Table of Contents (click on subject heading to be directed to relevant bibliography)
Animal Science (Zoology) under construction
Architecture and Material Culture in China
Art and History of Ming-QIng China (1368-1911), introductory textsBird science (ornithology)
Bodies
Botany/Plant science under construction
Cartography/Maps
Export Painting
Figure Painting (China and elsewhere)
Garden Architecture (China and Europe)
Imperial Print Culture (and comparative sources)see also Guiseppe Castiglione (Lang Shining)
Insect Science (entomology) under construction
Modernisms (China)
Museums under construction
Nature under construction
Orientalism and the arts
Republican-era painting
Print culture in Republican-era China
Qing Court Painting
Qing Imperial Robes and Textiles
Science and the Arts
Science in East Asia
Individual Artists (listed in alphabetical order by the artist's surname)
Guiseppe Castiglione (see "Imperial Print Culture")
Thomas Daniell
Fu Baoshi
Gao Jianfu
Egmond, Florike. 2017. Eye for detail: images of plants and animals in art and science, 1500-1630. London: Reaktion Books. (QH 46.5 E46 2017)
See 2004 bibliography on topic, Princeton University (click here for PDF)
Barnhart, Richard, and Yang Xiaoneng. Chinese Art and Archaeology. New Haven: Yale University Press, 1999.
Cahill, James. The painter's practice: how artists lived and worked in traditional China. New York: Columbia University Press, 1995.
Chou Ju-hsi, ed. The Elegant Brush: Chinese Painting Under the Qianlong Emperor 1735-1795. Phoenix: Phoenix Art Museum, 1985.
Chou, Ju-Hsi and Claudia Brown. Chinese Painting under the Qianlong Emperor. Chicago: Art Media Resources, 1999.
Clunas, Craig. Art in China. Oxford; New York: Oxford University Press, 1999.
Fong, Wen C., ed. Issues of Authenticity in Chinese Painting. New Haven: Yale University Press, 2000.
Fong, Wen C., and James C Watt, eds. Possessing the Past: Treasures from the National Palace Museum, Taipei. New York: Metropolitan Museum of Art, 1996.
Hucker, Charles. China's Imperial Past: An Introduction to Chinese history and culture. Stanford: Stanford University Press, 1975.
Ledderose, Lothar. A. W. Ten Thousand Things: Module and Mass Production in Chinese Art. Mellon Lectures in the Fine Arts, Vol. 1998. Princeton: Princeton University Press, 1999.
Rogers, Howard, ed. China, 5,000 Years. Guggenheim Museum Publications. New York: Harry N. Abrams Incorporated, 1998.
Spence, Jonathan D. and John E. Wills, ed. From Ming to Ch'ing : Conquest, Region, and Continuity in Seventeenth-Century China. New Haven: Yale University Press, 1979.
Spence, Jonathan D. Ts'ao Yin and the K'ang-Hsi Emperor : Bondservant and Master. New Haven, Conn.: Yale University Press, 1988.
Sullivan, Michael. The arts of China. Berkeley, CA: University of California Press, 1984.
Thorp, Robert, and Richard Vinograd. Chinese Art and Culture. New York: Prentice Hall and Abrams, 2001.
Yang, Hsin; Barnhart, Richard; Cahill, James; Wu Hung; Yang Xin; Nie, Chongzheng; Lang, Shaojun. Three Thousand Years of Chinese Painting. Culture and Civilization of China Series. New Haven: Yale University Press, 1997.
Zarrow, Peter. China in War and Revolution, 1895-1949. London and New York: Routledge, 2005.
ELECTRONIC SOURCES
birdscience.net bibliography
Smithsonian Institution bibliography
Search the Biodiversity library for “bird” and “China.” Many of the books dating before 1949 listed below can be found in this library.
BOOKS
Andrews, Roy Chapman, Outram Bangs, Harry R. Caldwell, Edmund Heller. “The birds of the American Museum of Natural History's Asiatic Zoological Expedition of 1916-1917.” Bulletin of the American Museum of Natural History 44, no. 20 (1921): 575-626.
Bangs, Outram. Birds of western China obtained by the Kelley-Roosevelts expedition. Chicago, 1932.
Caldwell, Harry R. South China birds. Shanghai: H.M. Vanderburgh, 1931.
