MI week 3: Difference between revisions

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This week your guest lecturer is '''Dr. Karim Gillani.'''
This week your guest lecturers are '''Dr. Karim Gillani.''' and '''Dr. Regula Qureshi'''.


= Tuesday (3a) =
= Tuesday (3a) =
== Class ==
"Introduction to Ismaili Ginan within its Indo-Muslim Cultural Context" (Karim Gillani, guest lecturer)
== Due today ==
== Due today ==


Report on the following:
Report on the following 3 items, 1-2 paragraphs each, with a submission on eClass.


1) The Ismaili "Ginan" Tradition from the Indian Subcontinent
1) The Ismaili "Ginan" Tradition from the Indian Subcontinent


Author(s): Karim Gillani<br />
Author(s): Karim Gillani<br />
Line 19: Line 14:
[note: from off campus you may have to log in before being able to access the above jstor link. In a pinch, navigate to jstor via the UofA Library site, then search for the above title.]
[note: from off campus you may have to log in before being able to access the above jstor link. In a pinch, navigate to jstor via the UofA Library site, then search for the above title.]


and
2) [http://www.fwalive.ualberta.ca/~michaelf/Indo-Muslim%20Cultural%20Context%20by%20Karim%20Gillani.pdf Ginan (Hymn): Hearing and Reciting within the Indo-Muslim Cultural Context,] by Karim Gillani


2) [http://www.fwalive.ualberta.ca/~michaelf/Indo-Muslim%20Cultural%20Context%20by%20Karim%20Gillani.pdf Ginan (Hymn): Hearing and Reciting within the Indo-Muslim Cultural Context,] by Karim Gillani
3) Two videos:  [https://www.youtube.com/watch?v=vCiaUepMRmc Ginan recited by Abida Parveen] in the presence of the H. H. Aga Khan, and [https://www.youtube.com/watch?v=sOgh7cU3DG8 Ab Teri Muhabbat Lagi: Ginan by Pir Shams]. Take notes; what strikes you about these performances? To what music do they connect?


== Class ==


'''Introduction to Ismaili Ginan within its Indo-Muslim Cultural Context''' (Karim Gillani, guest lecturer)


= Thursday (3b) =
= Thursday (3b) =
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== Due today ==
== Due today ==


Report on the following:
Report on the following 3 items (1 reading, 2 documentaries) - as usual, one or two paragraphs each.  Don't forget to include a critical assessment as well as content summary in each case.


1) North Indian Sufi Popular Music in the Age of Hindu and Muslim Fundamentalism<br />
1) North Indian Sufi Popular Music in the Age of Hindu and Muslim Fundamentalism<br />
Line 35: Line 32:
Source: Ethnomusicology, Vol. 52, No. 3 (Fall, 2008), pp. 378-400<br />
Source: Ethnomusicology, Vol. 52, No. 3 (Fall, 2008), pp. 378-400<br />
Stable URL: http://www.jstor.org/stable/20174605<br />
Stable URL: http://www.jstor.org/stable/20174605<br />
2) the following videos: (TBA)
2)   [https://www.youtube.com/watch?v=ql3TmuXVCaw A Voice from Heaven: Nusrat Fateh Ali Khan] <br/>
3) [https://www.youtube.com/watch?v=54TiJTrB7LQ A Call to the West].
 
== Class ==
== Class ==


"Qawwali and Sufi popular music of South Asia" (Karim Gillani, guest lecturer)
'''Qawwali and Sufi popular music of South Asia''' (Karim Gillani, guest lecturer)

Latest revision as of 00:58, 8 January 2024

This week your guest lecturers are Dr. Karim Gillani. and Dr. Regula Qureshi.

Tuesday (3a)

Due today

Report on the following 3 items, 1-2 paragraphs each, with a submission on eClass.

1) The Ismaili "Ginan" Tradition from the Indian Subcontinent

Author(s): Karim Gillani
Source: Middle East Studies Association Bulletin, Vol. 38, No. 2 (December 2004), pp. 175-185
Stable URL: http://www.jstor.org/stable/23062807

[note: from off campus you may have to log in before being able to access the above jstor link. In a pinch, navigate to jstor via the UofA Library site, then search for the above title.]

2) Ginan (Hymn): Hearing and Reciting within the Indo-Muslim Cultural Context, by Karim Gillani

3) Two videos: Ginan recited by Abida Parveen in the presence of the H. H. Aga Khan, and Ab Teri Muhabbat Lagi: Ginan by Pir Shams. Take notes; what strikes you about these performances? To what music do they connect?

Class

Introduction to Ismaili Ginan within its Indo-Muslim Cultural Context (Karim Gillani, guest lecturer)

Thursday (3b)

Due today

Report on the following 3 items (1 reading, 2 documentaries) - as usual, one or two paragraphs each. Don't forget to include a critical assessment as well as content summary in each case.

1) North Indian Sufi Popular Music in the Age of Hindu and Muslim Fundamentalism
Author(s): Peter Manuel
Source: Ethnomusicology, Vol. 52, No. 3 (Fall, 2008), pp. 378-400
Stable URL: http://www.jstor.org/stable/20174605
2) A Voice from Heaven: Nusrat Fateh Ali Khan
3) A Call to the West.

Class

Qawwali and Sufi popular music of South Asia (Karim Gillani, guest lecturer)