MI week 3: Difference between revisions
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This week your guest | This week your guest lecturers are '''Dr. Karim Gillani.''' and '''Dr. Regula Qureshi'''. | ||
= Tuesday (3a) = | = Tuesday (3a) = | ||
== Due today == | == Due today == | ||
Report on the following | Report on the following 3 items, 1-2 paragraphs each, with a submission on eClass. | ||
1) The Ismaili "Ginan" Tradition from the Indian Subcontinent | 1) The Ismaili "Ginan" Tradition from the Indian Subcontinent | ||
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3) Two videos: [https://www.youtube.com/watch?v=vCiaUepMRmc Ginan recited by Abida Parveen] in the presence of the H. H. Aga Khan, and [https://www.youtube.com/watch?v=sOgh7cU3DG8 Ab Teri Muhabbat Lagi: Ginan by Pir Shams]. Take notes; what strikes you about these performances? To what music do they connect? | 3) Two videos: [https://www.youtube.com/watch?v=vCiaUepMRmc Ginan recited by Abida Parveen] in the presence of the H. H. Aga Khan, and [https://www.youtube.com/watch?v=sOgh7cU3DG8 Ab Teri Muhabbat Lagi: Ginan by Pir Shams]. Take notes; what strikes you about these performances? To what music do they connect? | ||
== Class == | |||
'''Introduction to Ismaili Ginan within its Indo-Muslim Cultural Context''' (Karim Gillani, guest lecturer) | |||
= Thursday (3b) = | = Thursday (3b) = | ||
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== Due today == | == Due today == | ||
Report on the following | Report on the following 3 items (1 reading, 2 documentaries) - as usual, one or two paragraphs each. Don't forget to include a critical assessment as well as content summary in each case. | ||
1) North Indian Sufi Popular Music in the Age of Hindu and Muslim Fundamentalism<br /> | 1) North Indian Sufi Popular Music in the Age of Hindu and Muslim Fundamentalism<br /> | ||
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Source: Ethnomusicology, Vol. 52, No. 3 (Fall, 2008), pp. 378-400<br /> | Source: Ethnomusicology, Vol. 52, No. 3 (Fall, 2008), pp. 378-400<br /> | ||
Stable URL: http://www.jstor.org/stable/20174605<br /> | Stable URL: http://www.jstor.org/stable/20174605<br /> | ||
2) | 2) [https://www.youtube.com/watch?v=ql3TmuXVCaw A Voice from Heaven: Nusrat Fateh Ali Khan] <br/> | ||
3) [https://www.youtube.com/watch?v=54TiJTrB7LQ A Call to the West]. | |||
== Class == | == Class == | ||
'''Qawwali and Sufi popular music of South Asia''' (Karim Gillani, guest lecturer) |
Latest revision as of 00:58, 8 January 2024
This week your guest lecturers are Dr. Karim Gillani. and Dr. Regula Qureshi.
Tuesday (3a)
Due today
Report on the following 3 items, 1-2 paragraphs each, with a submission on eClass.
1) The Ismaili "Ginan" Tradition from the Indian Subcontinent
Author(s): Karim Gillani
Source: Middle East Studies Association Bulletin, Vol. 38, No. 2 (December 2004), pp. 175-185
Stable URL: http://www.jstor.org/stable/23062807
[note: from off campus you may have to log in before being able to access the above jstor link. In a pinch, navigate to jstor via the UofA Library site, then search for the above title.]
2) Ginan (Hymn): Hearing and Reciting within the Indo-Muslim Cultural Context, by Karim Gillani
3) Two videos: Ginan recited by Abida Parveen in the presence of the H. H. Aga Khan, and Ab Teri Muhabbat Lagi: Ginan by Pir Shams. Take notes; what strikes you about these performances? To what music do they connect?
Class
Introduction to Ismaili Ginan within its Indo-Muslim Cultural Context (Karim Gillani, guest lecturer)
Thursday (3b)
Due today
Report on the following 3 items (1 reading, 2 documentaries) - as usual, one or two paragraphs each. Don't forget to include a critical assessment as well as content summary in each case.
1) North Indian Sufi Popular Music in the Age of Hindu and Muslim Fundamentalism
Author(s): Peter Manuel
Source: Ethnomusicology, Vol. 52, No. 3 (Fall, 2008), pp. 378-400
Stable URL: http://www.jstor.org/stable/20174605
2) A Voice from Heaven: Nusrat Fateh Ali Khan
3) A Call to the West.
Class
Qawwali and Sufi popular music of South Asia (Karim Gillani, guest lecturer)