Couling, Samuel. Encyclopedia Sinica. Shanghai: Kelly and Walsh, 1917. [available online through the library catalogue]
David, Armand. Les oiseaux de la Chine. 2 vols (vol. 1 texte; vol. 2 atlas). Paris: G. Masson, 1877.
Gray, George Robert. William Swainson, designer and lithographer. A fasciculus of the birds of China. London: Taylor and Francis, 1871.
Kellogg, Claude R. - Hubbart, Hugh W. - Wilder, George Durand, - Yuan, Lee Hsiang. Fifty common birds of China. n.p., 192-?
Kolthoff, Kjell. Studies on birds in the Chinese provinces of Kiangsu and Anhwei 1921-22. Götebord: Elanders boktr., 1932.
La Touche, John David Digues de. A handbook of the birds of eastern China. Vols. 1 & 2. London: Taylor and Francis, 1925-1934.
Liu Yang, Edward Capon. Fenfang de kongjian: Guangdong sheng bowuguan cang Zhongguo Ming-Qing huaniao hua 芬芳的空間：廣東省博物館藏中國明清花鳥畫 [Fragrant Space: Chinese Flower and Bird Painting of the Ming and Qing Dynasties from the Guangdong Provincial Museum]. Sydney: Art Gallery of New South Wales, 2000. [English and Chinese, ILL]
Moffett, Lacy I. Common birds of the Yangtze delta. Shanghai, 1912.
Nemerov, Alexander. “A World Too Much: Democracy and Natural History in the Work of Godman and Audubon.” In Knowing Nature: Art and Science in Philadelphia, 1740-1840. Ed.Amy Meyers, 356-75. Yale University Press, 2011. [Rutherford reserves].
Roberts, Jennifer. Transporting Visions: the Movement of Images in Early America. Berkeley: University of Calfornia Press, 2014. [Rutherford reserves]
Shaw, Tsen-Hwang. “The Birds of Hopei Province.” Zoological Sinica, Series B: The Vertebrates of China Vol. 15, Fasc. 1 Peiping: Fan Memorial Institute of Biology and Yu Lien Press, 1936.
Sowerby, Arhur de Carle. Birds recorded from or known to occur in Shanghai area. Chang-hai: Université L’Aurore, 1943.
Swinhoe, Robert. A revised catalogue of the birds of China and its islands, with descriptions of new species, references to former notes, and occasional remarks. London, 1871.
Wade, Henling Thomas. With boat and gun in the Yangtze valley. With special chapters by valued contributors. 2d ed. Shanghai: Shanghai Mercury, 1910. PDF
Wang Shixiang王世襄. Beijing ge shao 北京鴿哨 [Beijing pigeon whistles]. Shenyang: Liaoning jiaoyu chubanshe, 2000. [Chinese and English, ILL]
Wheye, Darryl, and Donald Kennedy. Humans, Nature, and Birds: Science Art from Cave Walls to Computer Screens. New Haven: Yale University Press, 2008. [Rutherford reserves]
Wilkinson, Edward S. Shanghai birds; study of bird life in Shanghai and the surrounding districts. Shanghai: North-China Daily News & Herald Limited, 1929.
BODIES AND REPRESENTATION
Articles
Asen, Daniel. “‘Manchu Anatomy’: Anatomical Knowledge and the Jesuits in Seventeenth- and Eighteenth-Century China.” History of Medicine 22, no. 1 (2009): 23-44.
Chen, Hiu-Hung. “The Human Body as a Universe: Understanding Heaven by Visualization and Sensibility in Jesuit Cartography in China.” Catholic Historical Review 93, no. 3 (2007): 517-552.
Chong, Gladys Pak Lei. “Chinese Bodies that Matter: The Search for Masculinity and Femininity.” The International Journal of the History of Sport 30, no. 3 (2013): 242-266.
Despeux, Catherine. “Visual representations of the body in Chinese medical and Daoist texts from the Song to the Qing period (tenth to nineteenth century).” Asian Medicine: Tradition and Modernity 1, no. 1 (2005): 10-52.
Furth, Charlotte. “Androgynous Males and Deficient Females: Biology and Gender Boundaries in Sixteenth- and Seventeenth-Century China.” Late Imperial China 9, no. 2 (1988): 1-31.
---. “Blood, Body and Gender: Medical Images of the Female Condition in China 1600-1850.” Chinese Science 7 (1986): 43-66.
