Ain't that enough to worry-"
Call: "Ain't that enough to worry-"<br>
Response: "-[a] convict's mind."
Response: "-[a] convict's mind."


(2x)
(2x)


Call: "Well, Rosie-"  
Call: "Well, Rosie-" <br>
Call: "-oh, lord, gal."  
Call: "-oh, lord, gal."  
Call: "Ah, Rosie-"
 
Call: "Ah, Rosie-"<br>
Response: "-oh, lord, gal."
Response: "-oh, lord, gal."


(repeat first four lines of song
Lead Singer's Call: "Be my woman, gal, I'll-" <br>
Group Response: " -be your man."


A repeat of the first four lines of the song: "Be my woman, gal, I'll be your man (three times)/Every Sunday's dollar in your hand."
(3x)
 
Call: "Every Sunday's dollar-"<br>
Response: "-in your hand."


"Well, Rosie/Ah, Rosie" lines return for the third time.
"Well, Rosie/Ah, Rosie" lines return for the third time.

Revision as of 10:30, 3 September 2018

ROSIE

(Recording of prisoners at Mississippi State Penitentiary's Parchman work camp, in 1947. Recorded by song collector/archivist Alan Lomax) (Transcription thanks to http://pancocojams.blogspot.com/2015/05/rosie-african-american-prison-work-song.html)

Call and Response form


Lead Singer's Call: "Be my woman, gal, I'll-"
Group Response: " -be your man."

(3x)

Call: "Every Sunday's dollar-"
Response: "-in your hand."

Call: "In your hand, Lordy-"
Response: "-in your hand."

Call: "Every Sundays dollar-"
Response: "-in your hand."

Call: "Stick to the promise, gal, that-"
Response: "-you made me."

(3x)

Call: "Wasn't gonna marry 'til-uh-"
Response: "-I go free."

Call: "I go free, lordy-"
Response: "I go free."

Call: "Wasn't gonna marry 'til-uh-"
Response: "-I go free."

Call: "Well, Rosie-"
Call: "-oh, lord, gal."

Call: "Ah, Rosie-"
Response: "-oh, lord, gal."


Call: "When she walks she reels and-"
Response: "-rocks behind."

(2x)

Call: "Ain't that enough to worry-"
Response: "-[a] convict's mind."

(2x)

Call: "Well, Rosie-"
Call: "-oh, lord, gal."

Call: "Ah, Rosie-"
Response: "-oh, lord, gal."

Lead Singer's Call: "Be my woman, gal, I'll-"
Group Response: " -be your man."

(3x)

Call: "Every Sunday's dollar-"
Response: "-in your hand."

"Well, Rosie/Ah, Rosie" lines return for the third time.