Schedule and Assignments: Introduction to World Music (Fall 2017)

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Sep 6: Hearing music of the world: World Folksong, Alan Lomax, and Cantometrics

Lecture notes Sep 6

In class

  • Prelude: Listening and understanding... Nay sounds (quarter tones), Sufi hadra, post office music, Rosie
  • Some musical warmups: Rosie
  • Course syllabus and course mechanics
  • Definitions: "Music", "World Music", "Folk Music"
  • Lomax and Cantometrics. Documentary: Lomax the Songhunter

For the coming week (due Sep 13)

  • Read 15 pages:
  • Browse websites:
  • Write (1 short paragraph, 3-5 sentences): What do you think of Cantometrics and Lomax's enterprise as a whole? What worked, in your view? What didn't? Write a short paragraph (3-5 sentences maximum!) and submit via eClass for September 13.
  • Group work:
    • Develop your own group version of Global Jukebox: Rosie (under Learning/Lesson plans). OR Develop a collective table-top drum piece (with singing), along these lines. Perform in class (just 1 minute or so!).
    • Odd numbered groups (1,3,5,7,9,11): critique Cantometrics, but come up with a different way of comparing musics of the world; optionally, outline your ideas via Google Drive/Google Slides (or you can simply plan to talk through your points)
    • Even numbered (2,4,6,8,10): defend Cantometrics, and introduce refinements to make it even better; optionally, outline your ideas via Google Drive/Google Slides (or you can simply plan to talk through your points)

Sep 13: When is music not "music"? The sound and meaning of Qur'anic recitation

Lecture notes Sep 13: Introduction to World Music (Fall 2017)

In class

Prelude

  • Rosie via David Guetta ft. Nicki Minaj ("Hey mama")
    • What do you hear? World musical influences?
    • How has the meaning changed?
    • What are the implications for world music?
    • See this article by Jeff Miers.
  • name that tune! Hearing and Understanding via Cantometrics...where in the world?
    • Social organization of the performing group
    • Nasality

Musical stretching: singing microtones in the Arab maqamat (scales)

Group work:

  • Performances
  • Opinions about Cantometrics and Alan Lomax

Discussion:

  • Etic vs. emic
  • source vs. reference
  • Review: music, world music, ethnomusicology

5 minute break


Qur'anic recitation

Etic: ritual music
Emic: not musiqa (موسيقى)

Film: Qur'an by Heart

Discussion

For coming week (due Sep 20)

Viewing:

Read:

  • The Qur'an Recited, by Kristina Nelson (from Garland Encyclopedia of World Music v. 6 - Middle East. If you have trouble with the above link click here and navigate to the article under section Part 2 Understanding the Musics of the Middle East: Issues and Processes). This is a sympathetic outsider's account of Qur'anic recitation, treated in broad context. (5 pages)
  • The Overnight Qari - Read from the beginning to the end of Section 2, plus Section 4 (equivalent to 15 pages of text; there are many images and half-full pages); skim the rest as you like. This is an insider's account of Qur'anic recitation by a Canadian, focused on teaching you to recite.
    • Click on media links and watch as you wish, but especially please watch: Surah al-Fatiha in Seven Maqamat. Listen to the first four maqamat: Bayyati, Hijaz, Rast, Nahawand (and the others if you like: Sikah, Saba, Ajam).
    • Practice reciting along with the recording in each maqam.


Group activities:

  • Issues to discuss in class: discuss the film from one of the following perspectives
    • Countering Islamophobia through understanding
    • Children's performance
    • oral vs. written traditions
    • competition in ritual and art

Sep 20

Lecture notes Sep 20: Introduction to World Music (Fall 2017)

Telling stories through music: the epic.

Sep 27: Special guest, George Chungo Otiende

http://www.chungaotiende.com/

Oct 4

Lecture notes Oct 4: Introduction to World Music (Fall 2017)

Oct 11

Oct 18: Midterm quiz

Oct 25

Nov 1

Nov 8

Nov 15: No class

Nov 22

Nov 29

Dec 6: Final quiz