Gao, Yunxiang. “Sex, Sports, and China's National Crisis, 1931-1945: The "Athletic Movie Star" Li Lili (1915-2005).” Modern Chinese Literature and Culture 22, no. 1 (2010): 96-161.
Gilman, Sander L. ““Stand Up Straight”: Notes Toward a History of Posture.” Journal of Medical Humanities 35, no. 1 (2014): 57-83.
Huang, Yingying. “Against the Western "Barbarian": Narrating Bodily Resistance in Early Nineteenth-Century China.” Tamkang Review 45, no. 2 (2015): 89-110.
Qi, An. “To dress or not to dress: body representations of the ethnic minorities on China's southwestern frontiers.” Inner Asia 13, no. 1 (2011): 183-203.
Wang, Y. Yvon. “Whorish Representation: Pornography, Media, and Modernity in Fin-de-siecle Beijing.” Modern China 40, no. 4 (2014): 351-392.
Wu, Guanda. "Mustache as Resistance: Representation and Reception of Mei Lanfang’s Masculinity." TDR: The Drama Review, no. 2 (2016): 122-138.1
Wu, Yi-Li. “Body, Gender, and Disease: The Female Breast in Late Imperial Chinese Medicine.” Late Imperial China 32, no. 1 (2011): 83-128.
Xu, Jian. “Retrieving the Working Body in Modern Chinese Fiction: The Question of the Ethical in Representation.” Modern Chinese Literature and Culture 16, no. 1 (2004): 115-152.
Zamperini, Paola. “On Their Dress They Wore a Body: Fashion and Identity in Late Qing Shanghai.” East Asia Cultures Critique 11, no. 2 (2003): 301-330.
Books
Ahmed, Jamilah, and Helen Thomas, eds. Cultural Bodies: Ethnography and Theory. Hoboken: Wiley-Blackwell, 2003. (This is not looking specifically at Chinese bodies, but is useful in understanding the ways in which ethnography is practiced in relation to the body).
Barlow, Tani E., and Angela Zito. Body, Subject & Power in China. Chicago: University of Chicago Press, 1994.
---. “Theorizing woman: Funü, Guojia, Jiating (Chinese women, Chinese State, Chinese Family).” In Feminism and History, Edited by Joan Wallach Scott, 48-78. Oxford: Oxford University Press, 1996.
Berger, Patricia Ann. Empire of Emptiness: Buddhist Art and Political Authority in Qing China. Honolulu: University of Hawaii Press, 2003. (This might be useful for a discussion of pictorial representation of imperial bodies)
Chiang, Sing-chen Lydia. Collecting the Self: Body and Identity in Strange Tale Collections of Late Imperial China. Leiden: Brill, 2005.
Choy, Howard Y. F., ed. Discourses of Disease: Writing Illness, the Mind and the Body in Modern China. Leiden: Brill, 2016.
Gao, Yunxiang. Sporting Gender: Women Athletes and Celebrity-Making During China’s National Crisis, 1931-45. Vancouver: UBC Press, 2013.
Hanscom, Christopher P., and Dennis Washburn, eds. The Affect of Difference: Representations of Race in East Asian Empire. Honolulu: University of Hawaii Press, 2016.
Heinrich, Ari Larissa. The Afterlife of Images: Translating the Pathological Body between China and the West. Durham: Duke University Press, 2008.
---, and Fran Martin, eds. Embodied Modernities: Corporeality, Representation, and Chinese Cultures. Honolulu: University of Hawaii Press, 2006. (See chapters in section one: “Thresholds of Modernity”).
Hofer, Theresia, ed. Bodies in Balance: The Art of Tibetan Medicine. New York: Rubin Museum of Art, 2014.
Kuriyama, Shigehisa. The Expressiveness of the Body and the Divergence of Greek and Chinese Medicine. New York: Zone Books, 1999.
Pang, Laikwan. The Distorting Mirror: Visual Modernity in China. Honolulu: University of Hawaii Press, 2007.
Pickowicz, Paul G., Kuiyi Shen, and Yingjin Zhang, eds. Liangyou: Kaleidoscopic Modernity and the Shanghai Global Metropolis, 1926-1945. Leiden: Brill, 2013.
Rogaski, Ruth. Hygienic Modernity: Meanings of Health and Disease in Treaty-Port China. Berkeley: University of California Press, 2004.
Schillinger, Nicolas. The Body and Military Masculinity in Late Qing and Early Republican China: The Art of Governing Soldiers. Lanham: Lexington Books, 2016.
