Research
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China's Imperial Modern: The Painter's Craft 中國畫家的技藝:帝國時代的現代性 Edmonton: University of Alberta Museums, 2012.
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"Zhang Jian and China's First Museum," Journal of Asian Studies 64, no. 3 (August 2005): 567-604. |
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"Ways of Seeing the Nation: Chinese Painting in the National Essence Journal (1905-1911) and Exhibition Culture," positions: east asia cultures critique 19, no. 1 (Winter 2011): 52-85. |
“Habitat Dioramas: The Animal Paintings of Liu Kuiling in Republican-era Tianjin,” Archives of Asian Art 64, no. 2 (2014): 163-188.
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“Painting Manuals and Gendered Modernity in Republican-era Shanghai.” In Visualizing Beauty: Gender and Ideology in Modern East Asia . Ed. Aida Yuen Wong, 23-44. Hong Kong University Press, 2012. |
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“Sites of Visual Modernity: Perceptions of Japanese Exhibitions in Late Qing China.” The Role of Japan in Modern Chinese Art. Ed. Joshua Fogel, 154-80. Berkeley and Los Angeles: University of California Press, 2013.
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“Feminine Orientalism or Modern Enchantment? Peiping and the Graphic Artists Bertha Lum and Elizabeth Keith, 1920s-1930s,” Nan Nü: Men, Women and Gender in China 16, no. 1 (2014): 91-127. |
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CHINA URBAN
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“Boundary Forms: Calligraphy and the City at the 2010 Shanghai World Expo.” International Journal of Politics, Culture and Society 27, no. 3 (September 2014): 273-289. |
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“Beggars, Black Bears, and Butterflies: The Scientific Gaze and Ink Painting in Modern China,” Cross-Currents: East Asian History and Culture Review no. 14 (March 2015): open access e-Journal. With photo-essay, "Picturing Science in Modern China." |
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“Boundary Forms: Design and Science in Modern China” (sole-authored book under review). |
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and a few other recent projects...“Liquid Space.” Temple (Kyoto: Shibunkaku, 2019).“Liquid Space: A Conversation with Zheng Chongbin.” Yishu: The Journal of Contemporary Chinese Art 18, no. 3 (September/October 2019): 100-107."Making the World: Pictures and Science in Modern China." Spectrum (November 2018): open-access online exhibition“Revisiting the Technological Society: A Conversation with Feng Mengbo”《重访技术社会:与冯梦波交谈》Yishu: The Journal of Contemporary Chinese Art [Chinese language edition 中文版,《典藏: 國際版文選》] 12, no. 4 (December 2013): 80-87; [English language edition] 12, no. 4 (July/August 2013): 69-76.“Architectonic Ink: Zheng Chongbin in Conversation with Lisa Claypool”《营造水墨: 郑重宾与祁珊立的对话》Yishu: The Journal of Contemporary Chinese Art [Chinese language edition 中文版,《典藏: 國際版文選》] 1, no. 2 (April 2012): 15-24; [English language edition] 10, no. 4 (July 2011): 41-53.Review of Shadow Modernism: Photography, Writing, and Space in Shanghai, 1925-1937 by William Schaefer (Durham: Duke University Press, 2017). caa reviews. May 2019.Review of The Other Kang Youwei: Calligrapher, Art Activist, and Aesthetic Reformer in Modern China by Aida Yuen Wong (Brill, 2015). China Review International: A Journal of Reviews of Scholarly Literature in Chinese Studies 21, no. 2 (May 2016): 192-195.Review of Republican Lens: Gender, Visuality, and Experience in the Early Chinese Periodical Press by Joan Judge (University of California Press, 2015). Twentieth-Century China 41, no. 2 (March 2016): 203-05. |