Schipper, Kristopher Marinus. The Taoist Body. Berkeley: University of California Press, 1993.
Vinograd, Richard. Boundaries of the Self: Chinese Portraits, 1600-1900. Cambridge: Cambridge Univerisity Press, 1992.
Wang, Ping. Aching For Beauty: Footbinding in China. Minneapolis: University of Minnesota Press, 2000.
Wu, Yi-li. Reproducing Women: Medicine, Metaphor, and Childbirth in Late Imperial China. Berkeley: University of California Press, 2010.
Zito, Angela. Of Body and Brush: Grand Sacrifice as Text/Performance in Eighteenth-Century China. Chicago: University of Chicago Press, 1997.
Bynum, Helen. 2017. Botanical sketchbooks. New York: Thames & Hudson.
Ching, May Bo. “Picturing knowledge: Chinese brushwork illustrations of Western natural history in a late Qing periodical, 1907-1911.” Journal of Modern Chinese History 1, no. 1 (August 2007): 31-51.
Egmond, Florike. 2017. Eye for detail: images of plants and animals in art and science, 1500-1630. London: Reaktion Books. (QH 46.5 E46 2017)
Fan, Fa-ti. British Naturalists in Qing China. Cambridge: Harvard University Press, 2004.
Alpers, Svetlana. The Art of Describing: Dutch Art in the Seventeenth Century. Chicago: University of Chicago Press, 1983.
Black, Jeremy. Maps and Politics. London: Reaktion Books, 1997.
Bray, Francesca, et al., eds. Graphics and Text in the Production of Technical Knowledge in China. Leiden and Boston: Brill, 2007.
Casey, Edward. Representing Place: Landscape Painting and Maps. Minneapolis: University of Minnesota Press, 2002
———. Earth-Mapping: Artists Reshaping Landscape. Minneapolis: University of Minnesota Press, 2005
Clunas, Craig. Pictures and Visuality in Early Modern China. London: Reaktion Books, 1997.
De Weerdt, Hilde. “Maps and Memory: Readings of Cartography in Twelfth- and Thirteenth- Century Song China.” Imago Mundi: International Journal for the History of Cartography 61, no. 2 (2009): 145-167.
———. “The Cultural Logics of Map Reading: Text, Time, and Space in Printed Maps of the Song Empire.” In Knowledge and Text Production in an Age of Print: China, 900-1400, edited by Lucille Chia and Hilde De Weerdt, 239-70. Leiden and Boston: Brill, 2011.
Harley, J. B. “The Map and the Development of the History of Cartography.” In The History of Cartography 1 (1987): 1-42.
Harley, J. B. “Maps, Knowledge, and Power.” In The Iconography of Landscape: Essays on the Symbolic Representation, Design and Use of Past Environments, ed. Denis Cosgrove and Stephen Daniels, 277-312. Cambridge Studies in Historical Geography, 9. Cambridge: Cambridge University Press, 1988. Reprinted in New Nature of Maps, 51-81.
Harley, J. B. The New Nature of Maps: Essays in the History of Cartography, edited by Paul Laxton, 33-81. Baltimore: Johns Hopkins University Press, 2001.
Harley, J. B., and David Woodward. “Why Cartography Needs its History.” The American Cartographer 16 (1989): 5-15.
Hotstetler, Laura. Qing Colonial Enterprise: Ethnography and Cartography in Early Modern China. Chicago: University of Chicago Press, 2001.
Lin, Fan. "Cartographic Empire: Production and circulation of maps and mapmaking knowledge in the Song dynasty (960-1279)." Ph.D. diss, McGill University, 2014.
———. Mapping China and Managing the World: Culture, Cartography and Cosmology in Late Imperial Times. Oxon: Routledge, 2013
Wilson, Bronwen. The World in Venice: Print, the City and Early Modern Identity. Toronto: University of Toronto Press, 2005.
Yee, Cordell. "Reinterpreting traditional Chinese geographical maps." In The HIstory of Cartography. Ed. J.B. Harley, and Yee, vol. 3: 35-67. Chicago: University of Chicago Press, 1987.
Yee, Cordell, and John Henderson. “Cartography in China.” In Cartography in the Traditional East and Southeast Asian Societies, in History of Cartography. Chicago: University of Chicago Press, 1987.
Block, Michael. "The Importance of the China trade."
Bowen, Huw. British Politics And The East India Company, 1776-1773 [e-book]. 1986. Available from: Center for Research Libraries, Ipswich, MA.
Claypool, Lisa. "Beggars, Black Bears, and Butterflies." See section on butterflies.
Clunas, Craig. Chinese export watercolours. London: Victoria and Albert Museum, 1984.
Conner, Patrick. The China trade, 1600-1860. Brighton: Royal Pavilion, Art Gallery and Museums, 1986.
____. "The enigma of Spoilum and the origins of China trade portraiture." Magazine antiques. 153, no. 3 (Mar. 1998).
_____. The hongs of Canton : western merchants in south China 1700-1900, as seen in Chinese export paintings. London: English Art Books, 2009.
_____. "George Chinnery and his contemporaries on the China coast." Arts of Asia 23 (May 1993): 66-81.
_____. Paintings of the China trade: the Sze Yuan Tang Collection of historic paintings. Hong Kong: Maritime Museum, 2013.
Cranmer-Byng, J. L. An embassy to China; being the journal kept by Lord Macartney during his embassy to the Emperor Chʻien-lung, 1793-1794. London, Toronto: Longmans, 1962.
Crossman, Carl L. A catalogue of Chinese export paintings, furniture, silver, and other objects, 1785 to 1865. Slaem: Peabody Museum, 1970.
_____. The China trade; export paintings, furniture, silver & other objects. Princeton: Pyne Press, 1972.
_____. The decorative arts of the China trade: paintings, furnishings and exotic curiosities. Woodbridge : Antique Collectors' Club, 2004.
Daniell, Thomas. A picturesque voyage to India by the way of China. London: Longman, Hurst, Rees, and Or’me, Paternoster-Row, 1810
Farris, Johnathan. Enclave to urbanity : canton, foreigners, and architecture from the late eighteenth to the early twentieth centuries. Hong Kong: Hong Kong University Press, 2016.
____. "Treaty ports of China." In Port cities: dynamic landscapes and global networks. Ed. Carola Hein. Abingdon, Oxon; New York: Routledge, 2011.
Haddad, John. The Romance of China: Excursions to China in US Culture, 1776-1876. New York: Columbia University Press, 2008.
Hong Kong Museum of Art, ed. Late Qing China Trade Paintings. Hong Kong: Hong Kong Museum of Art, 1988.
_____. Views of the Pearl River Delta: Macau, Canton, and Hong Kong. Hong Kong: The Urban Council of Hong Kong, 1996.
_____. Artistic Inclusion of the East and West: Apprentice to Master. Hong Kong: Leisure and Cultural Services Department, 2011.
Howard, David S. A tale of three cities: Canton, Shanghai and Hong Kong. London: Sotheby's, 1997.
Koon, Yeewan. See the assigned reading in syllabus.
Lange, Amanda F. Chinese export art at Historic Deerfield. Easthampton: Historic Deerfield, Inc., 2005.
Milam, Jennifer. "Toying with China: Cosmopolitanism and Chinoiserie in Russian Garden Design and Building Projects under Catherine the Great." Eighteenth-Century Fiction 25, no. 1 (2012): 115-138.
Pierson, Stacey. "The Movement of Chinese Ceramics: Appropriation in Global History." Journal of World History 23, no 1 (March 2012): 9-39.
Sargent, William. Treasures of Chinese export porcelain from the Peabody Essex Museum. Salem, MA: Peabody Esssex, 2012.
Sloboda, Stacey. Chinoiserie: commerce and critical ornament in eighteenth-century Britain. Manchester: Manchester University Press, 2014.
Thomas, Greg. "Yuanmingyuan/Versaille: Intercultural Interactions between Chinese and European Palace Cultures." Art History 32. no. 1 (2009): 115-43
Van Dyke, Paul Arthur. The Canton Trade: Life and Enterprise On the China Coast, 1700-1845. Hong Kong: Hong Kong University Press, 2007.
Van Dyke, Paul, and Maria Mak. Images of the Canton factories 1760-1822: Reading history in art. Hong Kong: Hong Kong University Press, 2015.
Barnhart, Richard. “Survivals, Revivals, and the Classical Tradition of Chinese Figure Painting.” In Proceedings of the International Symposium on Chinese Painting, 143-207. Taipei: National Palace Museum, 1972.
Elvin, Mark. “Tales of Shen and Xin: Body-Person and Heart-Mind in China during the Last 150 Years.” In Fragments for a History of the Human Body. Ed. Michel Ferer, et. al., 2: 266-349. New York: Urzone, 1989
.
Feher, Michel, ed. Fragments for a History of the Human Body. 3 vols. New York: Urzone, 1989.
Goldberg, Stephen J. “Figures of Identity: Topoi and Gendered Subject in Chinese Art.” In Self as Image in Asian Theory and Practice. Ed. Roger T Ames et al, 33-58. Albany: State University of New York Press, 1998.
Hay, John. ‘The Human Body as a Microcosmic Source of Macrocosmic Values in Calligraphy.’ In Theories of the Arts in China. Eds. Susan Bush and Christian Murck, 74-104. Princeton, 1983.
Hay, John. “Boundaries and Surfaces of Self and Desire in Yuan Painting.” In Boundaries in China. Ed. John Hay, 124-70. London, 1994.
Hay, John. “The Body Invisible in Chinese Art?” In Body, Subject, and Power in China. Eds. Tani Barlow and Angela Zito, 42-77. Chicago: University of Chicago Press, 1994.
Vinograd, Richard Ellis. Boundaries of the Self: Chinese Portraits, 1600-1900. New York and Cambridge: Cambridge University Press, 1992.
Wu, Hung, and Katherine Tsiang, eds. Body and Face in Chinese Visual Culture. Cambridge and London: Harvard University Press, 2005.
Zito, Angela, and Tani E Barlow, eds. Body, Subject & Power in China. Chicago: University of Chicago Press, 1994.
Bibliography compiled by Dr. Lauren Nemroff, 2004.
An, Huaiqi. Zhongguo yuanlin yishu [The Art of Chinese Gardens]. Shanghai: Shanghai kexue jishu chubanshe, 1986.
Barnhart, Richard. Peach Blossom Spring: Gardens and Flowers in Chinese Painting. New York: Metropolitan Museum of Art, 1983.
Cao Xueqin. The Story of the Stone. Trans. David Hawkes and John Minford, 5 vols. Harmondsworth, England: Penguin Books, 1973.
Chen Congzhou. Suzhou yuanlin [Suzhou Gardens]. Shanghai: Tongji caxue jiaocaike, 1956. Japanese translation, Tokyo, 1982.
———. Shuo yuan [On Gardens]. Beijing: Shumu wenxian chubanshe, 1984. Japanese edition translation, Sato Akira and Kawahara Taketoshi. Tokyo: Toho Soen Kenkyu kai, 1986). Bilingual edition, trans. Chen Xiongshan et al. Shanghai: Tongji University Press, 1984.
Chen, Lixian. Art and Architecture In Suzhou Gardens. Nanjing: Yilin Press, 1992
———. Zhongguo mingyuan. Hong Kong: Commercial Press Ltd., 1990.
Clunas, Craig. Fruitful Sites: Garden Culture in Early Modern China. Durham, N.C.: Duke University Press, 1996.
Clunas, Craig. "Ideal and Reality in the Ming Garden." In The Authentic Garden. Eds. Erik de Jong and Leslie Tjon Sie Fat. Amsterdam: Clusius Foundation, 1991. This volume contains several articles on classical Chinese gardens delivered at an international symposium.
Currie, Christopher K. "Fishponds as Garden Features, c.1550–1750." Journal of the Garden History Society, XVIII (1990): 22–46.
Edwards, Richard. The Art of Wen Cheng-ming (1470–1559.) Ann Arbor: University of Michigan, 1976.See esp. pp. 175–178, cat. no. LI.
Fung, Stanislaus. "Here and There in the Yuan Ye." Studies in the History of Gardens & Designed Landscapes. 19, no. 1 (Spring 1999): 36–45.
———, and John Makeham. "Chinese Gardens: In honor of Professor Chen Congzhou of Shanghai," special issue of Studies in the History of Gardens and Designed Landscapes. 18/3 (Autumn 1998). In addition to the six articles on Chinese gardens, this special volume also includes a lengthy bibliography of secondary sources in Chinese, Japanese and English compiled by Stanislaus Fung.
———, and Mark Jackson. "Four Key Terms in the History of Chinese Gardens." in Proceedings of the International Conference on Chinese Architectural History. Hong Kong: Chinese University of Hong Kong, 1995.
———. "Word and Garden in Chinese Essays on Gardens of the Ming Dynasty: Notes on Matters of Approach." Interfaces: Image, Texte, Language 11–12 (June 1997): 77–90.
Graham, Dorothy. Chinese Gardens: Gardens of the Contemporary Scene, an Account of their Design and Symbolism. New York, 1938.
Handlin-Smith, Joanna. "Gardens in Ch'i Pao-chia's Social World: Wealth and Values in Late-Ming Kiangnan." Journal of Asian Studies 51, no. 1 (February 1992): 55–81.
Harrist, Robert E. "Site Names and their Meaning in the Garden of Solitary Enjoyment." Journal of Garden History XIII (1993): 199–212.
Hay, John A. Kernels of Energy Bones of Earth: the Rock in Chinese Art. New York: China Institute in America, 1985.
———. "Structure and Aesthetic Criteria in Chinese Rocks and Art." Res XIII (Spring 1987): 6–22.
Ji Cheng. The Craft of Gardens [Yuan ye]. Tr.. Alison Hardie, photographs by Zhong Ming, with a foreward by Maggie Keswick. New Haven and London: Yale University Press,1988.
Johnston, R. Stewart. Scholar Gardens of China: A Study and Analysis of the Spatial Design of the Chinese Private Garden. Cambridge: Cambridge University Press, 1991.
Keswick, Maggie. The Chinese Garden. 2nd edition. New York: St. Martins Press, 1986.
Laing, Ellen Johnston. "Qiu Ying's Depiction of Sima Guang's Duluo [sic] Yuan and the View from the Chinese Garden." Oriental Art n.s., XXXIII (1987): 375–80.
Laing, Ellen Johnston. "Ch'iu Ying's Two Garden Paintings Belonging to the Chion-in Kyoto." In Proceedings of the International Colloquium on Chinese Art History: Painting and Calligraphy. Vol. 2, pp. 375-80. Taipei: National Palace Museum, 1992.
Liu, Dunzhen. Suzhou gudai jianzhu shi [A History of Suzhou Architecture] Beijing: Zhongguo jianzhu gongye chubanshe, 1984.
———. Suzhou gudian yuanlin [Classical Gardens of Suzhou]. Beijing: Zhongguo jianzhu gongye chubanshe, 1979.
———. "The Traditional Gardens of Suzhou [Suzhou gudian yuanlin]." an abridged translation by Frances Wood. Garden History, Journal of the Garden History Society X/2 (1982): 108–41.
McDermott, Joseph P. review of Ji Cheng, The Craft of Gardens, trans. Alison Hardie. Garden History, Journal of the Garden History Society XVIII/I (1990): 70–74.
Morris, Edwin T. The Gardens of China: Art, Architecture and Meanings. New York: Charles Scribner and Sons,1984.
Mowry, Robert D., ed. World Within Worlds: The Richard Rosenblum Collection of Chinese Scholar's Rocks. Cambridge, MA: Harvard University Art Museums, 1997.
Munakata, Kiyohiko. "Mysterious Heavens and Chinese Classical Gardens." Res XV (1988): 61–88.
Murck, Alfreda and Wen Fong. "A Chinese Garden Court." The Metropolitan Museum of Art Bulletin 38, no. 3 (Winter 1980–81), reprinted 1985.
Nance, F.R. Soochow, The Garden City. Shanghai: Kelly & Walsh Ltd, 1936.
Pan, Guxi, ed. Zhongguo meishu quanji, jianzhu yishu bian, san, yanlin jianzhu. Beijing: Zhongguo jianzhu gongye chubanshe, 1988.
Plaks, Andrew H. Archetype and Allegory in the Dream of the Red Chamber. Princeton: Princeton University Press, 1976.
Ruitenbeek, Klaas. Carpentry and Building in Late Imperial China: A Study of the Fifteenth-century Carpenter's Manual, Lu Ban jing. Leiden, New York and Cologne: Sinica Leidensia,1993.
Schafer, Edward H. "Cosmos in Miniature: The Tradition of the Chinese Garden." Landscape 12, no. 3 (Spring 1963): 24–26.
Siren, Osvald. Gardens of China. New York: The Ronald Press Co., 1949.
Stein, Rolf A. The World in Miniature: Container Gardens and Dwellings in Far Eastern Religious Thought. Trans. Phyllis Brooks. Stanford: Stanford University Press, 1990.
Stuart, Jan. "Ming Dynasty Gardens Reconstructed in Words and Images." Journal of Garden History 10, no. 3 (1990): 162–172.
———. "A Scholar's Garden in Ming China: Dream and Reality." Asian Art 3, no. 4 (Fall 1990): 31–52.
Suzhou Institute of Landscape Architectural Design. Suzhou Gardens [Suzhou Yuanlin]. Beijing: Zhongguo jianzhu gongye chubanshe, 1999.
Tsao, Lin-ti. Ku-su yuan-lin yu Chung-kuo wen-hua. Taipei: Wan-chuan-lou t'u-shu yu-hsien kung-ssu, 1993.
Watt, James C.Y. and Chu-tsing Li eds. The Chinese Scholar's Studio: Artistic Life in the Late Ming Period (exhibition catalogue) New York: Asia Society, 1987.
Whitfield, Roderick. In Pursuit of Antiquity: Chinese Paintings of the Ming and Ch'ing Dynasties from the Collection of Mr. and Mrs. Earl Morse. Rutland, VT: The Art Museum, Princeton University, 1969.,see esp. pp. 66–75, cat. no.3.
Wilson, Marc F. and Kwan S. Wong. Friends of Wen Cheng-ming: A View from the Crawford Collection (exhibition catalogue). New York: China House Gallery: 1974.
Yun, Qiao ed. Classical Chinese Gardens. Hong Kong and Beijing: Joint Publishing Company Ltd., 1982.
Bickford, Maggie. “Stirring the Pot of State: The Sung Picture-Book Mei-Hua Hsi-Shen P’u and its implications for Yuan Scholar Painting.” Asia Major 3rd series 6, no. 2 (1993): 169-225.
Carpo, Mario. Architecture in the Age of Printing. Tr. Sarah Benson. Cambridge: MIT Press, 2001.
Chartier, Roger. Forms and Meanings: Texts, Performances, and Audiences from Codex to Computer. Philadelphia: University of Pennsylvania Press, 1995.
Chartier, Roger. The Order of Books. Tr. Lydia Cochrane. Cambridge: Polity Press, 1992.
Chiu, Alfred K’ai-ming. “The Chieh Tzu Yüan Hua Chuan: Early Editions in American Collections.” Archives of Asian Art 5 (1951): 55-69.
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Early views of India : the picturesque journeys of Thomas and William Daniell, 1786-1794 : the complete aquatints
Daniell, Thomas, 1749-1840.
Publisher:: Thames and Hudson
Pub date:: 1980.
ISBN:: 0500012385
Call Number: DS 408 D18 1980 (Rutherford)
Oil paintings of India and the east by Thomas Daniell 1749-1840 and William Daniell 1769-1837
Shellim, Maurice.
Publisher:: Inchcape & Co. in conjunction with Spink & Son,
Pub date:: c1979.
ISBN:: 0950674001
Call Numbers: ND 497 D18 S54 1979 folio (Rutherford)
A descriptive catalogue of Daniells work in the Victoria Memorial
Victoria Memorial (Museum)
Publisher:: Victoria Memorial,
Pub date:: [1976?]
Pages:: ii, 76 p., [9] leaves of plates :
1 copy available at University of Alberta Book and Record Depository.
The Daniells in India and the waterfall at Papanasam
Shellim, Maurice
Publisher:: The Statesman,
Pub date:: 1970
1 copy available at University of Alberta Book and Record Depository.
Electronic Resources:
Oriental scenery : containing twenty-four views of the architecture, antiquities and landscape scenery of Hindoostan
Daniell, Thomas, 1749-1840.
A picturesque voyage to India by the way of China
Daniell, Thomas, 1749-1840.
Antiquities of India. : Twelve views from the drawings of Thomas Daniell, R.A. & F.S.A. Engraved by himself, and William Daniell. Taken in the years 1790 and 1793. Dedicated respectfully to the Society of Antiquaries of London. London, Oct. 15, 1799
Daniell, Thomas, 1749-1840.
Oriental scenery. Twenty-four views in Hindoostan, taken in the years 1789 and 1790 drawn and engraved by Thomas Daniell
Daniell, Thomas, 1749-1840.
Oriental scenery. Twenty-four views in Hindoostan, taken in the year 1792; drawn by Thomas Daniell, and engraved by himself and William Daniell
Daniell, Thomas, 1749-1840.
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